Sixty People Gathering

Sixty people gathering
In the welcoming woodland of Stroud Brewery,
Watching the preview of Day of Hope,
Listening to tales of weavers’ riots
And Chartist dreams;
Quaffing Chartist porter
While Paul Southcott sang us songs
Of the world we have lost …
Resting by a sun warm red brick bridge,

Above Photos by Deborah Roberts.
www.deborahroberts.biz

Sixty people gathering
In the welcoming woodland of Stroud Brewery,
Watching the preview of Day of Hope,
Listening to tales of weavers’ riots
And Chartist dreams;
Quaffing Chartist porter
While Paul Southcott sang us songs
Of the world we have lost …
Resting by a sun warm red brick bridge,
Walking past the last leafed sessile oaks,
Red berried hedges and apple bobbed branches,
Watching navvies on their way to Sapperton …
On past lock gates to Bowbridge:
Alongside Brunel’s main line,
The Great Western viaducts,
The River Frome and ruined mills,
To Wallbridge and the Midland Railway –
And so to the Bell at Selsley:
To gaze at November’s late afternoon light
Gilding Rodborough Common,
Seeing John Frost up there on Good Friday 1839:
Toasting him with more porter,
With songs of poachers and talk of Jenner and Colonel Berkeley,
Hearing Janet Biard tell us of the serpentine lines
Of Chartist supporters and sightseers,
Making their way to Selsley Common
From all over Stroudwater’s hills and valleys,
Along lanes, holloways and tracks of prehistory,
Back on Whitsuntide, May 21st 1839.
We climbed with their ghosts,
To join in the huzzas for the six points
And the hisses for Lord John Russell,
Silhouetted against a sun splashed orange sunset,
The Severn a silver line gleaming in the distance,
Hearing how the common would have been a white scarp land
Of limestone quarries and heaped blocks of Cotswold stone
Back on that famous Selsley day,
Hearing of the Pre-Raphaelite wonders of Selsley Church –
Until Paul gathered us in an old sheltered hollow,
For one final communal twilight song,
Until we wended our way back to the present,
In the gathering gloom of this last November Saturday:
A Day of Hope and a Day of Remembrance.

Watch on Facebook

So here is the link to a bit of Day of Hope which we prepared for yesterday’s walk. This is not a finished item and some bits a bit rushed but gives a feel of the overall project.

A fine day of songs, speeches and good ale. Well done to you and your co-conspirators. The finale was elemental and timeless with the backdrop of sky and river and the cold just beginning to bite.
Martin Carslake

Selsley

Commemorative Walk Saturday 26th

The team at Stroud Brewery were thrilled to have another excuse to brew something special, this time to commemorate the great efforts of the chartists. We have produced a small batch of smoked porter aged in oak barrels. Come along and see if this beer gets your vote…

Saturday November 26th 1pm Stroud Brewery: A Chartist Walk with a Porter

The team at Stroud Brewery were thrilled to have another excuse to brew something special, this time to commemorate the great efforts of the chartists. We have produced a small batch of smoked porter aged in oak barrels. Come along and see if this beer gets your vote…

Saturday November 26th 1pm Stroud Brewery: A Chartist Walk with a Porter

This Saturday coming will see the launch of Stroud Brewery’s new porter: Chartist. This has been brewed to remember the 1839 Chartist meeting on Selsley Hill, and the forthcoming 2017 film Day of Hope. There will be a performative walk to mark the occasion.

The Chartist movement has been largely forgotten in British history. Its aims were to ensure votes for all, especially the working classes. “At a time when everyone’s votes count with the EU referendum and the American election, it is important to remember the struggles of the Chartists to secure that everyone has the right to vote”, said writer and director of Day of Hope, John Bassett. “It is estimated that 5,000 people gathered on Selsley Common, but even one petition 6 miles long did not sway Parliament into give voting rights to the working classes. The 26th November event will be a fun lively way to celebrate this.”

Walkers should arrive at 1 pm for a short preview of the film, some performance, and an official toast to the porter.
We will then leave the Brewery at 1.30, wend our way along the canal to Wallbridge; thence along the old railway line to Dudbridge. We will then climb up to the Bell for more porter and thence to the top of Selsley Hill.
The walk will be interspersed with performance, bringing local and national Chartists to life in the landscape, as well as their six points. Walkers will make their own way back to wherever they wish to go: that’s the Chartists’ seventh point. We should be finished on Selsley by 4pm.
This should be a walk to remember.

Echo Chambers – Archibald and Dorothy

Echo Chamber: Voices of Conscience – a sound and photography exhibition marking 100 years of conscientious objection – owes its inspirational existence to Fiona Meadley, Dom Thomas and Ruth Davey. The exhibition includes information submitted by living relatives of Conscientious Objectors from WW1: it was a privilege to contribute to this history, with our performance of the story of Dorothy and Archibald.
The link: https://radicalstroud.co.uk/wp-content/uploads/2016/11/Archie-And-Dorothy.m4a takes you to a recording made of Dorothy and Archibald , featuring the voices of Rachel Simpson and Stuart Butler, as they read the words of Alice Butler and Stuart, during the Stroud Book Festival in November 2016.

Echo Chamber: Voices of Conscience – a sound and photography exhibition marking 100 years of conscientious objection – owes its inspirational existence to Fiona Meadley, Dom Thomas and Ruth Davey. The exhibition includes information submitted by living relatives of Conscientious Objectors from WW1: it was a privilege to contribute to this history, with our performance of the story of Dorothy and Archibald.
The link: https://radicalstroud.co.uk/wp-content/uploads/2016/11/Archie-And-Dorothy.m4a takes you to a recording made of Dorothy and Archibald , featuring the voices of Rachel Simpson and Stuart Butler, as they read the words of Alice Butler and Stuart, during the Stroud Book Festival in November 2016.

Archibald and Dorothy

by Stuart and Alice Butler | Read by Rachel Simpson and Stuart Butler

Dear Stuart
And thank you and Rachel for your engaging performances.
I estimate we had about 200 visitors over the weekend, and they donated £178 to stroud refugee aid. And the event was extensively covered on bbc radio Gloucestershire on Remembrance Sunday. I will forward you a news clip broadcast at 9 am. It brought in many visitors, and Sunday was our busiest day.

I’ve made a 60 second video clip with the radio broadcast about echo chamber and posted it on YouTube. You are welcome to use it in your blog.
https://m.youtube.com/watch?v=h-GXDu3EFgw

Regards
Fiona

Stuart
Thanks for yesterday. Really enjoyed your input. Was great to have such a moving local story. Here are a few pics. If you use, please credit as follows:
Photos by Ruth Davey – www.look-again.org. If anyone else wants to use them, please let me know and ask them to contact me on 07789 958895
Thanks
Ruth

Saturday November 26th 1pm Stroud Brewery: A Chartist Walk with a Porter

A performative walk starting at Stroud Brewery to christen the new Chartist porter. The walk will commence at the Brewery, with explanation, contextualisation and performance; then wend its way along the canal to Wallbridge and then along the old railway line to Dudbridge. We will then climb up to the Bell for more porter and thence to the top of Selsley Hill. The walk will be interspersed with performance, bringing the local and national Chartists to life in the landscape. Walkers make their own way back to wherever they wish to go: that’s the Chartists’ seventh point. We should be finished on Selsley by 4pm.

A performative walk starting at Stroud Brewery to christen the new Chartist porter. The walk will commence at the Brewery, with explanation, contextualisation and performance; then wend its way along the canal to Wallbridge and then along the old railway line to Dudbridge. We will then climb up to the Bell for more porter and thence to the top of Selsley Hill. The walk will be interspersed with performance, bringing the local and national Chartists to life in the landscape. Walkers make their own way back to wherever they wish to go: that’s the Chartists’ seventh point. We should be finished on Selsley by 4pm.

On the Evening of August 27th . 1916

‘Dorothy and Archibald’

On the evening of August 27 1916, Private Archibald Knee, 25 years old, and of the Gloucestershire Regiment was due to return to his battalion on a train from Stroud station, cured of his German measles. On any other Sunday evening, Dorothy Beard of Gravel Hill, Burleigh, eighteen years young, would have been preparing for work at Brimscombe Mills. But Archibald missed his train, and Dorothy did not appear at work the next day. Instead, having walked out to Longfords Lake, hand in hand, they tied themselves together with the belt of his mackintosh, and they drowned in Iron Mills Pond, Avening, in the early hours of August 28 1916. Dorothy’s watch had stopped at 3.51 a.m.

‘Dorothy and Archibald’

On the evening of August 27 1916, Private Archibald Knee, 25 years old, and of the Gloucestershire Regiment was due to return to his battalion on a train from Stroud station, cured of his German measles. On any other Sunday evening, Dorothy Beard of Gravel Hill, Burleigh, eighteen years young, would have been preparing for work at Brimscombe Mills. But Archibald missed his train, and Dorothy did not appear at work the next day. Instead, having walked out to Longfords Lake, hand in hand, they tied themselves together with the belt of his mackintosh, and they drowned in Iron Mills Pond, Avening, in the early hours of August 28 1916. Dorothy’s watch had stopped at 3.51 a.m.

They left no note.

‘Dorothy and Archibald’:

A folding publication, with illustrations, produced to coincide with this year’s Stroud Book Festival. Designed and illustrated by Katie Johnston, an RCA graduate from Nailsworth, this collaborative book features texts by Alice and Stuart Butler, on the mutual suicide of Private Archibald Knee and Dorothy Beard in 1916, at Iron Mills Pond, near Avening.

Copies of the limited edition publication will be available for purchase. The publication, tied with twine as though it were a small parcel or gift, also contains a commemorative postcard:

The fear of France…
And all roads seemed as though they might well lead to France…
Unless you walked out one night,
Arm in arm,
Along the New Road that led to the Iron Gates Pond.

£3 a copy; 2 for £5

Voices of Conscience, Trenchcoats for Goalposts & All Our Stroud Yesterdays

Announcing three new events this November and two more this December:

Saturday 12th November 7.30 pm £12
TRENCHCOATS FOR GOALPOSTS
Prince Michael Hall, The Bacon Theatre, Hatherley Road, Cheltenham

Friday 11 – Sunday 13 November
ECHO CHAMBER – VOICES OF CONSCIENCE
The Old Town Hall, Shambles £1 all profits to Stroud Refugee Aid

Wednesday 16th November
ALL OUR STROUD YESTERDAYS
9 pm Subscription Rooms £5/£4

Friday 9th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Painswick Centre, Painswick

Saturday 10th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Comrades Club, Nailsworth

Trechcoats for Goalposts Poster
All our yesterdays Poster
Echo Chamber Logo

Announcing three new events this November and two more this December:

Saturday 12th November 7.30 pm £12
TRENCHCOATS FOR GOALPOSTS
Prince Michael Hall, The Bacon Theatre, Hatherley Road, Cheltenham

Be transported in theatre, spoken word, live music and song to No Man’s Land in a moving and funny re-creation of the 1914 Christmas Truce. Inspired by local stories and memories, two brave Cheltenham Town FC players set off from Cheltenham for the front line. A compelling 90 minute show.

Friday 11 – Sunday 13 November
ECHO CHAMBER – VOICES OF CONSCIENCE
The Old Town Hall, Shambles £1 all profits to Stroud Refugee Aid

A sound and photography exhibition marking 100 years of conscientious objection.
Quakers have a long history of opposing war and when conscription was introduced in Britain during World War One, many chose to conscientiously object to joining the armed forces. For some this meant rejecting any form of participation and they were imprisoned and sentenced to death for their refusal (later commuted). Others took up alternative forms of service, providing relief from suffering at the front. There were over 16,000 registered conscientious objectors (Cos) during World War One. People objected on different grounds. This exhibition is inspired by their stories.
Opening times: Fri 11th 2pm to 7.30 pm
Sat 12th 10 to 6pm
Sun 13th 10 to 5pm

On Saturday 12th November at the Echo Chamber (11am, 12pm and 2pm), Rachel Simpson and Stuart Butler will give readings from ‘Dorothy and Archibald’, a folding publication, with illustrations, produced to coincide with this year’s Stroud Book Festival. Designed and illustrated by Katie Johnston, an RCA graduate from Nailsworth, this collaborative book features texts by Stuart and Alice Butler, on the mutual suicide of Private Archibald Knee and Dorothy Beard in 1916, at Iron Mills Pond, near Avening.
Copies of the limited edition publication will be available for purchase. Hope to see you there!
£3 a copy; 2 for £5

In this year of the centenary of the Battle of the Somme and its shocking futility, it’s salutary to hear the thoughts of conscientious objectors – religious, socialist, communist, pacifist et al. Dorothy Beard and Archibald Knee, too. And the Old Town Hall in the Shambles is a perfect setting; but take a few moments to visit the railway station, Cheapside and Rowcroft first:

When wounded soldiers arrived at Stroud, ‘There was the usual uncertainty as to which railway station they would arrive at, and consequently the crowds were thickest at the top of Rowcroft, where the roads from the two stations meet. Here people lined the streets six or eight deep, and there was only a narrow way left for the passage of motor-cars and carriages, which had been kindly lent by residents to convey the wounded to hospital…’

Two years later:
‘The Somme pictures proved to be the greatest cinema attraction ever presented to the public of the Stroud district, and we congratulate the management of the Empire Theatre on securing the wonderful film for their patrons…The pictures gave us some little conception of the tremendous amount of energy expended in this one theatre of the war. They gave us, too, some faint inkling of the immense and tragic waste of war: the blasted land, the material wreckage, the broken men and the irrecoverable lives. Their effect was saddening and at the same time inspiring…The half-demented German prisoners aroused sentiments not of derision but of pity…But the dominant impression was that of the bouyancy of our own incomparable men. Surely in all the tragic history of war a more light-hearted, high-spirited and fearless army has never marched into the zone of death and pain? The incalculable debt we owe to these heroes can never be liquidated: for all time the race will be their debtor. No words could record so convincingly as these pictures of actual war scenes the splendid spirit of Britain’s fighting men.’

If you want to find the old battalion,
I know where they are, I know where they are, I know where they are
If you want to find the old battalion, I know where they are,
They’re hanging on the old barbed wire,
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.

Conscientious Objectors and WW1: A few facts

1. NUMBERS: Conscription was introduced in 1916 and, with a numerical symmetry, there were about 16,000 conscientious objectors in this country by the end of the war.
2. NUMBERS: Over 2,000 tribunals sat in judgment on men, deciding on their sincerity over conscientious objection. Members of the tribunals saw their role more to intimidate men into the armed forces rather than grant a fair hearing. But as Ann Kramer puts it in her book Conchies: Conscientious Objectors of the First World War: ‘After all, as many objectors commented; how does a man prove he has a conscience?’
3. NUMBERS: Tribunals could make 4 choices: absolute exemption; an alternative to military service; rule that an individual could take a non-combatant role within the army; reject the application totally and order combatant duties.
4. RESISTANCE: Conscientious objectors carried on resistance, however, in the face of tribunal decisions. For example: refusing medical examinations; refusing to wear uniforms; refusing to march; refusing to salute or stand up.
5. RESPONSES: Responses included the following: polite persuasion; forcible wearing of uniforms; wearing of straitjackets; exposure to extreme cold or heat; solitary confinement; prison; beatings up; field punishments, and then, in the weeks before the Battle of the Somme in 1916, 50 men were secretly transported to France to receive death sentences.
6. DEATH SENTENCES: The death sentences were announced to the men in groups – and then after a few seconds pause, the officer would announce that the death sentence was commuted to ten years’ imprisonment with hard labour.
7. PRISON: Over 6,000 conscientious objectors received prison sentences: ‘Funny. You’re in for murder and I’m in here for refusing to.’
8. ABSOLUTISTS AND ALTERNATIVISTS: ‘Absolutists’ were not prepared to accept any military role, but ‘alternativists’ accepted ‘work of national importance’, such as working on the land, within hospital services, and so on. These numbered about 6,500.
9. AFTER THE WAR: The end of the war saw a variety of forms of victimisation, including the withdrawal of the right to vote for five years.

Wednesday 16th November
ALL OUR STROUD YESTERDAYS
9 pm Subscription Rooms £5/£4

Stroud Football Poets’ 20th anniversary celebration with Crispin Thomas, Stuart Butler, Dennis Gould, John Bassett & Jeff the Fuse. Expect reflections on all that makes his town so creative and vibrant in verse, drama and song. Featuring poems on Stroud and more with extracts from the Poets’ most recent acclaimed on-going production Trenchcoats for Goalposts (Christmas Truce 1914). Expect the unexpected! Unmissable!
And with extracts from the melancholy story of the joint suicide of Dorothy Beard and Private Archibald Knee at Avening in 1916, with Eve Biard as Dorothy.

Friday 9th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Painswick Centre, Painswick

Saturday 10th December 8:00 pm £10
TRENCHCOATS FOR GOALPOSTS
Comrades Club, Nailsworth

Be transported in theatre, spoken word, live music and song to No Man’s Land in a moving and funny re-creation of the 1914 Christmas Truce. Inspired by local stories and memories, two brave Forest Green players set off from Nailswoth for the front line. A compelling 90 minute show.

Hidden Stroud Walks

Announcing two new walks in collaboration with the Hidden Stroud project this weekend:

Stroud History Reimagined

The walk will reimagine the history of Stroud, touching upon springs, streams and weavers; radical canal history, Stroud Scarlet, slavery and the Black Atlantic.

A walk for anyone interested in walking, history, literature and an imaginative blurring of genres.

http://www.subscriptionrooms.org.uk/whats-on/stroud-history-reimagined-with-stuart-butler/

https://www.facebook.com/events/340825872919858/

For ages 14+
08 October 2016
Start times: 10:00-13:00
Tickets: £2 donation on the day
Box office: 01453 760900

A History of Radical Stroud

A performative walk from the front of the Subscription Rooms, up to Rodborough Common along the Frome, re-imagining the history of Stroud by looking at the Captain Swing Riots in Gloucestershire; Chartism in Stroud and the Five Valleys; the relevance of John Clare to our landscape and history, and then down to The Prince Albert.

A walk for anyone interested in walking, history, literature and an imaginative blurring of genres.

http://www.subscriptionrooms.org.uk/whats-on/a-history-of-radical-stroud-with-stuart-butler/

https://www.facebook.com/events/1770295653243313/

For ages 14+
08 October 2016
Start times: 14:30-16:30
Tickets: £2 donation on the day
Box office: 01453 760900

Announcing two new walks in collaboration with the Hidden Stroud project this weekend:

Stroud History Reimagined

The walk will reimagine the history of Stroud, touching upon springs, streams and weavers; radical canal history, Stroud Scarlet, slavery and the Black Atlantic.

A walk for anyone interested in walking, history, literature and an imaginative blurring of genres.

http://www.subscriptionrooms.org.uk/whats-on/stroud-history-reimagined-with-stuart-butler/

https://www.facebook.com/events/340825872919858/

For ages 14+
08 October 2016
Start times: 10:00-13:00
Tickets: £2 donation on the day
Box office: 01453 760900

A History of Radical Stroud

A performative walk from the front of the Subscription Rooms, up to Rodborough Common along the Frome, re-imagining the history of Stroud by looking at the Captain Swing Riots in Gloucestershire; Chartism in Stroud and the Five Valleys; the relevance of John Clare to our landscape and history, and then down to The Prince Albert.

A walk for anyone interested in walking, history, literature and an imaginative blurring of genres.

http://www.subscriptionrooms.org.uk/whats-on/a-history-of-radical-stroud-with-stuart-butler/

https://www.facebook.com/events/1770295653243313/

For ages 14+
08 October 2016
Start times: 14:30-16:30
Tickets: £2 donation on the day
Box office: 01453 760900

Trains and Boats and Games

I was due to meet Andy at Temple Meads:
He was coming on the train from Yate,
I was coming from Stroud via Swindon
(I wanted to call in at the Radical Book Fair,
To collect a pamphlet on smuggling),
But the signals were down at Parkway,
So I sat on a bench outside Temple Meads,
Listening to a man talk of seeing the debuts
Of Colin Bell and Wynn Davies,
While I ate a cheese and onion pasty,
Awaiting Andy,
When another man sat next to me,
Opened a map and asked:
”Do you know Bristol?’
I thought – correctly – that he might be a Derby fan,
So asked him if he fancied going to the match by boat,
Just as Andy texted:
Train cancelled, he’d have to drive,
So he’d meet me at the ground with my ticket.

My new, substitute Rams mate introduced himself,
Shook my hand: ‘Peter’; ‘Stuart,’ I replied,
Explaining that I wasn’t local, but a Swindon fan –
‘We’ve got something in common then,’
‘Dave Mackay,’ I replied.

It was going well.

We talked of Derby pubs:
The Brunswick, the Alexandra, the Peacock,
And how I’d never been to a match by water before –
Peter has previous, however:
‘When I watch a match at Derby,
I have a couple of pints in the Peacock,
Then walk along the River Derwent,
So that’s going to a match by water, I suppose.’

This sounded all a bit Arnold Bennett to me,
Transposed from the Potteries to the Peacock,
And I drifted away:

‘Around the field was a wide border of … hats … pale faces, rising in tiers, and beyond this border, fences, hoardings, chimneys, furnaces, gasometers, telegraph-poles, houses and dead trees.’

I thought of Arkwright, Cromford, the Derwent, and Bennett,
Until Peter asked me about Stroud, and Slad,
And, reverie over,
We spoke of Laurie Lee, the Woolpack, Clough, Taylor,
Forest, Mackay, Robertson, the European Cup Final,
Our banner referencing George Orwell at Real Madrid:
‘Homage to Clough n Taylor’,
And my letter to Brian Moore,
Asking if the cameras could focus on our pennant,
And his reply, written in fountain pen,
‘What a night in Madrid, Stuart!
Hope you got the message over,
Best wishes, Brian.’

Peter Quinn, for it was he, then talked of his book:
A Ram’s Fan’s Fanfayre,
With chapter headings,
All starting with the prefix ‘For’:
‘Fortune, Forgettable, and so on,’
Conversing as the ferry made its way through the docks.
Until we alighted, asked the way of some Bristol fans,
And I left Peter in safe company at a cider- house,
The suitably named ‘Orchard.’

The build up to the game was great –
Peter and the ferry,
Andy with my ticket, driving befuddled through Bristol,
Eventually meeting me at Ashton Gate,
Then meeting his B.C.F.C. mate, Lee,
Who took us for a tour of the ground …

Then the constant singing of the beer swilled Derby fans,
‘Forest are losing, Forest are losing,
‘We are Derby, Super-Derby, Super-Derby, Super Rams’,
‘Derby Army’, ‘Derby Army’, ‘Derby Army’,
The man in the fancy dress outfit: ‘Sheep on Tour’,
Hearing the half times: Swindon, two nil down,
Meeting my BCFC brother in law, Trevor, after the game,
With Bruce, my wife’s cousin, over from Canada,
Meeting my charming, new grand-nephew, Rupert,
For the first time …

The match was a slightly tedious one all draw,
With countless throw-ins, a general air of ineptitude,
And if it wasn’t for the Rams fans,
Funereal.

But the build up, and the aftermath,
The meeting of friends old and new,
Peter the Ram,
Andy the Ram.
Lee the Robin,
Bristol supporters on the ferry,
Bristol supporters at the Orchard,
Bruce, political reporter for the Toronto Star,
The greeting of a new baby,
A fourth generation Bristol City fan:
Rupert the Robin,

All mean that the day, and hence the match, too,
Have to be filed under the chapter heading:
‘Unforgettable’,
Because sometimes a football match
Is only incidental to the enjoyment of a football match –
It’s what happens before and afterwards that count:
Trains and Boats not Games.

The Weavers and Workhouse Walk

Also see Angela’s website by clicking here!

Well, that was a walk, that was, and even though it’s over, it’s hard to let it go.

Well over one hundred people gathered in the Ale House in Stroud for the stroll through Stroud up to the cemetery, and then other people, attracted by our purpose, joined us as we made our way through town. It was a most – literally – moving sight, to witness such a number of people making their orderly way along Nelson Street and up Bisley Road. It must be a long time since those streets saw such a scene: a scene of gentle, studied pilgrimage.

I was feeling a little nervous as the clock approached four, our starting time. I expected twenty people, but was beginning to wonder that we might have fifty; Angela Findlay, my co-presenter thought seven would turn up, with the threat of rain; I then began to witness an almost biblical sight as more and more and more and yet more walkers, visitors to the town, artists, notables and historians relentlessly surged into the front bar, like some epic flood.

We met in the Ale House not just because of the excellent beer festival, but also because a key text for our walk lies upon the wall in the front bar: a commemorative 1842 plaque praising the beneficence of the workhouse overseers. I contextualized this with an introduction about Chartism locally and nationally; Angela contextualized this with a prologue about the relationship between Stroud’s workhouse and the cemetery.

Next, some performance: I read a poem about the paupers’ graves; Gemma Dunn, visiting from London, read a first person account of the May 1839 Chartist mass-meeting on Selsley Hill, and Tim Johnston from Historic England read a 1795 anonymous threatening letter from Uley.

It was hot and humid and full to the gunnels, and after each speaker had alighted from their stool in the thronged room, our troupe made its way to Nelson Street. It looked almost Pied Piper-like – but this was a collective walk that broke down the barriers between guide, performer and audience: the line of walkers seemingly had its own collective mind, as well as both a conscious and unconscious sense of direction.

I came up the rear – and joined the orderly assembly by the Black Boy clock. The little triangle of land, opposite, with its overhanging tree, provided a natural stage and here we discoursed on General Wolfe, Stroud Scarlet, rioting weavers, Gloucestershire slave owners, local parish registers, the Black Atlantic, the black boy clock, and counter-memorialization. Janet Biard read a first person account from the 1825 riots; Chris William spoke of forty years ago when the Black Boy flats were the teachers’ centre – one of his tasks was to wind up the clock every three days; John Marjoram spoke of his time with the clock, too; Trish Butler gave each walker a copy of a Stroud Scarlet poem, in the spirit of active counter-heritage.

I found this utterly moving: the sun was shining, we were reclaiming the streets – we had to make way for one car only in the half an hour we were there in Castle Street – and such a open air meeting was a compelling medium for a discussion on 18th century history: entirely in the spirit of the subject matter in a lah di dah self-referential post-modernist sort of way. There was also talk of psycho-geography and mythogeography, but time marches on and we needed to walk up Bisley Road to the cemetery.

A long line of walkers made its sentient, serpentine way along the pavements: this was an absolute spectacle in itself, and to witness one hundred people making their studied way up the steep incline of Bisley Road is something I will never forget. It’s hard to find a parallel or simile for such a sight – there probably isn’t one. It was a unique and ineffable experience. Thanks to Stroud Fringe for making it happen.

Angela addressed us from the front of her house; she spoke of its history as the Cemetery Gate Lodge, former home to the Cemetery Superintendents, and the symbolism of the sculptures in the cemetery, before before leading us to the chapel, where she spoke to us from the back of a waiting and handily placed open van. She spoke of the ecumenical nature of the internments and Pauline Stevens informed the crowd of the comprehensive research available on the Stroud Local History website. Other members of the audience added their thoughts too, in the spirit of this shared experience. Angela spoke of her work on memorialization and counter-memorialization.

It was now time to move to the area of the paupers’ graves. The audience was visibly moved by Angela’s recitation of her research and previous art installations, counter memorials to those long forgotten by history. A litany of the occupations of the buried indigent inmates of the workhouse, gleaned from the Death Records and revealing Stroud’s industrious past, plus details of the rudimentary nature of their graves, left an almost tangible, numinous atmosphere in the leafy, shadowed gloom of the graveyard. A fellow walker later told me that he was moved to tears by Angela’s gentle evocation within such a mute yet haunting landscape. I know from other later conversations that he was not alone.

Jim Pentney concluded with a few words about our Allen Davenport Chartist pilgrimage along the banks of the River Thames. Jim held aloft the stone he has carved from Allen’s birthplace at Ewen; we are taking this to the Reformers’ Memorial at Kensal Green, where Allen’s name appears. Finally, in the spirit of the shared collective experience of our walks and explorations, Jim said that all are welcome to join our Thames side ambles to London; information will appear on this website.

Some of us then retired to the Crown and Sceptre for some excellent and varied beer, where Angela, enthused and overwhelmed by the huge and positive response, thought that we really should put it on again next year. She most definitely has a point: as I first left the Ale House, some visitors who couldn’t get into the bar for the introduction, had already asked me if we could reprise the event.

What a day: well, that was a walk, that was; it’s hard to let it go.

Also see Angela’s website by clicking here!

Radical History Weavers and Workhouse Walk: August 27th 4-6PM

WEAVERS and WORKHOUSE WALK

Saturday August 27th 4 of the afternoone clocke , startinge at Ye Ale House:

INFORM – EDUCATE – ENTERTAIN

Stuart Butler will lead a performative walk through the 18th and 19th centuries, meeting atte Ye ALE House: time for a 4pm drink and a chat about Chartism and the workhouse at the top of town. Then a walk thence, via a history of riots, anonymous letters, mass meetings, strikes, slave owners and the Black Atlantic.

The tour will then reach the cemetery where Angela Findlay, resident of the Cemetery Gate Lodge and artist of the 2009 installations Re-dressing Absence, will lead a stroll around the cemetery to reveal the history of the workhouse and the paupers’ graves.

Visit Angela’s Website by clicking here.

The walk will finish by 6pm, leaving you lots of time for getting ready to go out again.

WEAVERS and WORKHOUSE WALK

Saturday August 27th 4 of the afternoone clocke , startinge at Ye Ale House:

INFORM – EDUCATE – ENTERTAIN

Stuart Butler will lead a performative walk through the 18th and 19th centuries, meeting atte Ye ALE House: time for a 4pm drink and a chat about Chartism and the workhouse at the top of town. Then a walk thence, via a history of riots, anonymous letters, mass meetings, strikes, slave owners and the Black Atlantic.

The tour will then reach the cemetery where Angela Findlay, resident of the Cemetery Gate Lodge and artist of the 2009 installations Re-dressing Absence, will lead a stroll around the cemetery to reveal the history of the workhouse and the paupers’ graves.

Visit Angela’s Website by clicking here.

The walk will finish by 6pm, leaving you lots of time for getting ready to go out again.

WEAVERS and WORKHOUSE WALK Saturday August 27th 4 of the afternoone clocke , startinge at Ye Ale HouseWEAVERS and WORKHOUSE WALK Saturday August 27th 4 of the afternoone clocke , startinge at Ye Ale House