Stonehouse, Standish and Haresfield Walk

Words of the day were obvs bound to be
Metaphor, Palimpsest, Serendipitous,
Inscription and Superscription,
On such a walk as this;
A train ride to Stonehouse
And then a walk through what once was Standish Hospital,
Now a Dystopian Derek Jarmanesque seeming film set,
A Victorian mansion built as a temporary home,
Becomes a Great War hospital,
Becomes a sanatorium,
Becomes an NHS hospital,
But now a building site in limbo,
Fencing all around the mouldering mansion,
The once-were stables,
The towering red brick chimney at the boiler house,
The Japanese knotweed infested lakesides,
The art deco sanatorium: its clean air and sunlight,
Long gone the way of all flesh;
We continued past streams and brooks and railway lines and bridges,
Past ridge and furrow and Revenants,
Past round barrows etched on the skyline,
Past churches and graveyards and lost villages
(And Standish, where the body of Edward the Second rested en route
From Berkeley Castle to Gloucester Cathedral),
To see the line of motorway and the cathedral of the Anthropocene:

Thanks to Deborah Roberts for the above photos.

Words of the day were obvs bound to be
Metaphor, Palimpsest, Serendipitous,
Inscription and Superscription,
On such a walk as this;
A train ride to Stonehouse
And then a walk through what once was Standish Hospital,
Now a Dystopian Derek Jarmanesque seeming film set,
A Victorian mansion built as a temporary home,
Becomes a Great War hospital,
Becomes a sanatorium,
Becomes an NHS hospital,
But now a building site in limbo,
Fencing all around the mouldering mansion,
The once-were stables,
The towering red brick chimney at the boiler house,
The Japanese knotweed infested lakesides,
The art deco sanatorium: its clean air and sunlight,
Long gone the way of all flesh;
We continued past streams and brooks and railway lines and bridges,
Past ridge and furrow and Revenants,
Past round barrows etched on the skyline,
Past churches and graveyards and lost villages
(And Standish, where the body of Edward the Second rested en route
From Berkeley Castle to Gloucester Cathedral),
To see the line of motorway and the cathedral of the Anthropocene:

‘We are Stroud travellers to an antique land,
Who saw two vast and trunkless legs of stone
Stand in the waters … near them, in the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is INCINERATOR, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level river stretches far away.’

On through sinuous paths through wide open fields:
Blackthorn smoking in the vaporous air,
And not just a profusion of spring flowers,
But also a profusion of names for the same flower,
Down there, by the gravesides:
Cuckoo pint, arum lily, lord and ladies;
Lady’s smock, or shall we call it cuckoo flower?
Then on past shaded, modest violets,
Scented wild garlic,
Alexander, primroses, bluebells,
Stitchwort, hemlock, honesty,
With tales of Tyburn Tree and conspiracy,
Lost Roman settlements and treasure,
Medieval moats and mottes,
Skylarks soaring and rooks calling to their parliament,
Past echoes of milk churns at long lost country platforms,
To sit beneath the milk-white pear blossom,
Here at the Beacon and Railway Hotel,
And the level crossing,
Penning these lines,
Before ascending to Haresfield Beacon,
And ramparts and ditches and bulwarks,
With Will Kempe morris dancing for Elizabethan company,
To reach a copse where Robin Treefellow hypnotised us:


Up on Broadbarrow Green
grazing my milch cow and two sheep
on the rough turf
my two feet on common earth.
The wind blows freely about the haw thickets
loosens smells of young green beech leaves
put in mind
of my life
hard grace from God
services and labour through the year.
I lend all myself to fending
off hunger.
Broadbarrow Green is the only earth
I can stand on without bending my back
in toil to my lord
no only my milch cow and two sheep
are my care up here.
Up where on ridge and edge
I can see below
Standish Manor
with open fields
that know my foot’s trudge
my aching bones.
So I speak their names
to send them to the clouds:

Stony Field
Lynch Field
Little and Great Combe Fields
Ridley Field
Odmarlow Field
Clayardin Field
Wayardin Field
Shutfurrow
High Field
Podley Field
Cooknell Field
Broadcroft
Great Harefield and Little
Charcroft Field
Moncraft Field
Marsh Field
Meadland Field
Breach Field and the Stopple.

I’d linger a while longer
on Broadbarrow Green.
For play and merriment
in bagfuls bids me shrug
the fields for a snatch in this heaven
and know that grace of being light footed again like my youth
when I chased Mabel about the lizzory trees.


Addendum: ‘In The Open Air‘ by Richard Jefferies published in 1885 –
‘There shone on the banks white stars among the grass, petals delicately white in a whorl of rays – light that had started radiating from a centre and become fixed – … Give me that old road, the same flowers – they were only stitchwort….’

The Yin And Yang Of Football

It has been said that football is a religion. It is true that for many, attending a match can seem like a religious experience. The blind faith that one day your team will reach the promised land (of the Premiership), the sense of belonging, the passion and the weird attire all replicate that of many religions. Even the killing of the opposition supporters has been known to happen, but thankfully not to Inquisition style proportions.

I suggest that the links to religion don’t stop there.

I have been reading a book recently by the psychologist Jordan Peterson and in his opening chapter he makes the comment “Chaos and order are two of the most fundamental elements of lived experience”. We order our lives in a way that can cope with the chaos that life throws at us, whether it is health issues, financial problems or the elements of nature that are doing their best to make life difficult.

By Clay Sinclair.

It has been said that football is a religion. It is true that for many, attending a match can seem like a religious experience. The blind faith that one day your team will reach the promised land (of the Premiership), the sense of belonging, the passion and the weird attire all replicate that of many religions. Even the killing of the opposition supporters has been known to happen, but thankfully not to Inquisition style proportions.

I suggest that the links to religion don’t stop there.

I have been reading a book recently by the psychologist Jordan Peterson and in his opening chapter he makes the comment “Chaos and order are two of the most fundamental elements of lived experience”. We order our lives in a way that can cope with the chaos that life throws at us, whether it is health issues, financial problems or the elements of nature that are doing their best to make life difficult.

I also follow Forest Green Rovers football club.

I have been following with interest their first season in the English Football League. The club are now known more for their cuisine than their football, as it prides itself on being the only vegan football club in the world. It has been a tough season for FGR and they have flirted this season with relegation and an immediate return to non-league football. But on Saturday they gained a much-needed win against local rivals Cheltenham Town. What pleased me most about this game was not the result but the little bit of mild hooliganism that the Forest Green ‘casuals’ expressed before, during and after the game. Now I’m pretty much a pacifist, can’t stand violence in any form, and am glad I can go to a football match and know I won’t get attacked. So why did I smile when I heard a group of lads had been causing disturbances in Cheltenham town centre, letting off green smoke canisters in the stand and invading the pitch to celebrate the winning goal?

The answer maybe lies in the ancient Taoist symbol of Yin and Yang. Jordan Peterson uses this imagery to help describe order and chaos. How both are needed for us to flourish and grow. A life controlled by order is dull, unimaginative, predictable and at worst, totalitarian. In contrast, lives dominated by chaos resemble a living hell and frequently lead to unhappiness, unfulfilled potential and even premature death. He writes “To straddle that fundamental duality is to be balanced: to have one foot firmly planted in order and security, and the other in chaos, possibility, growth and adventure.”

Football as a sport is a little Yin and Yang. There are two teams in opposition, wearing uniforms of contrasting hues and offer a divine combination of brutality and subtlety. I would argue that it is also the perfect symbol of order and chaos. The rules of the beautiful game are rather simple if you exclude the offside rule. But within that framework there are infinite possibilities of how a final score of 0-0 can be achieved.

As an example: I have two sons. One plays cricket and the other football. To stop me interfering with the children (with my unsolicited coaching advice), I take photos and send them to the parents, coaches etc… What I have noticed is that almost every photo in football is vastly more interesting than the cricket photos. Cricket is about rules, technique and has a clearly defined action area. Bowling crease, batting crease etc… The movements created by both batter, and bowler, are repetitive. The photos are therefore predictable and to be honest, quite boring. Whereas when I download my latest batch of football photos I am constantly surprised by the variety of shots. Bodies contorted in different shapes, player positions and combinations always changing and the ball never in the same place twice.

Is there a better sport that symbolises the perfect balance between order and chaos?

But the point I really want to make is what is happening to the fans, what is happening to football in England and what is happening at Forest Green Rovers.

If you look at these through the lens of order and chaos/ Yin and Yang it really starts to make sense. While the authorities have taken a little of the chaos away from what happens on the pitch with rules that reduce the chances of a broken leg or bruised ego, they are really the same as have always been. But the real changes in football have been for the fans. The biggest being the elimination of terraces for teams in England’s highest divisions. The terrace is naturally the place where chaos, creativity and passion thrive. It is from the terraces that conversations are entwined, that ideas are hatched and life is lived in flow.

But in the aftermath of the Hillsborough disaster the terrace is now perceived as a relic of the past.

There is a cost to this policy and is maybe symbolic of our ever controlling society and creeping totalitarian state. English football has become sterile at the highest level and I suggest it might not just be because of over inflated player wages, match tickets and media saturation. Could it be the elimination of the football terrace?

Is it a coincidence that Germany has some of the most passionate supporters? Germans are not perceived as people of the most emotional nation. Put them in a safe terrace, which all clubs have and passion happens. Flags waved are not those handed out by well meaning club owners. They are home designed and made, reflecting the organic enthusiasm the supporters have for their team. There are even smoke bombs, which add to the atmosphere.

Is it a coincidence that the passionate, creative supporters stand in solidarity on the terraces tolerating the worst views and often the lack of shelter from the elements?

I think not.

So what is happening at Forest Green? The well-meaning owner with genuine ambitions to change the world for the better has invested his millions in to his local football club which not long ago had a fan base of a few hundred. The club is doing well and is used to promote green issues, environmental sustainability and veganism as some of the solutions to help humankind. Meat and milk of the traditional variety are not available in the ground.

While this does exert further control over the supporters, Forest Green fans of the more passionate variety congregate in the South Stand terrace. This is where the rebellion festers. This is the area the manager fears when things are not going well and it’s where all passion emanates on match day. Healthy chaos and rebellion are on the terraces of The New Lawn and long may it continue.

My fear is that this creativity will be crushed by those who wish to sterilise football even further to placate the authorities who wish to control all aspects of the game.

Yin and Yang football please, along with a few smoke bombs.

The Best Goal I Ever Scored

Alas! George Bowling and George Orwell’s Coming Up For Air: the spot where I scored my best ever goal is now a housing estate.

The Best Goal I Ever Scored

It must have been 1965,
We were having a lunchtime kick-about.
‘It’s Good News Week’ by Hedgehoppers’ Anonymous
Was playing on someone’s transistor
Just behind the goal nearest the school,
Phil Vine was puffing out on the wing,
And crossed hopefully towards the edge of the box,
Where I had strayed, and where I stood,
Predicting the precise path of the ball.

Alas! George Bowling and George Orwell’s Coming Up For Air: the spot where I scored my best ever goal is now a housing estate.

The Best Goal I Ever Scored

It must have been 1965,
We were having a lunchtime kick-about.
‘It’s Good News Week’ by Hedgehoppers’ Anonymous
Was playing on someone’s transistor
Just behind the goal nearest the school,
Phil Vine was puffing out on the wing,
And crossed hopefully towards the edge of the box,
Where I had strayed, and where I stood,
Predicting the precise path of the ball.
It came, as anticipated, at waist height:
I leapt from the ground before the ball’s arrival,
Levitating horizontally a metre up in the air,
To meet the ball on the volley,
And send it hurtling into the top left hand corner
(The nets were up for an after-school house match).
I landed on the ground, elated,
Knowing that Linda Silcox was watching.

It was the best goal I ever scored,
A perfect harmony of prediction, execution and ambience,
And it was all so perfect that I didn’t even celebrate,
I just stood there in a Zen state of bliss,
Knowing that such an immaculate conception
Only happens once in A Good News Week Lifetime.

Inprint Eulogy

The Inprint shop and building in the High Street in Stroud,
Resembles nothing so much as something out of Dickens,
An Old Curiosity Shop,
Defying straight lines of logic:
A seeming hexagonal structure,
With Wemmick-like turrets at the top;
The shop doorway on the corner at an angle,
With a fading palimpsest gable end advertisement
For something delicious and ‘home made’,
And a mysterious door numbered 31a,
That might – or might not- take us up flights of stairs,
Past so many Great Expectations,
And so to Mr. Wemmick’s castle up on high.

But far better than such an ascension,
Let us examine the shop windows:
Displays that follow the high ideals of public broadcasting,
Spectacles of books and comics and posters and maps,
All artfully and painstakingly arranged,
A tableau of colour and half-remembered past time,
A street mis en scene that arrests the eye,
And one which informs, educates and entertains,
A business that improves the mind of the passer-by,
As well as tempting the bibliophile;

Thanks to Deborah Roberts for the above photos.

The Inprint shop and building in the High Street in Stroud,
Resembles nothing so much as something out of Dickens,
An Old Curiosity Shop,
Defying straight lines of logic:
A seeming hexagonal structure,
With Wemmick-like turrets at the top;
The shop doorway on the corner at an angle,
With a fading palimpsest gable end advertisement
For something delicious and ‘home made’,
And a mysterious door numbered 31a,
That might – or might not- take us up flights of stairs,
Past so many Great Expectations,
And so to Mr. Wemmick’s castle up on high.

But far better than such an ascension,
Let us examine the shop windows:
Displays that follow the high ideals of public broadcasting,
Spectacles of books and comics and posters and maps,
All artfully and painstakingly arranged,
A tableau of colour and half-remembered past time,
A street mis en scene that arrests the eye,
And one which informs, educates and entertains,
A business that improves the mind of the passer-by,
As well as tempting the bibliophile;

When you enter the shop via the corner door,
Even though a bell doesn’t ring,
I always hear one,
A magical rite of passage,
For I am sure the bookshelves reach to ceilings
In rooms that seem to carry on for ever,
With posters and pictures and mechanical contrivances
Also inhabiting this liminal space.

It is as unlike George Orwell’s bookshop
As unlike can be –
‘books give off more and nastier dust
than any other class of objects yet invented …’ –
For at night, when Stroud’s High Street is muffled
In pitch-black silence,
The books come alive in Inprint:
Talking of their origins and import,
Boasting of their wisdom and sagacity,
Like nineteenth century backbenchers –
But their colloquy always ends in agreement,
For as dawn approaches,
The Old Curiosity Shop and
A la recherché du temps perdu,
Hop down to the table; stand upright,
And propose their daily toast:
“And so we conclude our discourse
Ladies and gentlemen,
With this question:
Are our owners Goodenough?”
And all the books reply in unison,
Banging the shelves with their pages
And the walls with their spines,
With an occasional tear but always a smile,
“No! They are sans pareil!”

But when the shop closes for the last time,
And Inprint goes online,
There won’t be a dry eye in the house,
When that toast is proposed for the final time –

But remember:
A la recherché du temps perdu
Reminds us all
That we can still enjoy our memories of this wonderful shop,
Be grateful for its existence,
Visit it online,
And cherish our madeleine moments,
For Joy and Mike Goodenough,
And dear old Inprint,
(Please raise your glasses,
Ladies, gentlemen and comrades)
Are simply,
“Sans pareil!”

Fractal Light Show at St. Laurence’s

They met by a sacred oak tree:
The Celtic-British church delegates,
And Laurence and Augustine from Rome;

A sacred oak near to a great river near here:
At Cricklade on the River Thames perhaps,
Or Arlingham on the River Severn;

The wind soughed through the branches
Silver light stippled the water,
A coracle cast its steady shadow,
In the year of our Lord,
603.

A millennium and more later,
A scintillant refulgence,
A dazzle of artful light;

There, in Saint Laurence’s in Stroud,
Fractals of illumination,
Stained glass manuscripts;

They met by a sacred oak tree:
The Celtic-British church delegates,
And Laurence and Augustine from Rome;

A sacred oak near to a great river near here:
At Cricklade on the River Thames perhaps,
Or Arlingham on the River Severn;

The wind soughed through the branches
Silver light stippled the water,
A coracle cast its steady shadow,
In the year of our Lord,
603.

A millennium and more later,
A scintillant refulgence,
A dazzle of artful light;

There, in Saint Laurence’s in Stroud,
Fractals of illumination,
Stained glass manuscripts;

The numinous and the mundane,
Paradise lost but regained,
Heaven and Earth conjoined,
In the year of our Light,
2018.

A celebration of our world,
Music, song and spoken word too,
A spectacle of the senses;

And over there, by the altar,
The Venerable Bede and Caedmon,
Smiling gentle smiles of approbation.

Terminalia Festival February 23rd 2018

Well that was a walk, that was,
For we explored boundaries,
Spatial, temporal, linguistic, social, spiritual, rational,
By exploring Jon Seagrave’s Stroud map of the subjective,
Of the emotional and the affective,
Rather than the conventional topography:
The boundary between landscape and experience;

We explored the archaeology of industry:
Rusting capstans and a forgotten railway turntable,
John Seagrave was talking of how the turntable
Could accommodate one wagon at a time only,
For the winch down to the gasworks,
And, oddly, in true time-shift fashion,
I noticed a notelet recently dropped
On the ground nearby:
‘DO NOT DOUBLE STACK’;

Pleased by this coincidence of time and space,
This damp leaf typescript revenant,
Our quickening pace took us back
To 1920s guides to London walking,
Gordon Maxwell and HV Morton;
We planned a Captain Swing memorial walk,
Along the old Tetbury branch line,
To the Trouble House Inn;
We talked of walking the 1839 Newport Rising.

We dropped down Time’s wormholes n so many ways
At the Roman villa at Woodchester,
Where Robin Treefellow transported us
With his fictive account of a servant’s life there,
Druid mistletoe shrouding the lime trees;

Thanks to Deborah Roberts for the above photos – www.deborahroberts.biz

Well that was a walk, that was,
For we explored boundaries,
Spatial, temporal, linguistic, social, spiritual, rational,
By exploring Jon Seagrave’s Stroud map of the subjective,
Of the emotional and the affective,
Rather than the conventional topography:
The boundary between landscape and experience;

We explored the archaeology of industry:
Rusting capstans and a forgotten railway turntable,
John Seagrave was talking of how the turntable
Could accommodate one wagon at a time only,
For the winch down to the gasworks,
And, oddly, in true time-shift fashion,
I noticed a notelet recently dropped
On the ground nearby:
‘DO NOT DOUBLE STACK’;

Pleased by this coincidence of time and space,
This damp leaf typescript revenant,
Our quickening pace took us back
To 1920s guides to London walking,
Gordon Maxwell and HV Morton;
We planned a Captain Swing memorial walk,
Along the old Tetbury branch line,
To the Trouble House Inn;
We talked of walking the 1839 Newport Rising.

We dropped down Time’s wormholes n so many ways
At the Roman villa at Woodchester,
Where Robin Treefellow transported us
With his fictive account of a servant’s life there,
Druid mistletoe shrouding the lime trees;

We walked an ancient track-way,
Courtesy of Bob Fry,
Up a fern filled holloway,
Over iron brown stained springs,
To a Neolithic long barrow,
And subsequent Saxon meeting place,
And boundary marker for the Hundreds,
Where Stuart Butler led us through a linguistic boundary,
To the world of the sacred and the profane;
We toasted Faunus with spoons and wine,
Our libations and offerings to the god,
Bubbling and oddly foaming in the soil’s fissures,
While sky larks ascended with a song;

We discussed how wood anemones could be a palimpsest,
A signpost to forgotten woodland and forest,
As we descended to Selsey Church,
And William Morris stained glass windows,
The early spring light, lustrous,
Streaming over the snowdrops.

We discussed our next two walks,
Both Romano-British in outline,
Sapperton, Oakridge, Bisley and Stroud;
Painswick, Stroud and Rodborough,
With readings from The Mildenhall Treasure,
To entertain and inform,
And studies of Roman maps –
Details to follow.

But as for today,
That was a walk that was,
A magical mystery tour through time and space and language:
That was a walk that was.

North and South

There, on the one hand, St. Pancras and Paris;
And there, on the other, Kings Cross:
Gateway to the LNER,
And night mails crossing the border,

And gateway to a world we have lost:
Pit heads and winding gear, tram-roads and collieries,
And curling smoke chimney stacks:
The world of the North,

The canvas telling the truth,
Up there in the Mining Art Gallery,
At Bishop Auckland:

A terrible beauty down there in the dark depths,
And a beautiful harmony up there in the streets
And homes and chapels and clubs and pubs:
The stippled mist-light of the pit village,
The twisted sinews in the eighteen inch seam,
Ears keening with the creak of each pit prop,
The mind tracking the echo of dripping water,
And the whisper of each rock –

There, on the one hand, St. Pancras and Paris;
And there, on the other, Kings Cross:
Gateway to the LNER,
And night mails crossing the border,

And gateway to a world we have lost:
Pit heads and winding gear, tram-roads and collieries,
And curling smoke chimney stacks:
The world of the North,

The canvas telling the truth,
Up there in the Mining Art Gallery,
At Bishop Auckland:

A terrible beauty down there in the dark depths,
And a beautiful harmony up there in the streets
And homes and chapels and clubs and pubs:
The stippled mist-light of the pit village,
The twisted sinews in the eighteen inch seam,
Ears keening with the creak of each pit prop,
The mind tracking the echo of dripping water,
And the whisper of each rock –

The unspoken fear of entombment,
The threat of explosion;

Eyes quick and darting,

The scent of fire damp,
Methane in the air;

And then there, on another broad canvas,
The women in the kitchen, curlers in the hair,
Stoking up the fire, preparing the bait,
Eyes smarting in the washday steam;

Out there,
Pigeons and whippets and ponies in the field,
Spuds for sale with the Christmas wreaths,
Communal allotments and shared apple trees,

The colliery football teams,
Like West Auckland,
Winners of the first World Cup in 1908 –
They beat Juventus and all,
But didn’t get paid while they were away,

But at least their wives and mothers and sisters
Weren’t grieving at the pithead though,
Grieving for their menfolk,
Trapped down there below,
Bodies trapped and wrapped by the black gold,
The black gold that heated the homes and mansions,
The factories, warehouses, palaces, stations and offices,
The black gold
That powered the smiths, and forges and furnaces,
That powered the trains and shipping lines,
The battleships and the dreadnoughts.

But we were now gazing at a sunset smelted sky
Flaming out over drystone walls and snow capped hills,
And the tumps of old lead mines,

While Christmas lights blazed in the villages,
While pub windows glowed orange in the twilight,
Beyond the nail parlours and tattoo shops,

While we tracked the paths of Charles Dickens,
Wackford Squeers, Smike and Nicholas Nickleby,
Through Barnard Castle and thence to Durham,
Where men and women swopped tales of football,
And where three pints cost six quid,
And where we were allowed to serve ourselves,
While coal, not dole, fires roared in Victorian grates,

Until we went to the People’s Bookshop,
Where books to inspire and educate and value
All line the shelves,
Not priced, but there for a donation,
What you could afford –

And where we talked of a divided ruling class,
And where we talked of victory,
Victory for the working class,
Victory at the next election,
As the sun once more sank in the west;

And so to the Pitmen’s Parliament,
Where a vast audience gathered
Beneath the banners of past struggles and victories,
For a class struggle film of Dennis Skinner,
And talk not just of class,
But of race and gender, too,
Where the ghosts of Socialism past,
Embraced those of Socialism Present and Future,
A world not so much as lost,
As a paradise waiting to be regained,
A union of North and South:

‘Oh, Jeremy Corbyn.’

‘In the bar room, in the bar room,
That’s where we congregate,
To drill the holes, shovel coals and shovel up the slate,
And for to do a job of work,
Oh, I am never late,
That’s provided we can do it in the bar room.’

Bristol: Clichéd Football; Radical History

Temple Meads via Swindon, 14 quid?
Temple Meads via Gloucester, only 7?
Well, that meant a ride through the warehouse edgelands,
And the buddleia rusting railway lines to Gloucester
(‘YES MATE’, as it said under the bridge),
But there was time enough for a trip down football’s memory lane
With a Swindon fan at Stroud:
‘No football at Ebley, now, look.
Nothin’.
Nothin’ at Ebley anymore’
I said I was off to watch Derby at Bristol City,
And he recalled
Swindon beating Derby one nil,
November 5th 1968:
‘Best Bonfire Night I ever had.’
We talked of FGR:
‘You be careful at Forest Green on Friday.
I know about 200 Swindon fans will be at the FGR end.’
‘I know mate. I’ll be one of them. With my red and white scarf.’
He looked at me with new and slightly befuddled admiration.
He slapped me on the back:
‘Fair play on ya, mate. Fair play.’

Temple Meads via Swindon, 14 quid?
Temple Meads via Gloucester, only 7?
Well, that meant a ride through the warehouse edgelands,
And the buddleia rusting railway lines to Gloucester
(‘YES MATE’, as it said under the bridge),
But there was time enough for a trip down football’s memory lane
With a Swindon fan at Stroud:
‘No football at Ebley, now, look.
Nothin’.
Nothin’ at Ebley anymore’
I said I was off to watch Derby at Bristol City,
And he recalled
Swindon beating Derby one nil,
November 5th 1968:
‘Best Bonfire Night I ever had.’
We talked of FGR:
‘You be careful at Forest Green on Friday.
I know about 200 Swindon fans will be at the FGR end.’
‘I know mate. I’ll be one of them. With my red and white scarf.’
He looked at me with new and slightly befuddled admiration.
He slapped me on the back:
‘Fair play on ya, mate. Fair play.’

I watched the world go by at Gloucester for a while,
A goods train trundled through:
60091, Barry Needham,
Named after a coal train controller:
Barry died tragically in a railway accident,
Giving his time freely, on a day off –
His mates paid for the nameplate …

I read some Ian Sinclair through the Severn Vale
(Old trainspotting terrain with my brother),
Thinking I could divine Ian Sinclair’s style:
Minute description; simile; recent fact; historical fact;
Slightly occult reference; minute description …
OMG,
Is this what we all do?

We rattled through the suburbs of Bristol
To reach Temple Meads,
Middle class pasty at Harts,
Then a ferry to Hotwells, by the Nova Scotia,
To walk past the beer-fuelled Derby fans:
‘We are Derby, Super Derby, Super Derby, Super Rams’,
And so a tryst at the John Atyeo statue,
A sight of police with guns (Parsons Green),
And an open end to end game of two halves
(‘May the best team win!’),
0-1 after 45 minutes,
4-1 after 90 –
Sometimes the clichéd games are the best:
There’s a reason for a cliché, isn’t there?

The next day I walked past St. Mary Redcliffe
(Coleridge and Chatterton and Old Rowley –
And bells ringing to celebrate the defeat of a slavery abolition bill),
Past The Ship and Colston Parade,
To reach the Docks, the MSHED,
And the Bristol Radical History Festival
(‘Countering Colston’):
A wonderfully vibrant day where kindred spirits,
Like minded activists, historians, performers, walkers,
Artists, speakers, poets, writers and puppeteers
Presented a different view of the past:
History from below,
Authentic history,
History that goes beyond the clichéd:
For while a cliché might suffice
When describing a train journey,
Or a football match –
Real and Radical History
Takes you beyond the cliché of Heritage:
It cleanses your perception,
It opens doors,
To momentarily extinguish
‘The guttering candle’
Of clichéd Heritage;
Then illuminates the darkness
With a Captain Swing blaze of truth.

Stroud Fringe Walk: Place, Space and Time

Beneath the pavement, the beach! For here we have a line of houses called Streamside, And up there, beyond the Fountain pub, Lies Springfield Road and a plethora Of constant, subterranean springs, Springs! The genius loci of Stroud …

We walked down Lansdowne, To cross the Slad Brook, at Mill House, In search of the edgelands, Puddles, brooks and panel beaters, Car dealers, buddleia, car parks and cinemas, Past the Dickensian Omar L. Cottle, Monumental mason, The nominative determinism of a park, Named after a Park, Past strange continuities in the street: The chemist’s on the corner, Where in 1872, A chemist by the name of Joseph Banks Campaigned for a farm workers’ trade union, And no more payment in truck: ‘In sterling money, not fat bacon …or a couple of swedes’,

Then to Badbrook and weavers’ riots, ‘We had been working ever longer time for ever cankered pennies all the year. Something needed doing. So we laid our shuttles and looms to rest and joined the Stroud Valleys Weavers Union. This is my true and faithful account. I cannot dissemble. The Good Book tells us that we should get our bread by the sweat of our brow. We had the sweat but no bread. What could we do?’

Thanks to Peter Bruce for the above images.

Beneath the pavement, the beach! For here we have a line of houses called Streamside, And up there, beyond the Fountain pub, Lies Springfield Road and a plethora Of constant, subterranean springs, Springs! The genius loci of Stroud …

We walked down Lansdowne, To cross the Slad Brook, at Mill House, In search of the edgelands, Puddles, brooks and panel beaters, Car dealers, buddleia, car parks and cinemas, Past the Dickensian Omar L. Cottle, Monumental mason, The nominative determinism of a park, Named after a Park, Past strange continuities in the street: The chemist’s on the corner, Where in 1872, A chemist by the name of Joseph Banks Campaigned for a farm workers’ trade union, And no more payment in truck: ‘In sterling money, not fat bacon …or a couple of swedes’,

Then to Badbrook and weavers’ riots, ‘We had been working ever longer time for ever cankered pennies all the year. Something needed doing. So we laid our shuttles and looms to rest and joined the Stroud Valleys Weavers Union. This is my true and faithful account. I cannot dissemble. The Good Book tells us that we should get our bread by the sweat of our brow. We had the sweat but no bread. What could we do?’

On past the culverted brook, Mcdonald’s, (Who owns the brook?) Edgelands car park signage, Underneath the dirty old town railway viaduct, Along the canal, past old turnpike gates, Behind Lodgemore Mill, past sluice gates and leats, Listening to the voices of the dispossessed, ‘I was baptized Josephine, but I call myself Joe now: I never felt comfortable in a woman’s clothes … a professional legger, An inland navigator of sorts, a sort of hybrid, My sex hidden by fustian, and the subterranean Depths, down there where the fossils remind us Of Noah, the ark, the deluge, and the dove of peace.’ Past old mill buildings – there a self storage centre – Past fences with endless toppings of rolled barbed wire, Past Springfield Cottage, along the Cainscross Road, Skirting the site of the toll house riots, Along suburban footpaths that could be Saxon, Or even prehistoric in provenance, Linking lines of hills and valleys, An edgelands liminal palimpsest … Past more streams and springs at Puck’s Hole, To reach Bread Street and hear of the 1766 food riots, ‘Many that are under sentence of death thought they were doing a meritorious act at the very moment they were forfeiting their lives’,

And so down dale and uphill to sit for study (A silent group gathered on the pasture) Randwick’s 1832 experiment of dispensing with money; Gazing up to the village’s labyrinth of footpaths, Built in exchange for raiment, food, bibles and tokens, ‘Personal Decency promoted, AND IMMORALITY CHECKED, Exchanging Men’s idle time for the Blessings of Food and Raiment. Randwick 1832.’ And thence past Callowell, (so many watery names!), More springs, And the ghost of a turnpike bar at Salmon Springs, Through Stratford Park, past its museum, And narrow gauge railway, To exchange addresses and reflect on Rebecca Solnit – The meaning of our pilgrimage: ‘We think space is about place, in fact it is really about time.’

Thanks to Mark Hewlett for the below image:

Radical Pub Crawl: Loomsday

A pub-crawl is something I associate
With my youth – indeed, I have never ever
Typed ‘pub crawl’, before, but I am surprised
To find a green line advising me to
Hyphenate and create a compound noun.

The word was never hyphenated
When I used to go on a pub crawl:
There was a noun and there was a verb,
The noun was a sort of synecdoche,
Whilst the verb ‘crawl’ said it all:
The evening started vertical
And ended with a slow, meandering
Horizontal, hands and feet slowly,
Gradually, inching along pavement.

And that was a pub crawl, sampling lots of
Different pints, and different pubs,
Different prices, and atmospheres,
Collecting and clocking the pub names,
The different tastes, strengths and breweries,
In a sort of localised and active
Sociological nuanced survey:
It made you observant through the smoke.

Thanks to Deborah Roberts for the above photos.

A pub-crawl is something I associate
With my youth – indeed, I have never ever
Typed ‘pub crawl’, before, but I am surprised
To find a green line advising me to
Hyphenate and create a compound noun.

The word was never hyphenated
When I used to go on a pub crawl:
There was a noun and there was a verb,
The noun was a sort of synecdoche,
Whilst the verb ‘crawl’ said it all:
The evening started vertical
And ended with a slow, meandering
Horizontal, hands and feet slowly,
Gradually, inching along pavement.

And that was a pub crawl, sampling lots of
Different pints, and different pubs,
Different prices, and atmospheres,
Collecting and clocking the pub names,
The different tastes, strengths and breweries,
In a sort of localised and active
Sociological nuanced survey:
It made you observant through the smoke.

But it’s back to the future, this afternoon,
Our inaugural Stroud Loomsday pub crawl:

The day might well turn out to be a dream
Of modernist stream of consciousness,
A right, regular James Joyce Bloomsday,
An odyssey through space, time and language,
Avant-garde as well as avant-bard,
A cyclical Finnegans Wake of a
Self-referential, post-modernist pub crawl,
A Stroud Loomsday interweaving of tales,
Homespun yarns, birthdays, anniversaries:
John Clare Day, Bastille Day, St Swithin’s Day,
Edward Thomas enlisting, and writing
‘For These’: his justificatory poem –

Or we might just chew the cud and ruminate,
Silently studying the life and times,
The sociology and semiology
Of Stroud town pubs on a Thursday in July:
The Fountain, the Greyhound, the Imperial,
The Lord John and the SVA,
Slad Road, Gloucester Street, Russell Street,
Lansdowne, John Street, George Street, King Street,
Reading and reciting, drinking and inciting,

Or we might, I dunno, just have a drink,
And follow Wikepedia’s definition:
A pub crawl (sometimes called a bar tour, bar crawl or bar-hopping) is the act of drinking in multiple pubs or bars in a single night, normally travelling by foot or public transport to each destination and occasionally by cycle …

In the UK, pub crawls are generally unstructured and spontaneous nights-out, in which the participants arrange to meet in a particular location and decide over drinks on where to drink next. Structured routes with regular stops are rare. Most drinking sessions based around a special occasion such as a birthday or a leaving celebration will involve a pub-crawl, often with the group splitting up but agreeing on meeting at the next location. It is a common sight in UK towns to see several groups orbiting the various drinking locations with little apparent coherence or structure …

Discoveries:
1. Sitting outside in the garden at the Fountain is a delight: late Victorian/Edwardian red brick and Cotswold stone surroundings and views. Very atmospheric. Recommended.
2. You can get a beer called Odyssey at the Vic: most suitable indeed for a James Joycean pub crawl. Again, sitting outside is recommended.
3. The Greyhound has astonishing Edwardian urinals – adamantine, as it were.
4. Sitting outside at the Imperial is a great prompt for railway reflections, and ruminations on Stroud’s architectural heritage (See below*). Recommended.
5. The Lord John is enormous and a bit of a theatre of dreams. Again, sitting outside is recommended. You can fit in 10,000 steps just walking around the pub.
6. The SVA is another recommended outside watering hole.

Holloway House and the discovery of the fasces:
I can’t believe no one has noticed this before. We stared at it, noted it, then questioned it, on our inaugural Loomsday pub crawl: the Vic, the Fountain, the Greyhound, the Imperial, Lord John, and finally, the SVA.
Sorry couldn’y join you today. Is it technically a fascisti if no axe?
Mmm. I think you may be right in the sober light of dawn, Paul. Just as beauty is in the eye of the beholder, so fascism is in the eye of the pub crawler. We had a great time! Hope you had a great birthday. No hangover!
A little light research on wikkipodium thing reveals that the bundle of sticks symbol (symbolizing strength through unity) does not always contain an axe. However, it is used far more widely than in a fascist context. See attached pic of Lincoln memorial for example. A very popular symbol…
.
* Fasces as an architectural device have a number of nuanced significations. Here it possibly alludes to the collective qualities of Mid-Gloucestershire Working Men’s Benefit Society? Fasces also appear frequently in America’s iconography including on Washington’s memorial. George W had his flaws I believe but was not predominantly fascist.
I’m trying to maintain a generous view of Mr Holloway against the day that I may be asked to declaim his socio/economic thoughts with sincerity and conviction for dramatic purposes. As Stan might have said, you have to wear the character. Of course, you can also wear out a character, besides life is short.
* Thank you Mr Hicks. A little sober research this morning has revealed that the fasces do indeed have a wide use as you say. Have included a pic of the Lincoln Memorial to illustrate.
* You’re right to correct me (implicitly) Bob. I’m conflating Lincoln’s memorial with Washington’s statue. Both have fasces, if anything Washington’s is proportionately bigglier. Probably the biggliest till Trump proves, beyond doubt, he’s mortal.
*Gosh! That’s a big one!
* All good stuff. Thanks Bill and Bob. But after a couple of pints, there’s a distinct Il Duce vibe about it all. What’s the moral?
* Not a moral issue old chum. Delusional insobriety is like a runner’s stitch, you have to drink your way through it. Il Duce was an old hand at the technique.

NEXT LOOMSDAY CRAWL WILL START AT THE LITTLE GEORGE. DATE TO BE CONFIRMED.