Nailsworth Shoddy

I often walk the cycle track at the bottom of Rodborough Hill,
The old Midland Railway spur from Dudbridge into Stroud,
And I often cycle the track on to Nailsworth through Woodchester,
Musing on the springs and watercourses, the ancient holloways,
The Roman villa, medieval ridge and furrow, the woollen mills,
The occasional mill chimney, still rising high into the Stroudwater sky,
And I have often walked the surrounds of Avening, Minch and Amberley,
Recreating the 1916 tragedy of Dorothy Beard and Archibald Knee,
A young woman and a young new recruit,
Drowning together in a millpond.

In short, my head is usually lost in the clouds of the past,
Where I am entranced rather than perturbed by novelty –
Unlike Scrooge, I see few phantoms that repel –
Until last night, when just before our show
Trenchcoats for Goalposts,
At the Comrades’ Club,
In Nailsworth,
Jon Seagrave mentioned a local radio history programme
About that local branch line and the First World War,
Did I know that? …

I often walk the cycle track at the bottom of Rodborough Hill,
The old Midland Railway spur from Dudbridge into Stroud,
And I often cycle the track on to Nailsworth through Woodchester,
Musing on the springs and watercourses, the ancient holloways,
The Roman villa, medieval ridge and furrow, the woollen mills,
The occasional mill chimney, still rising high into the Stroudwater sky,
And I have often walked the surrounds of Avening, Minch and Amberley,
Recreating the 1916 tragedy of Dorothy Beard and Archibald Knee,
A young woman and a young new recruit,
Drowning together in a millpond.

In short, my head is usually lost in the clouds of the past,
Where I am entranced rather than perturbed by novelty –
Unlike Scrooge, I see few phantoms that repel –
Until last night, when just before our show
Trenchcoats for Goalposts,
At the Comrades’ Club,
In Nailsworth,
Jon Seagrave mentioned a local radio history programme
About that local branch line and the First World War,
Did I know that? …

(Dictionary definition interruption:
Shoddy
Adjective:
Badly made or done.
‘We’re not paying good money for shoddy goods.’
Synonyms:
Poor-quality, inferior, second-rate, third-rate, low-grade, cheap, cheapjack, tawdry rubbishy, trashy, gimcrack, jerry-built, crude,

Lacking moral principle, sordid,

‘A shoddy misuse of the honours system.’

Noun:
An inferior quality yarn or fabric made from the shredded fibre of waste woolen cloth or clippings.)

Did I know that? …
In the First World War, the uniforms of dead soldiers
Were brought from the front, across the Channel, along the railway lines
Of southern England, and so to the Nailsworth branch line,
Where bloodstained and able to tell who knows what tale
Of carnage, confusion and pain,
This timetabled railway conveyor belt
Would deliver its constant supplies to keep alive
The endless supply of shoddy;

Jon said, just before we went on stage,
‘In my innocence I thought the soldiers would have had the dignity of a burial in their uniform, rather than be stripped bare of honour.’

I am sure there was a heartfelt justification for this:
The submarine warfare in the Atlantic,
The destruction of British merchant shipping
The consequent shortages of 1917,
The drowning of our seamen,
The need for cloth to provide uniforms
As the armed forces grew with Kitchener’ appeal,
And then with conscription after 1916,

But there was still something shocking in this tale for me,
Something that I took with me on stage,
That made me mention Robert Graves’ Good-bye to All That
For the first time to an audience in this production:
I think Graves’ image of the Western Front as a ‘sausage machine’
Subliminally affected me –
I thought of his words:
‘It was fed with live men, churned out corpses,
and remained firmly screwed in place’,
As I sang the first verse of ‘Goodbyee’ at the finale…

And what of Lloyd George, Minister for Munitions?
Secretary of State for War, Prime Minister:
‘The Man who won the War’,
Keeping the front lines fed with men and shells,
Keeping the Nailsworth branch line busy with dead men’s uniforms
(‘Finding an arm or a leg still inside wasn’t that uncommon’),
Keeping the Nailsworth mills busy with the production of shoddy,
The production of shoddy for yet more uniforms,
In a Catch 22 search for the perfect uniform:
Made from an infinitely regressive shoddy,
‘Dulce et Decorum est
Pro Patria Mori,
Lloyd George – ‘The man who won the war’,
Friend of ‘the hard-faced men who did well out of the War’,
Flogging them peerages, knighthoods, medals:
The Order of the British Empire
Was conveniently and coincidentally coined in 1917,
Keeping himself in power and profit with the
‘Sale of Honours Scandal’ …

Shoddy
Noun:
An inferior quality yarn or fabric made from the shredded fibre of waste woolen cloth or clippings.

Adjective:
Badly made or done

Synonym:
Lacking moral principle, sordid,

‘A shoddy misuse of the honours system.’

Unbelievable
Adjective:
Unlikely

Synonyms:
Amazing, surprising, astonishing, revelation, shocking, thunderbolt, startling, staggering, turn-up for the book
‘That a part of some poor fellow should end up in the (relative) tranquility
of a Cotswold valley, far from the carnage.’

History Workshop Journal

This is the official Facebook group for History Workshop Journal and History Workshop Online.

Both the journal and the website emerge from the History Workshop movement. Founded in Britain in the late sixties by the historian Raphael Samuel, the movement advocated “history from below”: history envisioned from the perspective of ordinary people rather than elites…

This is the official Facebook group for History Workshop Journal and History Workshop Online.

History Workshop Journal is published by Oxford University Press: http://hwj.oxfordjournals.org/
History Workshop Online can be found here: http://www.historyworkshop.org.uk/

Both the journal and the website emerge from the History Workshop movement. Founded in Britain in the late sixties by the historian Raphael Samuel, the movement advocated “history from below”: history envisioned from the perspective of ordinary people rather than elites. To that end, it sought to move the study of the past beyond the academy into public gatherings – “workshops” – that were open to anyone. The aim was to turn historical research and writing into (as Samuel put it) ‘a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the “do-it-yourself enthusiast” and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged’.

History Workshop Journal Logo

Radical Stroud’s Entry on the History Workshop Journal Page

Stroud – that ‘mill town in the Cotswolds’ – together with its hills, valleys and Gloucestershire tracks, has a long history of radicalism: a Digger community down the road at Slimbridge; Parliamentarian supporters in the Civil War; illegal tobacco cultivation; food riots; weavers’ riots; Captain Swing; poaching; Chartism; agricultural trades unionism, Quakerism, a Tolstoyan community nearby – and, uniquely, an arch to commemorate the end of slavery.

I could go on, but there is another side to this this coin: ‘Stroud Scarlet’s imperial history. That cloth stretched out on tenterhooks, red-coated the British army; was traded with the Iroquois and by the East India Company; some of that cloth must have made its way down to Bristol, Bunce Island, Sierra Leone, North West Africa and …

Radical Stroud celebrates, recreates, challenges, and reimagines this history through collective performative landscape walks, fusing the performing arts, ‘history’, ‘literature’, psychogeography and counter-heritage. We go beyond conventional sources by creating first person prose and poetical accounts, giving a voice to those ignored by the ‘enormous condescension of posterity’. We blur the genres of History and Literature, of Fiction and Non-Fiction.

I will provide just a few examples here, but a browse through our website will give a fuller picture of our practice. Past shows and recordings include No Pasaran! – a history of west country involvement in the Spanish Civil War; Fair Shares for All – a history of the co-operative movement in Gloucestershire, and Trenchcoats for Goalposts – our current show about the 1914 truce, and local football clubs.

As regards collective walks, we had over one hundred people on our Weavers’ and Workhouse Walk, while our most recent walk saw sixty people walk five miles to commemorate a meeting of 5,000 people in support of Chartism on Selsley Hill, near Stroud in 1839. This featured the christening of a new Chartism beer remembering John Frost (he was selected as prospective Chartist parliamentary candidate for Stroud, some eight months before the Newport Rising) at Stroud Brewery; a walk along the Thames and Severn Canal, with songs and poems; and then the climb up to Selsley with a recreation of the 1839 speeches up there, together with more song against a sun-splashed Severn sunset.

We have received funding from Stroud Festival for our Chartism project, and a film about the 1839 meeting called Day of Hope is in gestation this year, and will be screened in the Stroud Fringe Festival next August. This is a community-based production, with local actors, scriptwriters, musicians, historians, and community involvement through public meetings and invitations via both traditional and social media.

As part of this project, we are also walking the Thames from source to Kensal Green, to commemorate the Chartist Allen Davenport, who was born by the infant Thames at Ewen, and who features on the Reformers’ Memorial at the cemetery.

Finally, a new Waterscape section will appear on the website in January: a radical history of our local canals and rivers, with radical boat trips as well as walks.

Brooklyn and the Slad Brook Conjoined

Brooklyn and the Slad Brook Conjoined Historically and Inter-Textually

I remember so well that day at Wallbridge in Stroud,
Seeing the man whose name I do not know,
Yet with whom I always share the time of day
Whenever our paths cross in the street;
He was leaning on the canal bridge,
Gazing out over the waters,
Beyond the information board
Which portrays Stroud Scarlet,
Stretched out on tenterhooks
In Rodborough Fields;
He was staring at the Cainscross Road,
Where the Slad Brook enters the canal –
In a reverie about the old brewery, I thought –
‘Remembering the smell of the beer?’ I asked;
‘No, I’m just thinking about all of these cars,
Where they all comin’ from, and where they all goin’ to?’

Brooklyn and the Slad Brook Conjoined Historically and Inter-Textually

I remember so well that day at Wallbridge in Stroud,
Seeing the man whose name I do not know,
Yet with whom I always share the time of day
Whenever our paths cross in the street;
He was leaning on the canal bridge,
Gazing out over the waters,
Beyond the information board
Which portrays Stroud Scarlet,
Stretched out on tenterhooks
In Rodborough Fields;
He was staring at the Cainscross Road,
Where the Slad Brook enters the canal –
In a reverie about the old brewery, I thought –
‘Remembering the smell of the beer?’ I asked;
‘No, I’m just thinking about all of these cars,
Where they all comin’ from, and where they all goin’ to?’

I thought of him, the canal, the cars and the picture today,
When striding out into New York City;
Some of that Stroud Scarlet stretched out in Rodborough Fields
Might well have ended up in New York,
Nearly two hundred and fifty years ago,
A spreading splash of crimson on Brooklyn Heights;
It had already been traded with the Iroquois,
A century before that,
And slaves, both north and south of the Mason-Dixon Line
Would have been bought with Stroud Scarlet back in Africa;

Back home, locals might well have gathered to gaze and chat on the bridge,
Talking of the war in America,
And of the new Stroudwater Navigation,
Watching the coaches and the Severn trows,
Wondering where they all comin’ from,
And where they all goin’ to;

Charles Mason, of the Mason-Dixon Line,
Was born back home:Wear Farm, Oakridge Lynch:
Baptized at Sapperton Church, May Day 1728;
Thomas Pynchon imagined him over at Randwick,
Watching a cheese rolling, admiring Susannah Peach,
Dreaming of the wealth in her father’s Minchinhampton house –
Samuel Peach, ‘a growing Power within the East India Company’;
But Charles met and fell in love with Rebekah –
‘he went toppling on to the grass …
As he arose, holding his head … her Voice first reached him.
“Were it Night –time, Sir, I’d say you were at Star-Gazing.”…
Her looks had him stupefied’,
There near ‘The towns around the Golden Valley’,
where
‘The precise Geography of the Water-shed was now primary,-
where Races might go, for Wheels to be driven and Workshops
to be run from them… ‘twas like coming before the Final Judge’,

Which is why whilst Mason and Jeremiah Dixon were making their line,
Twixt Pennsylvania and Maryland,
Manufacturers and surveyors and the traders of Stroudwater
Were dreaming of a line, a cut and an inland navigation,
Stretching from the Severn at Framilode, and so on to Stroud;

But in the year when General Wolfe and his Stroud Scarlet troops
Stormed the heights of Quebec,
Rebekah,
Mason’s first wife, died:
A memorial tablet stands upon a tombstone at Sapperton,
To recall her life,
When a few short years before,
Colonel Wolfe had ridden down striking weavers
in the valleys around Horsley and Stroud,

And even though he professed some sympathy for their plight:
“The people are so oppressed, so poor and so wretched,
that they will, perhaps, hazard a knock on the pate for bread and clothes… the poor half-starved weavers…beg about the country for food…the masters have beat down their wages too low to live upon,
and I believe it is a just complaint”,
He was in charge of six companies of foot soldiers
Enough “to beat the mob of all England”;

He reported that
” Those who are most oppressed have seized the tools
and broke the looms of others who would work if they could”.
And so he obediently awaited orders
from “the magistrates to use our weapons against them” –
and so, the production of Stroud Scarlet resumed,
Laid out on tenterhooks, in that picture down by the canal,
Ready for ‘The American War of Independence’,
‘The American Revolution’ –
For in 1775, General Howe stiffened Loyalist New York’s resolve
With over 30,000 soldiers:
Stroud Scarlet troops landing at Staten Island and Long Island;
Ready for George Washington’s march south from Boston,
To the tip of Manhattan, across the East River, to Long Island,
And Brooklyn Heights;

Washington was eventually forced to retreat
After the redcoats’ stealthy advance up what is now Park Slope,
(With just one solitary victory to his name, at Harlem Heights),
Back across the East River, once more into Manhattan;
Then further along roads on the west bank,
Across the Hudson River to reach New Jersey,
Across the Delaware, and so into Pennsylvania;
The British army and Stroud Scarlet would occupy New York
For the rest of the conflict,
But it was a hollow victory:
The British army would depart in ignominy,
Seven years later, on November 25th 1783;

Five more years would pass,
Until King George the Third would lose his mind,
The year in which he would start talking to the trees,
Lamenting ‘The loss of my Colonies’,
The year in which he visited the locks at Wallbridge,
And the tunnel at Sapperton,
The year before the French Revolution
Would subsequently lead to more war,
More tenterhooks,
And more Stroud Scarlet,
And yet more crimson spilt:
Families on tenterhooks,
Hoping husbands, sons and brothers would return,
Uninjured, in one piece
(Rather than forced to beg in tattered red),
To Stroud, its looms, its springs, its brooks and streams,
Its scarlet, and its crimson,
Up there in Rodborough Fields,
Above the Slad Brook,
Unaware of the fate of Nathan Hale,
A generation before,
Arrested in Queens as a spy,
‘Hanged by the redcoats’
In Manhattan in 1776, aged twenty-one:
‘I only regret that I have but one life to lose for my country’:
The Slad Brook and Brooklyn conjoined.

Places to visit:
Saint Paul’s Church, downtown; Morris-Jumel Mansion, uptown;
Rivington Street, named after a Loyalist printer who acted as a spy for Washington and as a double-agent;
MacDougal Street, named after Alexander MacDougal, who founded the New York Sons of Liberty; Hannah MacDougal, his wife, led a Broadway march against his imprisonment for his ‘To the Betrayed Inhabitants of the City and Colony of New York’;
Murray Hill , remembers Robert Murray and his Wall Street shipping company and Murray’s Wharf, but even more his wife, Mary, who detained British officers with a fine meal, thus allowing American troops to escape pursuit;
Francis Lewis Boulevard – Mr Lewis, the merchant, signed the Declaration of Independence as a representative of New York. The Declaration was declaimed on July 9th 1776, in what is now City Hall Park.
It is interesting to reflect on the fact that New York is named after James, Duke of York (after the Dutch gave up ‘New Amsterdam’). The Duke, the future King James the Second, was a leading light in the Royal African Company. So much so, that slaves were branded DY before the middle passage to the Americas and the West Indies. There seems to be some amnesia about this: King’s County; Queen’s County; Prince Street …

New York …

Francis Spufford Golden Hill Faber and Faber 2016:

‘The Broad Way … was a species of cobbled avenue, only middling broad, lined … with small trees. Wagon-drivers, hawkers with handcarts … Beyond Broad Way … the lanes descended there to an uncertain shore, where rowing boats were drawn up in clumps of yellow grass, and wading birds stalked on mudflats exposed by the tide …

‘river-schooners from up the Hudson and coasters from all along Long Island and Connecticut, and wherries plying across from Jersey …

Sixty People Gathering

Sixty people gathering
In the welcoming woodland of Stroud Brewery,
Watching the preview of Day of Hope,
Listening to tales of weavers’ riots
And Chartist dreams;
Quaffing Chartist porter
While Paul Southcott sang us songs
Of the world we have lost …
Resting by a sun warm red brick bridge,

Above Photos by Deborah Roberts.
www.deborahroberts.biz

Sixty people gathering
In the welcoming woodland of Stroud Brewery,
Watching the preview of Day of Hope,
Listening to tales of weavers’ riots
And Chartist dreams;
Quaffing Chartist porter
While Paul Southcott sang us songs
Of the world we have lost …
Resting by a sun warm red brick bridge,
Walking past the last leafed sessile oaks,
Red berried hedges and apple bobbed branches,
Watching navvies on their way to Sapperton …
On past lock gates to Bowbridge:
Alongside Brunel’s main line,
The Great Western viaducts,
The River Frome and ruined mills,
To Wallbridge and the Midland Railway –
And so to the Bell at Selsley:
To gaze at November’s late afternoon light
Gilding Rodborough Common,
Seeing John Frost up there on Good Friday 1839:
Toasting him with more porter,
With songs of poachers and talk of Jenner and Colonel Berkeley,
Hearing Janet Biard tell us of the serpentine lines
Of Chartist supporters and sightseers,
Making their way to Selsley Common
From all over Stroudwater’s hills and valleys,
Along lanes, holloways and tracks of prehistory,
Back on Whitsuntide, May 21st 1839.
We climbed with their ghosts,
To join in the huzzas for the six points
And the hisses for Lord John Russell,
Silhouetted against a sun splashed orange sunset,
The Severn a silver line gleaming in the distance,
Hearing how the common would have been a white scarp land
Of limestone quarries and heaped blocks of Cotswold stone
Back on that famous Selsley day,
Hearing of the Pre-Raphaelite wonders of Selsley Church –
Until Paul gathered us in an old sheltered hollow,
For one final communal twilight song,
Until we wended our way back to the present,
In the gathering gloom of this last November Saturday:
A Day of Hope and a Day of Remembrance.

Watch on Facebook

So here is the link to a bit of Day of Hope which we prepared for yesterday’s walk. This is not a finished item and some bits a bit rushed but gives a feel of the overall project.

A fine day of songs, speeches and good ale. Well done to you and your co-conspirators. The finale was elemental and timeless with the backdrop of sky and river and the cold just beginning to bite.
Martin Carslake

Selsley

Echo Chambers – Archibald and Dorothy

Echo Chamber: Voices of Conscience – a sound and photography exhibition marking 100 years of conscientious objection – owes its inspirational existence to Fiona Meadley, Dom Thomas and Ruth Davey. The exhibition includes information submitted by living relatives of Conscientious Objectors from WW1: it was a privilege to contribute to this history, with our performance of the story of Dorothy and Archibald.
The link: https://radicalstroud.co.uk/wp-content/uploads/2016/11/Archie-And-Dorothy.m4a takes you to a recording made of Dorothy and Archibald , featuring the voices of Rachel Simpson and Stuart Butler, as they read the words of Alice Butler and Stuart, during the Stroud Book Festival in November 2016.

Echo Chamber: Voices of Conscience – a sound and photography exhibition marking 100 years of conscientious objection – owes its inspirational existence to Fiona Meadley, Dom Thomas and Ruth Davey. The exhibition includes information submitted by living relatives of Conscientious Objectors from WW1: it was a privilege to contribute to this history, with our performance of the story of Dorothy and Archibald.
The link: https://radicalstroud.co.uk/wp-content/uploads/2016/11/Archie-And-Dorothy.m4a takes you to a recording made of Dorothy and Archibald , featuring the voices of Rachel Simpson and Stuart Butler, as they read the words of Alice Butler and Stuart, during the Stroud Book Festival in November 2016.

Archibald and Dorothy

by Stuart and Alice Butler | Read by Rachel Simpson and Stuart Butler

Dear Stuart
And thank you and Rachel for your engaging performances.
I estimate we had about 200 visitors over the weekend, and they donated £178 to stroud refugee aid. And the event was extensively covered on bbc radio Gloucestershire on Remembrance Sunday. I will forward you a news clip broadcast at 9 am. It brought in many visitors, and Sunday was our busiest day.

I’ve made a 60 second video clip with the radio broadcast about echo chamber and posted it on YouTube. You are welcome to use it in your blog.
> https://m.youtube.com/watch?v=h-GXDu3EFgw

Regards
Fiona

Stuart
Thanks for yesterday. Really enjoyed your input. Was great to have such a moving local story. Here are a few pics. If you use, please credit as follows:
Photos by Ruth Davey – www.look-again.org. If anyone else wants to use them, please let me know and ask them to contact me on 07789 958895
Thanks
Ruth

Stroud Library: Use it or Lose it – Ex Libris Ad Amazonia

It’s odd to think that the Chartist mass meeting up on Selsley Hill
Contributed to the formation and spread of public libraries.
But it’s true, after a fashion.

The Chartist decade of 1838 to 1848,
The ruling class fear of revolution,
The threat to private property and profit,
The association of freethinking with ‘intemperance’,
All helped lead to the 1850 Public Library Act,
The cult of municipal museums too,
And the Victorian emphasis on private study,
Within a public or familial space:
The familiar trope of the Victorian working class male autodidact.

‘We must educate our masters’,
Said Home Secretary, Robert Lowe,
After the urban working class gained the vote in 1867,
But self-help, the 3 R’s, libraries, museums and schools
Didn’t necessarily mean universal conformist thinking:
Fiction fostered the imagination, and non-fiction the frown:
Reading could lead to questioning, and such questioning,
Coupled with the study of a book’s bibliography
Could lead to the polite request that the local library
Might order a required book –
Not on the shelves –
Either as new stock,
Or from another library,
Out of town or county:
This was a public, national service,
Not just a municipal one.

It’s odd to think that the Chartist mass meeting up on Selsley Hill
Contributed to the formation and spread of public libraries.
But it’s true, after a fashion.

The Chartist decade of 1838 to 1848,
The ruling class fear of revolution,
The threat to private property and profit,
The association of freethinking with ‘intemperance’,
All helped lead to the 1850 Public Library Act,
The cult of municipal museums too,
And the Victorian emphasis on private study,
Within a public or familial space:
The familiar trope of the Victorian working class male autodidact.

‘We must educate our masters’,
Said Home Secretary, Robert Lowe,
After the urban working class gained the vote in 1867,
But self-help, the 3 R’s, libraries, museums and schools
Didn’t necessarily mean universal conformist thinking:
Fiction fostered the imagination, and non-fiction the frown:
Reading could lead to questioning, and such questioning,
Coupled with the study of a book’s bibliography
Could lead to the polite request that the local library
Might order a required book –
Not on the shelves –
Either as new stock,
Or from another library,
Out of town or county:
This was a public, national service,
Not just a municipal one.

Public libraries, public housing, public houses, public services,
Public footpaths, public baths, public broadcasting, public space,
Public health, public transport, public reading:
Children clutching their four books under their arms,
On their fortnightly visit,
Learning the nature of youthful citizenship
When paying their fines if overdue,
Studying the stamps and dates at the front of the book:
Wondering about who might have had this book before,

What were they like?
Were they just the same as me?
Would we ever meet, and discover that…
Once upon a time …

Or gauging the popularity of a book,
How could it be that no one had taken this book out for two years,
Two months and twenty-six days!
And when receiving a book through the out of county service,
The seemingly random nature of geography
And one’s own personal taste,
Resulting in strange affinities and remembrances:
How did Stroud know this book I needed
Was in Lewes Public Library?
In that faraway county called Sussex.
Why Lewes?

And back then,
There were libraries in all the suburbs, towns, cities, villages
And counties in our country, and travelling libraries too
For hamlets and isolated homesteads in the back of beyond,
Back in the time when England, Wales,
Scotland and Northern Ireland
Were not called Amazonia:
Use it or Lose it.

Saturday November 26th 1pm Stroud Brewery: A Chartist Walk with a Porter

A performative walk starting at Stroud Brewery to christen the new Chartist porter. The walk will commence at the Brewery, with explanation, contextualisation and performance; then wend its way along the canal to Wallbridge and then along the old railway line to Dudbridge. We will then climb up to the Bell for more porter and thence to the top of Selsley Hill. The walk will be interspersed with performance, bringing the local and national Chartists to life in the landscape. Walkers make their own way back to wherever they wish to go: that’s the Chartists’ seventh point. We should be finished on Selsley by 4pm.

A performative walk starting at Stroud Brewery to christen the new Chartist porter. The walk will commence at the Brewery, with explanation, contextualisation and performance; then wend its way along the canal to Wallbridge and then along the old railway line to Dudbridge. We will then climb up to the Bell for more porter and thence to the top of Selsley Hill. The walk will be interspersed with performance, bringing the local and national Chartists to life in the landscape. Walkers make their own way back to wherever they wish to go: that’s the Chartists’ seventh point. We should be finished on Selsley by 4pm.

On the Evening of August 27th . 1916

‘Dorothy and Archibald’

On the evening of August 27 1916, Private Archibald Knee, 25 years old, and of the Gloucestershire Regiment was due to return to his battalion on a train from Stroud station, cured of his German measles. On any other Sunday evening, Dorothy Beard of Gravel Hill, Burleigh, eighteen years young, would have been preparing for work at Brimscombe Mills. But Archibald missed his train, and Dorothy did not appear at work the next day. Instead, having walked out to Longfords Lake, hand in hand, they tied themselves together with the belt of his mackintosh, and they drowned in Iron Mills Pond, Avening, in the early hours of August 28 1916. Dorothy’s watch had stopped at 3.51 a.m.

‘Dorothy and Archibald’

On the evening of August 27 1916, Private Archibald Knee, 25 years old, and of the Gloucestershire Regiment was due to return to his battalion on a train from Stroud station, cured of his German measles. On any other Sunday evening, Dorothy Beard of Gravel Hill, Burleigh, eighteen years young, would have been preparing for work at Brimscombe Mills. But Archibald missed his train, and Dorothy did not appear at work the next day. Instead, having walked out to Longfords Lake, hand in hand, they tied themselves together with the belt of his mackintosh, and they drowned in Iron Mills Pond, Avening, in the early hours of August 28 1916. Dorothy’s watch had stopped at 3.51 a.m.

They left no note.

‘Dorothy and Archibald’:

A folding publication, with illustrations, produced to coincide with this year’s Stroud Book Festival. Designed and illustrated by Katie Johnston, an RCA graduate from Nailsworth, this collaborative book features texts by Alice and Stuart Butler, on the mutual suicide of Private Archibald Knee and Dorothy Beard in 1916, at Iron Mills Pond, near Avening.

Copies of the limited edition publication will be available for purchase. The publication, tied with twine as though it were a small parcel or gift, also contains a commemorative postcard:

The fear of France…
And all roads seemed as though they might well lead to France…
Unless you walked out one night,
Arm in arm,
Along the New Road that led to the Iron Gates Pond.

£3 a copy; 2 for £5

Voices of Conscience, Trenchcoats for Goalposts & All Our Stroud Yesterdays

Announcing three new events this November and two more this December:

Saturday 12th November 7.30 pm £12
TRENCHCOATS FOR GOALPOSTS
Prince Michael Hall, The Bacon Theatre, Hatherley Road, Cheltenham

Friday 11 – Sunday 13 November
ECHO CHAMBER – VOICES OF CONSCIENCE
The Old Town Hall, Shambles £1 all profits to Stroud Refugee Aid

Wednesday 16th November
ALL OUR STROUD YESTERDAYS
9 pm Subscription Rooms £5/£4

Friday 9th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Painswick Centre, Painswick

Saturday 10th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Comrades Club, Nailsworth

Trechcoats for Goalposts Poster
All our yesterdays Poster
Echo Chamber Logo

Announcing three new events this November and two more this December:

Saturday 12th November 7.30 pm £12
TRENCHCOATS FOR GOALPOSTS
Prince Michael Hall, The Bacon Theatre, Hatherley Road, Cheltenham

Be transported in theatre, spoken word, live music and song to No Man’s Land in a moving and funny re-creation of the 1914 Christmas Truce. Inspired by local stories and memories, two brave Cheltenham Town FC players set off from Cheltenham for the front line. A compelling 90 minute show.

Friday 11 – Sunday 13 November
ECHO CHAMBER – VOICES OF CONSCIENCE
The Old Town Hall, Shambles £1 all profits to Stroud Refugee Aid

A sound and photography exhibition marking 100 years of conscientious objection.
Quakers have a long history of opposing war and when conscription was introduced in Britain during World War One, many chose to conscientiously object to joining the armed forces. For some this meant rejecting any form of participation and they were imprisoned and sentenced to death for their refusal (later commuted). Others took up alternative forms of service, providing relief from suffering at the front. There were over 16,000 registered conscientious objectors (Cos) during World War One. People objected on different grounds. This exhibition is inspired by their stories.
Opening times: Fri 11th 2pm to 7.30 pm
Sat 12th 10 to 6pm
Sun 13th 10 to 5pm

On Saturday 12th November at the Echo Chamber (11am, 12pm and 2pm), Rachel Simpson and Stuart Butler will give readings from ‘Dorothy and Archibald’, a folding publication, with illustrations, produced to coincide with this year’s Stroud Book Festival. Designed and illustrated by Katie Johnston, an RCA graduate from Nailsworth, this collaborative book features texts by Stuart and Alice Butler, on the mutual suicide of Private Archibald Knee and Dorothy Beard in 1916, at Iron Mills Pond, near Avening.
Copies of the limited edition publication will be available for purchase. Hope to see you there!
£3 a copy; 2 for £5

In this year of the centenary of the Battle of the Somme and its shocking futility, it’s salutary to hear the thoughts of conscientious objectors – religious, socialist, communist, pacifist et al. Dorothy Beard and Archibald Knee, too. And the Old Town Hall in the Shambles is a perfect setting; but take a few moments to visit the railway station, Cheapside and Rowcroft first:

When wounded soldiers arrived at Stroud, ‘There was the usual uncertainty as to which railway station they would arrive at, and consequently the crowds were thickest at the top of Rowcroft, where the roads from the two stations meet. Here people lined the streets six or eight deep, and there was only a narrow way left for the passage of motor-cars and carriages, which had been kindly lent by residents to convey the wounded to hospital…’

Two years later:
‘The Somme pictures proved to be the greatest cinema attraction ever presented to the public of the Stroud district, and we congratulate the management of the Empire Theatre on securing the wonderful film for their patrons…The pictures gave us some little conception of the tremendous amount of energy expended in this one theatre of the war. They gave us, too, some faint inkling of the immense and tragic waste of war: the blasted land, the material wreckage, the broken men and the irrecoverable lives. Their effect was saddening and at the same time inspiring…The half-demented German prisoners aroused sentiments not of derision but of pity…But the dominant impression was that of the bouyancy of our own incomparable men. Surely in all the tragic history of war a more light-hearted, high-spirited and fearless army has never marched into the zone of death and pain? The incalculable debt we owe to these heroes can never be liquidated: for all time the race will be their debtor. No words could record so convincingly as these pictures of actual war scenes the splendid spirit of Britain’s fighting men.’

If you want to find the old battalion,
I know where they are, I know where they are, I know where they are
If you want to find the old battalion, I know where they are,
They’re hanging on the old barbed wire,
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.

Conscientious Objectors and WW1: A few facts

1. NUMBERS: Conscription was introduced in 1916 and, with a numerical symmetry, there were about 16,000 conscientious objectors in this country by the end of the war.
2. NUMBERS: Over 2,000 tribunals sat in judgment on men, deciding on their sincerity over conscientious objection. Members of the tribunals saw their role more to intimidate men into the armed forces rather than grant a fair hearing. But as Ann Kramer puts it in her book Conchies: Conscientious Objectors of the First World War: ‘After all, as many objectors commented; how does a man prove he has a conscience?’
3. NUMBERS: Tribunals could make 4 choices: absolute exemption; an alternative to military service; rule that an individual could take a non-combatant role within the army; reject the application totally and order combatant duties.
4. RESISTANCE: Conscientious objectors carried on resistance, however, in the face of tribunal decisions. For example: refusing medical examinations; refusing to wear uniforms; refusing to march; refusing to salute or stand up.
5. RESPONSES: Responses included the following: polite persuasion; forcible wearing of uniforms; wearing of straitjackets; exposure to extreme cold or heat; solitary confinement; prison; beatings up; field punishments, and then, in the weeks before the Battle of the Somme in 1916, 50 men were secretly transported to France to receive death sentences.
6. DEATH SENTENCES: The death sentences were announced to the men in groups – and then after a few seconds pause, the officer would announce that the death sentence was commuted to ten years’ imprisonment with hard labour.
7. PRISON: Over 6,000 conscientious objectors received prison sentences: ‘Funny. You’re in for murder and I’m in here for refusing to.’
8. ABSOLUTISTS AND ALTERNATIVISTS: ‘Absolutists’ were not prepared to accept any military role, but ‘alternativists’ accepted ‘work of national importance’, such as working on the land, within hospital services, and so on. These numbered about 6,500.
9. AFTER THE WAR: The end of the war saw a variety of forms of victimisation, including the withdrawal of the right to vote for five years.

Wednesday 16th November
ALL OUR STROUD YESTERDAYS
9 pm Subscription Rooms £5/£4

Stroud Football Poets’ 20th anniversary celebration with Crispin Thomas, Stuart Butler, Dennis Gould, John Bassett & Jeff the Fuse. Expect reflections on all that makes his town so creative and vibrant in verse, drama and song. Featuring poems on Stroud and more with extracts from the Poets’ most recent acclaimed on-going production Trenchcoats for Goalposts (Christmas Truce 1914). Expect the unexpected! Unmissable!
And with extracts from the melancholy story of the joint suicide of Dorothy Beard and Private Archibald Knee at Avening in 1916, with Eve Biard as Dorothy.

Friday 9th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Painswick Centre, Painswick

Saturday 10th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Comrades Club, Nailsworth

Be transported in theatre, spoken word, live music and song to No Man’s Land in a moving and funny re-creation of the 1914 Christmas Truce. Inspired by local stories and memories, two brave Forest Green players set off from Nailswoth for the front line. A compelling 90 minute show.

Lodgemore Mills and the Elements

There is a sort of elemental magic at work at Lodgemore –
The very word itself suggests an ability to expand beyond
Natural confines of space and time:
Lodge-more:
The lodging of Fire, Air, Earth and Water,
A numinous presence around these mill walls,
A perpetual elemental infusion and confusion
Of history, continuity and change:

There have been three fires here: in 1802, 1811 and 1871:
The 1829 Register of Pennsylvania looked at
The phenomenon of ‘spontaneous combustion’,
And ‘enumerated several substances, which under particular circumstances spontaneously inflamed, and it may be serviceable to mention, as a caution to woollen manufacturers, that a destructive fire at Lodgemore Mills near Stroud, in Gloucestershire, which happened, June, 1811, was occasioned by a quantity of flocks impregnated by Curier’s oil being left on the floor.’

There is a sort of elemental magic at work at Lodgemore –
The very word itself suggests an ability to expand beyond
Natural confines of space and time:
Lodge-more:
The lodging of Fire, Air, Earth and Water,
A numinous presence around these mill walls,
A perpetual elemental infusion and confusion
Of history, continuity and change:

There have been three fires here: in 1802, 1811 and 1871:
The 1829 Register of Pennsylvania looked at
The phenomenon of ‘spontaneous combustion’,
And ‘enumerated several substances, which under particular circumstances spontaneously inflamed, and it may be serviceable to mention, as a caution to woollen manufacturers, that a destructive fire at Lodgemore Mills near Stroud, in Gloucestershire, which happened, June, 1811, was occasioned by a quantity of flocks impregnated by Curier’s oil being left on the floor.’

The air, so necessary for this combustion,
Was once, more comforting,
Enveloping the cloth
Stretched out to dry on tenterhooks;

The subterranean limestone,
Quarried for mill, factory and cottage,
Also gave up its
Fullers Earth,
So necessary for the cleaning of the cloth;

The limestone and the Fuller’s Earth,
Also gave the five valleys its springs,
Its streams, rivers, cuts and canals,

Water
For Lodgemore Mills,
For the sluice gates; the maze of waterways, streams, rivers, Navigations, spumes, flumes and watery divagations,

Water
Dripping down the mouldering walls and rusting guttering;

Fire
Once stoked beneath the now crumbling chimney,
And no longer wreaking spontaneous havoc;
Air, Earth and Water
Nurturing the ash trees growing tall above the mill roofs;
Gothic-green ivy clambering over walls
And the present tense,
As the past reclaims the future,
In a landscape where nothing is stable,
All is mutable,
As the elements jostle for their daily lodging at Lodgemore Mills,
Watching us pass by in contemplative, detached amusement:
‘Look on my works, ye mighty, and despair!’