Stroud Goods Shed, January 10th 2015

It’s an atmospheric railway station
At Stroud, at night, slipping into gas light time,
And it’s a great venue, Stroud’s good shed,
Designed by Isambard Kingdom Brunel,
Built back in broad gauge 1845
(Where was the stone quarried?
If time could run backwards,
Where would the goods shed go?),
Inter-war legend still proudly proclaiming
To passengers to Paddington:
‘GWR STROUD STATION
EXPRESS GOODS TRAIN SERVICES
ONE DAY TRANSITS BETWEEN IMPORTANT TOWNS’;
But inside, you can still scent the ash and steam
And still hear the clangour of the wheels and points,
While outside, the tail lamp of an express
Disappears into the Stroud valleys’ darkness,
With only the signal lamps or weavers’ candles
To stipple the damp winter gloom of the past;
But tonight, Jack Wimperis has rekindled the shed,
With a 3-D scintillant refulgence,
A dazzle of artful light that sends railway
Timetables spinning into a vortex
Of illumination and bright colour.

And I swore I saw, over there in the corner,
Isambard Kingdom Brunel, himself,
Top hat, fingers in his waistcoat,
Smouldering cigar,
Smiling a gentle smile of approbation.

Keep the Home Fires Burning Friday October 24th at the Subscription Rooms

Keep the Home Fires Burning is an innovative performance bringing together community choirs, local actors, musicians and dancers to remember Stroud’s role in the First World War. Written by Stuart Butler, the performance follows the history of the war using songs and articles from the Stroud News and Journal to highlight what was happening on the battlefield and at home in Stroud Town.
The performance, directed by John Bassett from Spaniel in the Works Theatre Company, highlights the changes that the war brought to the Stroud area. Keep the Home Fires Burning offers a dramatic and sometimes humorous look at how war changes the everyday lives of the people of a town, the sacrifices that the Stroud District made and the importance of remembering those who lost their lives.
Suitable for ages 7 and above.

Performance features Whiteshill and Randwick Community Choir, members of Nailsworth Silver Band and local actors and dancers

Tickets £ 7.00, £ 5.00
Box Office: 01453 760900

Friday 24th October at the Subscription Rooms

Keep the Home Fires Burning Poster

Rodborough Fields and John Clare Day, July 13th

Rodborough Fields and John Clare Day, July 13th

 

Living in Stroud, with common land all around
The hilltops above Stroud’s Five Valleys,
And living in a county with Royalty’s
Seal of approval, chocolate box second homes,
And reverence for quilt-work field hedgerows,
It’s easy to forget the novelty
Of this seeming, traditional landscape;
It’s not always easy to re-question
The picturesque ecology of a hedge,
To reframe the cultural meanings of ‘Olde Englande’,
And rant instead about enclosure’s wrongs,
The loss of freedom, and liberty to roam,
The criminalisation of wandering;
John Clare helps us feel this transgression,
He gives voice to the ‘village Hampdens’ –
Anonymous toilers in field and home –
He rescues them from the witheringly
‘Enormous condescension of posterity’:
‘There once were lanes that every valley wound –
Inclosure came, and every path was stopt;
Each tyrant fixed his sign where paths were found,
To hint a trespass now who cross’d the ground;
Justice is made to speak as they command;
The high road now must be each stinted bound;
Inclosure, thou’rt a curse upon the land…’

Laurie Lee Walk from Slad to Whiteway: June 7th

As we walked out on our Laurie Lee walk,
Discussing moments of peace and war,
In an inter-textual – meta-textual
Wander from Slad to Whiteway,
We tripped through the harmony of landscape
And the poetry of past and present cartography:
No blue line motorways or red and yellow roads;
No pale blue tourist signification;
No black lines of railway tracks,
Cuttings, embankments, viaducts or tunnels;
No red square and circle railway stations;
No bus stations, power lines or pylons;
Instead: footpaths, byways and bridleways,
Past names such as Steanbridge, Redding Wood.
Catswood, Driftcombe Farm, High Wood,
Dillay Brook, The Scrubs, Famish Hill,
Sydenhams, The Camp, Calf Way, Wishanger Farm;
And all the while whilst we walked through woodland,
The tumbling waters of springs all around:
What euphony there is in the vowels and consonants
That litter our landscape with their litany!
What secrets of etymology and topography are revealed,
When we tramp the land rather than drive the road,
When we disconnect the sat-nav and navigate
By ancient tracks that connect our ancient springs.

Liminal shrines: those strange, trickling gateways
To mythopoeic underworlds of mystery,
(Or Limestone, Fullers’ Earth and Cotteswold Sands),
Quicksilver mercurial alchemy,
A continuous flow of constant change,
One sip of which will switch your sense of time
(Drinking rainwater that dropped who knows when),
Like star-shine from ancient constellations,
A laughing trick all that slakes and comforts,
Yet mocks the tension of the present tense,
A spring-tide clock whose hands revolve backwards,
With messages from another aeon.

John Clare: 150th anniversary of his death, Tuesday May 20th

Centenaries abound where ere the sun doth his successive journeys run: Dylan Thomas, Laurie Lee, World War One, my dad … but Tuesday May 20th marks the 150th year since the death of John Clare.
‘JD’ pointed out in the Guardian on Saturday that there is only one national event to mark this day; ‘JD’ adds that ‘this marks a falling-away from the Clare revival’ of some ten years ago, when Jonathan Bate’s biography praised Clare’s credentials, and not just as a working-class poet and as an opponent of enclosure.
We recalled this yesterday, when walking around Wotton: we gazed down into the vale at the quilt-work pattern of hedgerows, discussing the rule of thumb for the dating of a field hedge: one species of tree or shrub for every hundred years; many of our hedges were planted in the 18th century when the big, old, open fields of medieval times were, so to speak, privatised.
So why not commemorate John Clare with a walk on common land on Tuesday? If you have no common land close by, then find an interesting hedgerow, perhaps. But a common might be best because …
“The law locks up the man or woman
Who steals the goose from off the common
But leaves the greater villain loose
Who steals the common from off the goose.”

When you find your spot, we could do worse than read these lines of Clare’s about enclosure:

‘Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring’s blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon’s edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all – a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour’s rights and left the poor a slave
And memory’s pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all’s fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet’s visions of life’s early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars – flower-lovers overjoyed
Came and got flower-pots – these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners’ little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again –
Nay, on a broken tree he’d sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered – then all white
With daiseys – then the summer’s splendid sight
Of cornfields crimson o’er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy’s eye
As fallen landscapes from an evening sky
These paths are stopt – the rude philistine’s thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice ‘no road here’
And on the tree with ivy overhung
The hated sign by vulgar taste is hung
As tho’ the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law’s enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.

George Monbiot thinks that July 13th should be designated Clare Day – John Clare was born on the 13th July 1793, and Monbiot wrote in the Guardian on the 10th July 2012 of Clare’s eventual incarceration in an asylum: “But it seems to me that a contributing factor must have been the loss of almost everything he knew and loved. His work is a remarkable document of life before and after social and environmental collapse, and the anomie that resulted…John Clare, unlike Robert Burns…is a poet of the day. So a Clare Night…does not feel quite right. I’m not going to wait for anyone else. As far as I’m concerned, 13 July is Clare Day, and I’ll be raising a glass to celebrate and mourn him. I hope you’ll join me.”

Further grist to our mill comes from psycho-geographer Miles Coverley , who has pointed out how the Game Laws, enclosure and the privatization of public spaces such as common lands, resulted, in effect, in the criminalization of certain habits of walking. Walking could become defined as trespassing, when once it was merely an act of wandering. Thus, the 1824 Vagrancy Act defined a rogue and a vagabond as “every person wandering…lodging in any barn or outhouse…any deserted or unoccupied building, or in the open air, or under a tent, or in any cart or wagon, not having any visible means of subsistence and not giving a good account of himself or herself.” This Act followed statutes that had existed since the aftermath of the Peasants’ Revolt and the attacks on the poor instituted by the Tudor Poor Law.

Coverley mentioned an article by Donna Landry, “Radical Walking”, in which she tells us that “The ambiguity of walking can be traced to its association with vagrancy, the quintessential social crime in late sixteenth century Britain.” With this in mind, why not take a walk and have a night under the stars as an act of radical recreation and re-creation? Intone the following lines of John Clare’s as an explanation for your saunter:

“Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky…
Inclosure came in and trampled on the grave
Of labours rights and left the poor a slave…”

Flaneurs of the world unite on May 20th and July 13th: you have nothing to lose but your miles, furlongs, yards, feet, inches, and, of course, your chains.

A Stream of Consciousness at Stroud Museum On the Occasion of the Exhibition: ‘Artefact or Fiction?’

Stroud Museum Artefact or Fiction

A Stream of Consciousness at Stroud Museum
On the Occasion of the Exhibition: ‘Artefact or Fiction?’

A stream of consciousness, a ream of conscience:
Art, artifice, artefact, artificer, fiction, faction,
Manufacturer, artisan, artisanal, fashion, zeitgeist,
Ornament, use, utility, Bentham, Gradgrind,
Truth, Keats, beauty, all ye know on earth,
Writ in water,
Illusion, allusion, the Age of Enlightenment,
Angels in the trees, William Blake,
‘Mind-forg’d manacles’,
The Age of Reason,
Induco et educo,
Positivism, empiricism, rationalism,
Kant, Hegel, Marx,
Phenomenology, Psycho-geography,
A postcard.

Fox Talbot, portraiture,
Reproduction, mass production, Warhol,
Subject, object, objectification, collection,
Museums, cabinets of curiosities, fetishisation,
Thomas Hardy, LS Lowry,
A store of value,
Mystification, religion, false consciousness,
Heritage, class, capitalism, agrarianism,
Forge, forger, Joe Gargery, Miss Havisham, Pip,
Clio, Cronos, harpe, sickle, lyre, liar,
Magic, logic, logarithm, algorithm, rhythm,
Metaphor, illusion, allusion,
Signs, systems, semiology,
Forge, build, create, establish, fashion, shape,
Frame, construct, invent, devise, contrive,
Fake, copy, reproduce, imitate, counterfeit,
Feign, falsify, coin, delude,
Conjure,
Educo non induco,
Linear Narrative and Meta-Narrative,
A stream of consciousness and a ream of conscience.

This is written as a commentary.
Please delete what you wish and add what you wish.

Thomas Duncombe and ‘No Pasaran!’ 10 km stroll, mid-May

Thomas Duncombe. and ‘No Pasaran!’ 10 km stroll, mid-May

‘No Pasaran!’ walk in Wotton Under Edge on Saturday 17th May to celebrate the life of Thomas Duncombe of the International Brigade and Wotton; killed in action at Gandesa. Meet at the parish church at mid-day.

Let me know if you want to attend.

There will be readings from A Gloucestershire Declamation when we reach the Spanish mountain oaks that we planted at the tail end of the last century.

This piece of research records the names and contributions of supporters of the anti-fascist cause in our area.

It is a unique piece of research that we lost and then re-discovered in a dusty old box, just before the box was thrown out.

Thank goodness Trish suggested one last search and a proper search inside the capacious and paper-filled box.

May Day Walk: from the Source of the Slad Brook to its Confluence with the Frome

May Day Walk:
from the Source of the Slad Brook to its Confluence with the Frome

Seventeen of us gathered at Bulls Cross,
(Oblivious of the midnight ghost coach spectre)
To cross longitude line 88 and a threshold
To another liminal world,
Where the hangman swung in Deadcome Bottom,
Where Cabbage –Stalk- Charlie and Percy-from-Painswick
Watched us from the shadows of the bluebell woods.

We reached the source of the Slad Brook,
Beech leaf green with a gravity rainbow,
Tripping to the sea, and tripping us
Two hundred years to water wheels and weavers.
We talked of Lee and Robert Frost and Edward Thomas –
But before we could take a path less travelled,
A redcoat appeared out of the wood to read the riot act.

We descended towards the village,
(Miss Flynn there: down by the pond)
When a young spinner stopped us in our tracks,
She told us why she had to go on strike,
Why there had been riots and gatherings
At the mills and on the hillsides and in Stroud;
She showed no remorse, nor regret, but pride.

Others looked for the invisible
What is hidden in the landscape,
But denoted on a map:
I saw Kel bend down and pick a roadside leaf,
Just as we reached longitude line 87;
We talked of longitude, chronometers, the Empire and slavery,
Just as we reached Stroud scarlet town.

The brook had now lost its wild dignity;
Culverted and trapped and tunneled,
But sometimes finding daylight in the streets,
At Badbrook, the bus station and the railway viaduct,
Then trickling past Macdonald’s and the main road,
Beneath and around a roundabout,
To reach the Frome, the Severn and the sea.

Slad to Stroud Walk: May Day 2pm

Laurie Lee Centenary Walk: Slad Brook from Source to Confluence
(As featured in the Site Festival 2104 Programme)

‘Without the Slad Brook there would have been no cloth trade in the local valleys around Slad. Without the cloth trade there would have been no riots in Slad and Stroud in 1825. Join us on a walk from the source of the brook to its confluence with the Frome in Stroud. Help us recreate the past along the partially culverted brook with psycho-geographical musings, notes on flora and fauna, together with performance.’

We’ll probably meet at Bulls Cross, rather than the Camp – will confirm – but it will definitely be on Thursday May 1st at 2pm.

The Site Festival Guide also says about the whole Laurie Lee Centenary Walks:
‘… All the walks are led by writers, poets, artists and historians… Walk leaders will each offer their own unique approach…’

We will have Kel Portman from Walking the Land leading us; John Bassett from Spaniel in the Works performing; I will do the historical contextualization bits.

Laurie Lee Walking Programme

  1. 1. The Slad Brook from its source to its confluence with the River Frome in Stroud (10   kms); meet at 2 pm at Bulls Cross.
  1. 2. ‘As We Walk Out’: from Slad to Southampton (approx.. 160 kms); 10th – 17thMay; time and meeting place tbc; invited walkers, artists, writers.
  1. 3. Wotton-under-Edge: Thomas Duncombe International Brigade Memorial  Walk; 17th May, meet at noon at the St. Mary’s Church (10kms).
  1. 4. From Slad to Whiteway Colony (10 kms); 7th June, meet around 11.30 – 12 at the Woolpack; refreshments on arrival at Whiteway and then a performance of No Pasaran!
  1. 5. Slad family walk, 29th June (5 kms); meet at the Woolpack, time tbc.
  1. 6. ‘Crossing the Border’: Spanish Civil War Pyrenees walk, Ceret to La Agullana (36kms), 24th-25th July, meet 8.30, invited walkers, artists, writers etc.
  1. 7. From Purgatory to Paradise: 11kms, 2nd November, meet at 10 am at Knapp House Barn, Slad.

Go to http://www.walkingtheland.org.uk/ to book a place on any of these walks; scroll down until you see the Laurie Lee logo and details as to how to book are there. You need to follow the procedure there, I’m afraid; we have to be formal so that we stick to tolerable numbers for the walks.

Thanks,

Stuart

Laurie Lee Walking Program