Events

Dudbridge Railway Station

  I often walk the cycle track below Rodborough Hill, The old Midland Railway spur from Dudbridge, And I often cycle the track on to Nailsworth, Musing on the springs and watercourses, the ancient holloways, The Roman villa, medieval ridge and furrow, the woollen mills, The occasional mill chimney, still rising high into the Stroudwater sky. But, today, I stand at the blue brick retaining wall At the old Dudbridge railway station, Watching the cars career around the roundabout, Drivers mostly oblivious of the history of Dudbridge; But when I ignore the roar of the traffic, And I find my mind’s historical eye, I can see a medieval pilgrim crossing the bridge, A packhorse with Cotswold wool a mile behind. For here I stand by the confluence of two rivers. But also, at the junction of two railway lines: The interface of water power and steam power, The inexorable march of the industrial revolution: Foundries and forges and furnaces And cranes and pulleys and chains and smoke: A century-old pandemonium at Dudbridge, Where once there was an orchard and there is still a Meadow Lane. Carefully cross the road and study the information plaques On the wall at Sainsburys; the clothier’s 1646 doorway too; The inscription at REDLERS from 1910; The information board at Kimmins Mill, Then retrace your steps carefully back to the blue brick wall, And recite these words from T.S. Eliot to yourself: “And the end of all our exploring Will be to arrive where we started And know the place for the first...
Fractal Light Show at St. Laurence’s

Fractal Light Show at St. Laurence’s

They met by a sacred oak tree:
The Celtic-British church delegates,
And Laurence and Augustine from Rome;

A sacred oak near to a great river near here:
At Cricklade on the River Thames perhaps,
Or Arlingham on the River Severn;

The wind soughed through the branches
Silver light stippled the water,
A coracle cast its steady shadow,
In the year of our Lord,
603.

A millennium and more later,
A scintillant refulgence,
A dazzle of artful light;

There, in Saint Laurence’s in Stroud,
Fractals of illumination,
Stained glass manuscripts;

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Bristol And The Spanish Civil War

24 March BRISTOL
24/03/2018
IBMT’s annual Len Crome Memorial Conference, with historians Professor Tom Buchanan and Dr Emily Mason speaking about:

Aid Spain: the mobilisation of support for the anti-fascist cause among the British people during the Spanish Civil War

Venue: Colston Hall, Colston Street, Bristol BS1 5AR.

Time: 11am (registration from 10.30am) to 4pm.

Plus: Music from Amanda Boyd & David Nash, Ewan McLennan and the Red Notes Choir, and films, exhibition and stalls.

Entrance: £20 (£15 students).

Booking: www.eventbrite.co.uk/e/len-crome-memorial-conference-2018-t… or send cheques (include email if receipt is required) to: IBMT Treasurer, 37a Clerkenwell Green, London EC1R0DU.

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Terminalia Festival February 23rd 2018

Terminalia Festival February 23rd 2018

Well that was a walk, that was,
For we explored boundaries,
Spatial, temporal, linguistic, social, spiritual, rational,
By exploring Jon Seagrave’s Stroud map of the subjective,
Of the emotional and the affective,
Rather than the conventional topography:
The boundary between landscape and experience;

We explored the archaeology of industry:
Rusting capstans and a forgotten railway turntable,
John Seagrave was talking of how the turntable
Could accommodate one wagon at a time only,
For the winch down to the gasworks,
And, oddly, in true time-shift fashion,
I noticed a notelet recently dropped
On the ground nearby:
‘DO NOT DOUBLE STACK’;

Pleased by this coincidence of time and space,
This damp leaf typescript revenant,
Our quickening pace took us back
To 1920s guides to London walking,
Gordon Maxwell and HV Morton;
We planned a Captain Swing memorial walk,
Along the old Tetbury branch line,
To the Trouble House Inn;
We talked of walking the 1839 Newport Rising.

We dropped down Time’s wormholes n so many ways
At the Roman villa at Woodchester,
Where Robin Treefellow transported us
With his fictive account of a servant’s life there,
Druid mistletoe shrouding the lime trees;

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Feb 23rd 2018 – Terminalia Festival of Psychogeography

Feb 23rd 2018 – Terminalia Festival of Psychogeography

The below has been sent to the Walking Artists Network. Good to see us headlining above London!

‘Here are more details about the events across the UK currently planned for Terminalia: Festival of Psychogeography 2018 held on Friday Feb 23rd 2018

http://terminaliafestival.org/#events

  • 10am, Stroud. Radical Stroud: Terminalia Festival Walk
  • 11am, Seasalter, nr Whitstable, Kent. Elspeth Penfold: Walking with The Waste Land
  • 1pm, Aberystwyth. Roger Boyle: Terminalia – An Aberystwyth Celebration Walk
  • 5.30pm, Leeds. Beating the Bounds Walk – Circular walk around our boundary of Leeds
  • 6.30pm, London, Nathania Hartley: Tapping Into The City: Group Walk – Stratford

Many thanks and I hope you have a Happy Terminalia!

Tim Waters

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Counter-Heritage Weekend Programme

Counter-Heritage Weekend Programme

STROUD COUNTER-HERITAGE WEEKEND FEBRUARY 3rd-4th

The Centre for Science and Art,
Lansdowne,
Stroud

SATURDAY
10am Doors open

The following events are timetabled, but there are events running throughout the day. Scroll down until you see the heading

EVENTS RUNNING THROUGHOUT THE DAY

10.30: The People History Forgot to Remember: tour of Stroud cemetery with Angela Findlay, artist & cemetery resident
Using poetry, diary extracts and performance to explore attitudes to death from the 1850s onwards, the hidden symbols used in gravestones, the fate of those deemed ‘paupers’ & workhouse life.

Meeting point: Lower Cemetery Lodge, 114 Bisley Road, GL5 1HG, just inside the gates of the cemetery
Tickets available at location – some parts of the walk are not wheelchair accessible, but many parts are.

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North and South

North and South

There, on the one hand, St. Pancras and Paris;
And there, on the other, Kings Cross:
Gateway to the LNER,
And night mails crossing the border,

And gateway to a world we have lost:
Pit heads and winding gear, tram-roads and collieries,
And curling smoke chimney stacks:
The world of the North,

The canvas telling the truth,
Up there in the Mining Art Gallery,
At Bishop Auckland:

A terrible beauty down there in the dark depths,
And a beautiful harmony up there in the streets
And homes and chapels and clubs and pubs:
The stippled mist-light of the pit village,
The twisted sinews in the eighteen inch seam,
Ears keening with the creak of each pit prop,
The mind tracking the echo of dripping water,
And the whisper of each rock –

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