Battalions fraternised from the following regiments, Christmas 1914

Devonshire, Surrey, Manchester, Cheshire, Norfolk,
Seaforth Highlanders,
Royal Warwickshire, Royal Dublin Fusiliers, Royal Irish Fusiliers,
Hampshire,
Rifle Brigade, Somerset Light Infantry, London Rifle Brigade,
East Lancashire,
Lancashire Fusiliers, Field Ambulance, Royal Field Artillery,
Monmouthshire,
Essex, Royal Garrison Artillery, Royal Welch Fusiliers,
Leicestershire,
Argylle and Sutherland Highlanders, Cameronians (Scottish Rifles),
Leinster,
London (Queen’s Westminster Rifles), Royal Fusiliers,
Staffordshire,
The Buffs (East Kent), Queen’s (Royal West Surrey), Royal Scots,
Wiltshire,
Yorkshire, Border, Gordon Highlanders, Northumberland Hussars,
Bedfordshire,
Royal Engineers, Royal Horse Artillery, London (Kensington),
Northamptonshire,
Irish Rifles,
Garhwal Rifles.

17th Bavarian Reserve Regiment, Saxon Corps:
134th Infantry Regiment,
133rd Infantry Regiment, 106th Infantry Regiment,
104th Infantry Regiment,
139th Infantry Regiment, 107th Infantry Regiment,
179th Infantry Regiment; Westphalian Corps:
55th Infantry Regiment,
15th Infantry Regiment,
158th Infantry Regiment,
11th Infantry Regiment,
16th Infantry Regiment.

The Sainsbury’s Advertisment

It’s a bit Herbert Marcuse,
A bit One Dimensional Man:
A unification of opposites,
A harmonisation of contradictions,
Where liberal-democratic capitalism
Gives that tantalising illusion of freedom,
Whilst simultaneously appropriating opposition.
It’s Gramsci’s cultural hegemony,
It’s Sainsbury’s Christmas advertisement:
A celebration of an unofficial truce,
With unauthorised fraternisation,
And near mutiny,
Held up as a paragon of virtue,
In a sanitised World War One
(Where is that queer, sardonic rat?),
With the fetishisation of confection and money,
And where disobedience and mutinous self-expression
Have been gently press ganged into the national service
Of conformism, consumerism, capitalism and consumption.
Not so much 1914 – 2014, as 1984:
Orwellian double-speak,
Post-modernist history,
21st century store wars.

The 1914 Truce in Context

The 1914 Truce in Context

It wasn’t, in fact, a bolt from the blue,
Instead the 1914 Truce was part of a pattern,
That both preceded that Christmas and continued beyond:
There were ‘cushy’ sectors, involving ‘laissez-faire’,
‘Rest and let rest’, ‘Let sleeping dogs lie’,
‘Mutual obligation element’,
‘Tacit truces’, ‘mutual understanding’,
‘Compromise, and be mighty glad to be alive’,
Running along the British front line on the Western Front.

There were respected rituals during the day:
Breakfast bacon and ration party truces,
When as Ian Hay wrote in 1915:
‘It would be child’s play to shell …ration wagons
and water carts…but on the whole there is silence…
if you prevent your enemy from drawing his rations…
he will prevent you from drawing yours.’

In addition, both sides faced General Winter:
A German officer commented in 1914:
‘Friend and foe alike go to fetch straw from the same rick
to protect them from the cold and rain and to have some sort of bedding
to lie on – and never a shot is fired.’

Sometimes, defused rifle grenades were tossed into trenches,
Containing messages, sometimes weather truces
Led to salutations, conversations and jokes,
(‘”Waiter!”… fifty Fritzes stuck their heads up…”Coming Sir.” ’);
Sometimes, a deliberate policy of positive inertia
Was recognized and reciprocated,
Sometimes night patrols would studiously avoid each other.

Weaponry, even when used, could also send messages:
Rifle and machine gun fire might be aimed too high,
Hand bombing led to a signaled, invitational
And deliberate misplacing of explosives:
‘their trenches…no more than ten or fifteen yards from ours…
was a good insurance against strafing on either side.
The mildest exchange of hand grenades or bombs…
Would have made life intolerable.’

Heavy artillery took a different line:
Here messages were sent by the fact that often,
The same spot would be shelled at exactly the same time each day:
‘Twelve little Willies at noon to the tick,
Got our heads down, and go them down quick,
Peaceful and calm was the rest of the day,
Nobody hurt and nothing to say.’

‘Nobody hurt and nothing to say’:
I have compiled this prose-poem from ‘Trench Warfare 1914-1918: The Live and Let Live System’, by Tony Ashworth (Macmillan, 1980); his conclusion is that:
‘Altogether it does not seem unreasonable to assert that live and let live occurred in about one-third of all trench tours made by all divisions within the BEF. Such was the scale of this undertone of trench warfare.’
This ignored and forgotten history is something to talk about in centenary year.

Live and Let Live

When you’ve been out ‘ere as long as I ‘ave,
You get to know the ropes and have a laugh,
Keep’ yer ‘ead down aint enough for Fritz,
You’ve got to show you can live and let live.
When Fritz has his breakfast, let ‘im be,
Then he’ll let you ‘ave your bacon an’ yer tea,
But if you shells ‘im when ‘e’s having grub,
He’ll pay ya double back and there’s the rub,
An’ when yer out at night lookin’ for straw,
If you sees Fritz then give ‘im some, and more,
Then he’ll do the same and ease yer bed,
Instead of aimin’ for yer ‘ead.
An’ when it rains and raids is off,
Send Fritz a joke and make ‘im laugh,
And when he fires and aims too high,
You shoot ‘im back but in the sky.
Live and let live, that’s our way,
That way we live another day.
“Eh? What’s that? My best memory?
Of this whole long ruddy war?
It aint the medals. It aint the glory.
It was No Man’s Land. That first Christmas.
In the snow. Playing Fritz at football.”

Stroud 1914

Stroud 1914

Stroud, like so many places a century ago,

Was an unconscious microcosm of the whole nation:

The sloping slate roofs of the red-bricked terraces,

The new suburban villas with their monkey puzzle trees,

The grand country houses with their uninterrupted views,

The old stone cottages with their vegetable plots,

The farms, the barns, the byres, the stables, the milk churns,

The dry stone lanes, the holloways, the footpaths,

The ginnels, the alley-ways, the new name streets,

The orcha​rds, the commons, the hedgerows, the fields,

The rivers, the streams, the springs, the brooks,

The canals, the wharves, the railway lines, the gas lights,

The bridges, the viaducts, the factories, the mills,

The forge, the furnace, the foundry, the smithy,

The plumes of steam as men marched to the station:

The clunk of the signal, the guard’s shrill whistle,

The handkerchiefs, the tears, the waves, the loneliness,

The camps, the tents, the ships, the ‘planes, the fronts,

The telegrams, the slow drawing down of the blinds.

A Guide to the War Memorials of Stroud and the Five Valleys

My pilgrimage started in those dirty days of late winter,
When the wretched rain fell incessantly,
It was just as damp as ‘Bleak House’:
It dripped through the branches in Rodborough Churchyard,
It dripped through the branches of the yew trees
In St Lawrence’s in Stroud,
And slid down the ‘No Drinking in the Street’ sign
Outside the Park in the Slad Road.

But puddles reflected sunlight gleams the next day,
As I pedalled through snowdrops and birdsong,
To the two war memorials in Woodchester;
And a week later, February crocuses bloomed
In the fields beyond Fretherne Churchyard,
While storm clouds from the Somme
Gathered over the Severn,
Just where Ivor Gurney plied his boat.

Next on the list was a bus trip to Stroud Hospital,
To take a picture of the 1919 Peace Wing,
On a hailstorm-sunshine-rainbow sort of day,
Before taking the railway to Stonehouse,
And a warm March day walk to Lower Mills,
Where I caught the number 14 bus to Stroud,
Whose delightful driver, Steve Burrows,
Allowed me to alight at Leonard Stanley,
Kings Stanley and then Selsley,
To take quick memorial photographs,
Much to the delight of my fellow passengers,
On a Magical Mystery Tour sort of trip:
‘Tell that man he’s left his bag.’
‘Don’t worry’ he’s getting back on again.’

Sunday March the 9th was a gleaming spring day,
So I bicycled past umpteen old cloth mills,
River liquid light all along my way,
To Nailsworth, Avening, Minchinhampton and Amberley,
With long barrows and a standing stone for company;
How lucky we are to live where we live!
I sang all the way home:
‘Why, oh why, oh why, oh why, would you rather be anywhere else?’

I biked around Cainscross on the following Friday,
Taking in St Matthews Church
(My grandparents were married here on August 22nd 1914,
Before Gramp went off to join up)
And Victory Park,
Then into a blossom blown cut grass wind,
As I went past the locks and sluice gates of the canal,
To Eastington’s churchyard memorial and village hall,
Then Frocester’s memorial at the cross roads,
Before photographing war graves in St Swithins,
July 1918, 1919 and 1920,
Deaths just before and then after the Armistice:
Glimpse the pity of war at Leonard Stanley.

An equinoctial bike ride took me to BrImscombe,
Whose memorial is tucked in by the busy A419,
And then along the primrose path to the old signal box,
Down at St Mary’s, Chalford,
One of the few staffed level crossings left:
‘You must have the best job in the country.’
‘Thank – you. I think so too.
Time has been kinder here than in most places.’
I then photographed the Chalford crucifix memorial,
A traditional mythopoeic setting at a crossroads,

But on returning to Stroud, storm clouds gathered,
So I caught an afternoon number 93 to Whiteshill,
Where the scaffolded memorial stands at a crossroads,
Just up from the churchyard,
Where two gravestones caught my eye:
205519 Gunner A. Perry, Royal Field Artillery,
18th February 1917, Ubique Quo Fas et Gloria Ducunt
(Where Right and Glory Lead),
And
In Loving Memory of Alfred,
Beloved Husband of Ada Louisa Berry,
Who died February 18th 1917 aged 32 years,
Peace Perfect Peace.
This juxtaposition of state and family, love and duty,
Haunted me as I descended by an old track
To Salmon Springs and thence into town,
With Wilfred Owen’s line following me in the wind:
‘We only know war lasts, rain soaks, and clouds sag stormy’;
I trudged home, wet, weary and cold:
‘And in his eyes
The cold stars lighting, very old and bleak,
In different skies.’

The next day, we went over to the other side of the river,
Into the ever changing sky-scape of the Dean,
To look at the Dymock Poets’ exhibition in the church
(Where we had tea and cake, whilst the choir rehearsed
For their Great War evening concert: ‘Before Action’),
And Kempley’s war memorial beneath a medieval wall painting,
Before visiting the house of Lascelles Abercombie,
The homes of Robert Frost and Edward Thomas,
With the Malverns, May Hill and the Cotswolds,
All around us in a big sky silver grey cyclorama,
Thinking of Thomas’ poem, ‘For These’,
Written after passing doctor’s orders and enlisting,
On the day my mum was born, 14.7.15,
And some of Thomas’ reasons for joining up:
‘A house that shall love me as I love it,
Well hedged and honoured by a few ash trees…
A garden I need never go beyond…
A spring, a brook’s bend or at least a pond.’

With these words still fresh in my mind,
I got up early the next day, before the cars woke up,
To take a Cider with Rosie ride to Sunday Slad,
Wild garlic was blooming by the side of a spring,
Before I reached the memorial below Bull’s Cross,
I bicycled on past Longridge and Windyridge,
Up hill and down dale to Sheepscombe’s crossroads,
While a parliament of rooks reassured us that winter had indeed ended,
As I passed Damsells Cross and Washwell Farm,
Before descending to Painswick’s yew tree churchyard,
Just as a hailstorm came in from No Man’s Land.

A train to Gloucester, and a bus to Quedgeley,
Took me to St. James’ and its memorial,
Then the next day I explored All Saints Church,
As the wind blew me east, walking through Stroud,
To find a memorial inside the church in Uplands,
A single candle and a wreath sufficient for solemnity;
The number 46 bus and a walk through Shortwood,
Tickmorend and Downend took me to Horsley,
(A memorial just by the church, the bus stop and the school),
Before descending through Ruskin Mill’s sluice-scape,
A heron pointing my way back to Nailsworth and the bus,
Just before the rain came in, on a mid-day westerly breeze.

Next, we were out for a walk on Mothering Sunday,
Through violets, forget me nots, nesting rooks,
And an awakening slowworm in Toadsmoor,
To see Bisley’s crossroads memorial,
Lunchtime drinkers at the Stirrup Cup,
Enjoying the sunshine,
Almost in reading range of the names of the fallen,
Watching me, watching them:
‘I’ve seen ‘em, I’ve seen ‘em, hangin’ on the old barbed wire,
I’ve seen ‘em, I’ve seen ‘em, hangin’ on the old barbed wire.’

A few days later, I caught the bus up to high hill Eastcombe,
Crawling up past old mills, races and ponds again,
With blackthorn and horse chestnut candles
To light my way to the churchyard memorial;
‘I’ve seen ‘em, I’ve seen ‘em, hangin’ on the old barbed wire,
I’ve seen ‘em, I’ve seen ‘em, hangin’ on the old barbed wire.’

My next trip meant the number 35 bus on the 9th of April,
A two pound forty single delight,
Gazing at the wood anemone by the roadside,
A palimpsest of ancient woodland by this main road,
Traveling by bus on what was once a prehistoric track,
That once made its way under a gloomy canopy,
But now tarmacadam speeds south of the Cotswold scarp –
But I was on my way to Nympsfield’s war memorial,
Just by the shadowed wall of the Old Chapel,
A crucifix, refashioned from one found on the Somme,
And brought back to this Catholic village in 1917;
I walked to Nailsworth along Tinkley Lane,
Past the rhythmic turbine, friend and ally of the wind,
Not worried about poison gas beneath the cotton wool clouds.

I had a blood test the following morning,
And doing my best to be a brave soldier by not fainting,
(What would those names on these memorials have thought of me?)
I eventually caught the 230 to Randwick,
£1.50 to be transported along Foxmoor Lane,
Up through Westrip to the crossroad war memorial,
A tree blossom green meadow Cotswold panorama,
And then down to Cainscross along mossy footpaths,
To collect my bike from the timeless Cainscross bike shop,
To cycle along the canal like an Edwardian Mr. Polly,
All under a blue sky Rupert Brooke English heaven.

On the Friday, I caught the number 54,
Three quid one way to Sapperton,
To view the memorial at the parish church of Saint Kenelm,
A memorial for both Sapperton and Frampton Mansell
(Where my dad lived at the end of the Great War);
I dropped down to the Thames and Severn canal tunnel,
To see the River Frome reappear after its dry hiding,
Turbid at first, but quickly limpid and laughing,
A perfect companion for me, and the heron
That acted as a numinous guide through the valley,
Past marsh marigold mouldering locks,
Then anemone and bluebell woodland,
Until I ascended to the Oakridge water trough memorial
(‘Proud of the war all glorious went the son.
Loathing the war all mournful went the mother.
Each had the same wage when the day was done.
Tell me was either braver than the other.’).

My path then went across fields and past springs,
To reach St. John the Baptist in France Lynch,
With its memorial inside the church,
And a gravestone for Private Gardiner,
Died 25th October 1918, aged 18:
It is impossible not to have your heartstrings pulled,
When reading these bald statements in an English churchyard,
On an English spring day, under an English heaven,
So young, and so close to the end,
The remorseless pity of war…
I descended by weavers’ and packhorse tracks,
To reach Chalford and the canal again,
With the Great Western Railway above me,
The ghosts of Tommy Atkins at the carriage windows,
With clouds waving their handkerchief goodbyes.

The next day was chilly with light the colour of pewter,
But a meeting in Stroud Library led me to the memorial
In Bedford Street Congregational Chapel,
A bit of old Stroud right there in the centre of town:
A good cup of good strong tea for only 80p,
An old sweet jar for old postage stamps
‘For the Leprosy Appeal’,
Marmalade for only £1.50,
And a tour of the chapel to see the wall memorial:
‘We used to have congregations of 200, but it’s only 25 now,
And I’m the youngest’;
It was too dark to photograph today,
So we leave that for a bright window light occasion,
As we will Ruscombe Congregational Chapel,
Having been given a contact telephone number
By the welcoming hosts in the tearoom;

So, on a sunny Palm Sunday,
I watched a tractor ploughing a large brown earth field,
With gulls gathering in its wake,
Edward Thomas again flitting through my mind:
‘“Have many gone
From here?” “Yes.” “Many lost?” “Yes; a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him…”
I watched the clods tumble and topple over
After the ploughshare and the stumbling team.’

I saw another giant ploughed-earth field the next day,
Clouds tumbling and toppling over,
After taking the 93 to Edge on a day rider:
There is, seemingly, I thought,
No memorial to see in the village,
(The church door was locked)
But it is not a blessed village,
For there is a family tribute to Major Garnegy in the churchyard,
‘He gallantly fell in action on the 3rd July 1916 in his 41st year.’
“There is but one task for all,
And each one life to give,
Who stands if freedom fall
Who dies if England live”.
“He being dead yet speaketh.”

I tripped down the lane to Painswick,
Past bluebells, violets and lady’s smock,
To snap what must be a unique juxtaposition,
A stained glass window
‘dedicated to the glory of God & in honour of the men of Painswick
who served their king and country in the Great War’,
The gift of George Cox AD1925,
Just opposite some Puritan graffiti from 1644,
Etched by Richard Foot, enemy of his king,
A prisoner of the Royalists during the siege of the church,
A line derived from Edmund Spenser’s ‘Faery Queen’,
That could serve as wise counsel for a soldier in any war:
‘Be bolde, Be bolde…be not too bold.’
I looked at the preparations for Easter:
The iconography of the crucifix, sacrifice and resurrection,
And reflected on the iconography of so many war memorials,
So interlinked with Christian symbolism in so many conscious and subliminal ways,
What succour this must have been for so many a century or so ago,
In a land of Christian belief and at a time both spiritual and spiritualist,
When table tapping, séances and mediums,
Electricity and the ether might all lead to the other side.

A visit to Pitchcombe on the number 46 confirmed this.
The village stretches in a semi-circle along a suntrap valley,
But with an old orchard in full bloom for company,
I couldn’t see the church, until helpful instruction:
‘Turn left after the mill pond.’
The memorial stood in bright sunlight
Just behind a thorn entwined crucifix
(Like so much barbed wire),
Down in the shadow, just by the church gate.
I paid my respects and then walked back down the lane,
To chat with a builder, who talked of newcomers,
And how they don’t know what these cottages used to be like,
No piped water, outside privies, no electricity, even in the 60s.
I said I had to get the bus back to Stroud,
He said I should have walked straight down the main road,
It would have been a darn sight quicker,
I said I would have missed his chat then.
I asked him if he thought there might be a memorial inside the church at Edge,
‘It’s a funny thing. I used to think there was something down on the village green.
But there’s nothing there now.
I was born in Edge.
There’s a memorial to my Uncle Jack in the church.
He went down with the Eagle in 1941. Torpedoed.’
We bade farewell as I took the road less taken,
And so to the bus stop.
A car stopped – ‘I’m going to Stroud if you want a lift.’
An elderly gentleman opened the door –
‘Two roads diverged in a wood, and I,
I took the one less travelled,
And that has made all the difference.’

The Church of the Holy Trinity in Stroud made a difference too,
Here there is a mural on one wall:
‘He holdeth our souls in life’,
‘To the glory of God and in memory of the men of the Thrupp
who gave their lives serving the king in the years of our Lord 1914-1919’,
‘Greater love hath no man than this that a man lays down his life for his friend’.
These words lie above and below a fetching and surprising picture –
A curly, golden haired David, sling by his side,
Readying himself for Goliath and the Philistine army in the background –
With the names of the fallen on each side of this allegorical representation.
Opposite this mural is a marble tablet,
‘To the glory of God and in honoured memory’,
Beneath which is a long list of names of the men
‘Of this parish who gave their lives by sea and land
in the cause of justice and honour in the Great War 1914-1919
This tablet is erected by their proud and sorrowing fellow parishioners.’

The afternoon was strange and full of fretful foreshadowing:
The Guardian’s main obituary was for a historian of congregational churches,
And a woman at the bus stop travelling to Gloucester Hospital,
With hot cross buns for the nurses,
Told me how wonderful they had been,
But ‘ They couldn’t do anymore for her husband’;
I offered her my sympathies
Before making my way to Ruscombe Congregational Church,
To photograph the Ruscombe Chapel Roll of Honour,
‘For King and Country,
‘Brethren Pray For Us.’
Audrey and her colleagues were giving the church a spring clean,
All ready for Easter;
‘Sometimes we’ve had congregations of five,’ she said,
But Audrey was so jolly as I used my I-pad:
‘I was a typist for 33 years but never touched a computer’;
She’d also been a taxi driver and offered to drive me back to Stroud,
But I wanted to explore the old weavers’ tracks,
So I took her photograph as a memento to send to an emigrant friend,
Said my thanks and descended back to Stroud,
Feeling humbled by the way complete strangers
Have welcomed me into their lives,
Whilst on this pilgrimage of Stroud Valley Tales.

This continued on a chilly Easter Saturday:
Ann Simmons was waiting for me at St John the Baptist at Edge,
Ready to dress the church with flowers,
She showed me the memorial and the roll of honour:
‘In Grateful Memory of the Men of Edge and Stockend
Who Gave Their Lives for their Country in the Great War 1914-1919
This Tablet Erected by their Relations and Friends’,
“They loved not their lives unto the death’,
Ann took my picture for the parish magazine,
Then drove me to Painswick,
So that I could catch the bus back to Stroud,
To catch a glance of cowslips lightening the greenery of April.

I went back to Bedford Street Congregational Church
A damp week later, lilac now in bloom, trees in full leaf,
For another jar of their excellent marmalade,
Only £1.50,
And to photograph the memorial in the vastness of the church:
“In Sacred Memory of the Men who gave their Lives in the Great War 1914-1919’,
Names are listed within a cross, centrepiece; rosettes in the corners;
Then, right and left, on folding panel doors:
‘The Following Also Served’,
With two long lists of names beneath the rubric,
One of the names of the fallen stood out in the gloom,
That of HS Park (killed in France, October 1917);
It was Herbert’s father, Sidney, who gave
Park Gardens, on the Slad Road, 10 years later,
In October 1927,
‘To the Town of Stroud for Use as Pleasure Gardens’;
It felt necessary to make my way home via that spot,
And say a silent thank you.

I thought my pilgrimage was close to its end,
But the next day in Mills Café:
‘Have you seen the screen in St. Albans? We saved it.”
‘There’ll always be another one,’ I said.
‘There’ll always be another one,’ she said.
So the delightfully named Reverend Simon Topping met me at St. Albans,
A 1916 Anglican church, now shared with a Methodist congregation,
And told me of the Arts and Crafts influences on the building,
Before showing me the Rood screen,
With small brass commemorations behind:
‘To The Glory Of God
and in memory of
Eccles James Carter Lieut.RN
Who went down in HMS Pathfinder
September 5th 1914
These Chancel Gates were given by Lieut. John Francis Williams
His friend who himself went down
In HMS Russell April 27th 1916’;
Then on the left hand pillar:
‘To The Glory Of God
and in memory of
Eccles James Carter Lieut. RN
Who went down in HMS Pathfinder
September 5th 1914
This Screen Was Erected By His Mother.’
The odyssey was over, it seemed,
But then Simon looked at me and asked,
‘Have you been to Cashes Green Chapel yet?’

Two days later, we continued a walk tracking the River Frome,
I photographed a war grave in Edgeworth churchyard:
‘16309 Private SA Stephens, Gloucestershire Regiment,
19th May 1916 aged 28’
And then on May Day when nattering on the way to Bulls Cross,
Becky Thomas mentioned that her family came from Edgeworth,
And that her great-uncle Stephens
‘Is in the churchyard, he was killed in the First World War.’
This was a coincidence worthy of a Thomas Hardy,
But Beck’s tales grew even more interesting:
‘The other side of my family came from Woodchester.
You know the Woodchester memorial up by the Ram.
Both my grand-father and great-uncle lied about their ages.
They were sixteen and seventeen.
After my great-uncle was killed, my great-grandmother wrote to the War Office:
“I’ve lost one of my under-age sons. I want the other one back.”
Her son never forgave her, even thirty years later,
When in the home guard on Selsley Common.’
A few days later, I had to visit Slad again,
On a Cider with Rosie Great War mission,
The sun went behind the clouds
As I scribbled down the names from the memorial,
Before biking down to the parish church,
Past the artists outside Holy Trinity,
To photograph the colourful but doleful and ornate
Roll of Honour:


Private Edward Hogg 1st Glosters Died of Wounds May 1914
Private Harry Hogg South Wales Borderers Drowned April 16th 1915
Private Albert Geo. Wm. Brown 8th Glosters Killed in action July 5thth 1916
Private Frederick Jesse Fern 6th Glosters Killed in action Sept 4th 1915
Private Lionel Douglas Jack Brown 2nd Worcesters Killed in action Nov 5th 1916
2nd Lieut D. Douglas Leicester 12th Bn. Gloucester Reg. Killed in action May 8th 1917


May they rest in Peace & awake to a Joyful Resurrection
So, only Cashes Green Church remained,
I biked there after work, Simon Topping opened the door,
I photographed the three brass memorial tablets,
Of the roll of honour,
All lovingly polished and shining brilliantly,
In this red brick roadside 1901 chapel in Etheldene Road,
So cherished and nurtured and new,
When those deaths so soon occurred.
I talked with Simon of all the friends made on this pilgrimage,
Of how I would be speaking in Edge Church at their November 9th service,
Of how welcoming and interested so many people have been, are,
And will be – we wondered if this really would be the last one,
But for the moment, I bicycled home along the canal,
May 19th, the sun hot and high in the sky,
The ground hard -earthed, cracked and dry,
Voices gently singing with the wind,
‘We’re here because we’re here because we’re here because we’re here,
We’re here because we’re here because we’re here because we’re here.’
I now conclude (until the next undiscovered one)
By finishing the lines from Edward Thomas,
Lines from As the team’s head-brass,
From a month ago, on the way to Edge:
‘”… ‘It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.’
‘And I should not have sat here. Everything
Would have been different. For it would have been
Another world.’ ‘Ay, and a better, though
If we could see all all might seem good,’ Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.”

‘In Parenthesis’ by David Jones (1937)

In Parenthesis by David Jones (1937)
A sentence or two from T.S. Eliot is perhaps the best way to describe this book of over 200 pages:
‘A work of literary art…about the experiences of one soldier in the War of 1914-18. It is also a book about War, and many other things also, such as Roman Britain, the Arthurian Legend, and divers matters which are given association by the mind of the writer…it will no doubt undergo the same sort of detective analysis and exegesis as the later work of James Joyce and the Cantos of Ezra Pound.’
Now here are a few extracts that might well persuade you to buy or borrow this unique eye witness account:
‘Reveille at 4.30 with its sleepy stretching and heavy irksome return of consciousness – the lettings in of the beginnings of morning, an icy filtering through, with the drawing back of bolts; creeping into frowzy dank recesses… The gulped down tea, the distribution of eked-out bacon, the wiping dry of mess tins with straw…’
‘You bunched together before a tarred door. Chalk scrawls on its planking – initials, numbers, monograms, signs, hasty, half-erased, of many regiments. Scratched out dates measuring the distance back to antique beginnings.’
‘Proceed without lights… Cloud shielded her bright disc-rising yet her veiled influence illumined the texture of that place, her glistening on the saturated fields; bat-night-gloom intersilvered where she shone on the mist drift…’
‘Intermittent gun flashing had ceased; nothing at all was visible; it still rained in a settled fashion, acutely aslant, drenching the body; they passed other bodies, flapping, clinking, sodden…’
‘Modulated interlude, violently discorded  – mighty, fanned-up glare, to breach it: light orange flame-tongues in the long jagged water mirrors where their feet go…’
‘Rotary steel hail spit and lashed in sharp spasms along the vibrating line; great solemn guns leisurely manipulated their expensive discharges, bringing weight and full recession to the rising orchestration.’
‘Saturate, littered, rusted coilings, metallic rustlings…by rat, or wind, disturbed. Smooth – rippled discs gleamed, where gaping craters, their brimming waters, made mirror for the sky-procession – bear up before the moon incongruous souvenirs. Margarine tins sail derelict, where little eddies quivered…’
‘The road, broken though it was, seemed a firm causeway cutting determinedly the insecurity that lapped its path, sometimes the flanking chaos overflowed its madeness, and they floundered in unstable deeps; chill oozing slime over unstable ankle… Three men, sack-buskined to the hips, rose like judgment wraiths out of the ground…’
 ‘You can hear the silence of it:
you can hear the rat of no-man’s-land
rut-out intricacies,
weasel-out his patient workings,
scrut, scrut, sscrut,
harrow-out earthly, trowel his cunning paw;
redeem the time of our uncharity, to sap his own amphibian paradise.
You can hear his carrying-parties rustle our corruption through the night-weeds – context the choicest morsels in his tiny conduits, bead-eyed feast on us…’
‘Even now you couldn’t see his line, but it was much lighter. The wire-tangle hanging, the rank grass-tangle drenched, tousled, and the broken-tin glint showed quite clearly. Left and right in the fire-bays you could see: soft service-caps wet-moulded to their heads moving… Very slowly the dissipating mist reveals saturate green-grey flats, and dark up-jutting things…’
 ‘Others coaxed tiny smouldering fires, balancing precarious mess tins, anxious-watched to boil. Rain clouds gathered and returned with the day’s progression, with the west wind freshening. The south-west wind caught their narrow gullies in enfilade, gusting about every turn of earth-work, lifting dripping ground-sheets, hung to curtain little cubby-holes.’
Black chemist’s smoke thinned out across the narrow neck of sky. The pandemonium swung more closely, with a 5.9 dud immediately outside; cascades of water charged with clods of earth, emptied on them from above. Two shrapnel -bursts high-over, by good fortune fused a little short for such exact alignment, drove hot fumes down to hang in the low place where they waited helplessly, white-faced, and very conscious of their impotence.
Each half-second the fields spout high their yellow waters with a core of flame. For ninety seconds black columns rise – spread acrid nightmare capitals. Corrosive vapours charge their narrow world. Their sack-wall tremors – the trench seemed entirely to list and to not recover after that near one – here it bulges nastily.’
The continuing rain came softly, in even descent, percolating all things through.
A low shelter stood, it’s galvanised inclining roof reflecting the sky’s leaden, resounded to the water-pelter, each corrugation a separate gully, a channel for the flow. The trench- drain, disintegrated, fallen-in before the strong current was built to canalise. Aquatic sackings betrayed where some tiny trickling found new vent-way for the rising inundation.
The trench tramway went straightly, losing its perspective in the rain-mist, off to the left. This trackway led to a juncture, met another single track, where ill-oiled wheels screech on quiet nights…
This was a country where men from their first habitation had not to rest, but to always dyke and drain if they would outwit the water…’
’Corporal Quilter made investigation round about the lean-to. No human being was visible in the trench or on the open track. A man, seemingly native to the place, a little thick man, swathed with sacking, a limp, saturated bandolier thrown over one soldier and with no other accoutrements, gorgeted in woollen Balaclava, groped out from between two tottering corrugated uprights, his great moustaches beaded with condensation underneath his nose. Thickly greaves with mud so that his puttees and sandbag tie-ons were becoming one whole of trickling ochre.’
 ‘The sky overhead looked crisp as eggshell, wide-domed of porcelain, that suddenly would fracture to innumerable stars. The thin mud on fire-steps glistened, sharpened into rime. The up-to-ankle water became intolerably cold. Two men hasten from the communication trench. They deposit grenade-boxes in a recess used for that purpose and quickly go away.’
 ‘They came out to rest after the usual spell. The raid had been quite successful; an identification had been secured of the regiment opposite, and one wounded prisoner, who died on his way down; ’75 Thomas, and another, were missing; Mr. Rhys and the new sergeant were left on his wire; you could see them plainly, hung like rag-merchants’ stock, when the light was favourable; but on the second night after, Mr. Jenkins’s patrol watched his bearers lift them beyond their parapets. Private Watcyn was recommended for a decoration, and given a stripe; the Commanding Officer received a congratulatory message through the usual channels.’
‘So through the short summer night they slept on, and their companions of the Line.
But under the chalk ridge worried gunners wrinkled their brows, plotted exact angles and toiled with decimals, emerged from flimsy shelters strewn of greenery with logarithmic tables.’
‘But they already look at their watches and it is zero minus seven minutes…this drumming of the diaphragm…
Racked out to another turn of the screw
The acceleration heightens…
And the surfeit of fear steadies to dumb incognition, so that when they give the order to move upward to align with ‘A’, hugged already just under the lip of the acclivity inches below where his traversing machine- guns perforate to powder white -…
You have not the capacity for added fear only the limbs are leaden to negotiate the slope and rifles all out o balance, clumsied with long auxiliary steel
and fresh stalks bled
                    runs the Jerry trench.
And cork-screw stapled trip-wire
to snare among the briars
and iron warp with bramble weft
with meadow-sweet and lady’s smock
for a fair camouflage.’
‘Lift gently Dai, for gentleness
befits his gunshot wound in the lower bowel – go easy – ease at the slope – and
mind him – wait for this one and …

The Long Shadow: The Great War and the Twentieth Century by David Reynolds

The Long Shadow: The Great War and the Twentieth Century by David Reynolds

This is a Govian whizz bang of a book and a rattling good read, even if you don’t agree with his two main propositions that:

  1. 1. The UK was not so affected by the Great War as the other major European powers.
  2. 2. The 1960s and the canonization of ‘The War Poets’ et al has resulted in a distorted understanding of that war.

One sentence from the book to epitomize the argument: ‘Yet the British view of the conflict has remained mired in the mud and stalled on the Somme.’

The first two thirds of the book take us on a narrative to exemplify the above propositions, running from the First World War, through the 20s and 30s and so through the Second World War and the early Cold War. It’s more than absorbing, but I became particularly interested when Reynolds moved into a discussion on ‘cultural memory’ and memory theory.

The Long Shadow by David Reynolds Book Cover

He starts by looking at the proposition that individual memory is seldom the product of solitary reflection, but is rather more often socially constructed (through conversation and so on). He then moves on to Assmann’s view that when we look at social remembrance, we should distinguish between the everyday, conversational mode, and ‘cultural remembrance’, which is, as Reynolds describes, ‘conveyed through writings, monuments and cultural artefacts’.
Reynolds starts his next paragraph with this stark question: ‘Why does this memory theory matter?’ Because, he says, the 1960s saw the demise of the Great War generation who could talk about their memories, and the rise of ‘cultural remembrance, not just in print but, more influentially, through the newer media of film and television’. And, of course, this memorialization ‘was not simply an act of ‘memory’, of capturing the past before it was lost for ever’; but ‘an act of social construction shaped by the circumstances, perceptions and politics of the present’.
Reynolds suggests that initial guilt should be ascribed to Alan Clark’s 1961’The Donkeys’; he further suggests that Clark reinvented the phrase ‘lions led by donkeys’, so that ‘thanks to him and despite the efforts of later military historians, the tag…has become the accepted shorthand for the story of the British army in the Great War.’
David Reynolds then looks at the impact of Joan Littlewood’s 1963 production and the 1969 film: ‘To some all this was propaganda masquerading as history…(for others) It was entertainment and nostalgia’. Reynolds says that the film, with its ‘sustained satire of the military elite…far more didactic than the play, preached a clear anti-war message’. He then finishes with the powerful assertion that ‘Above all’, the film left young generations with both an explicit and ‘subliminal’ sense that the conflict involved a narrative of ‘meandering pointlessness, teetering between tragedy and farce.’
He thinks that this absence of explanation and ‘meaningful narrative’ was also hardwired into cultural memory by AJP Taylor’s ‘The First World War: An Illustrated History’, which was published in 1963 and which viewed the conflict as one, long, blundering futility, from causation to termination. The book sold widely and was then followed by ‘The Great War’ on BBC television (1964-5). This 50th anniversary series gained 8 million viewers and although the scriptwriters’ intentions were to show that the war’s terrible ‘cost had a purpose, millions of viewers came away with a sense of futility and waste’.
This zeitgeist was further strengthened, in Reynold’s view, by the 1960s canonization of the War Poets. Anthologies appearing around the 50th anniversary, together with the embedding of the war poets in school syllabuses, all meant, for Reynolds, an undue emphasis upon the horror of the conflict. It became a ‘poets’ war’, even though, Reynolds asserts, the likes of Sassoon and Owen et al were atypical: but, ‘they became for many people the true chroniclers of Great War history’. Larkin’s ‘MCMXIV’ only added to this sense of regret at the death of an innocent generation and to the condemnation of the strategy of attrition in general, and the Somme in particular.
It is apposite to note that historians such as Gary Sheffield, who have argued that he First World War was a necessary war and that the strategy at the Somme was ultimately vindicated by victory, have been typecast as ‘revisionist’ – but even so, it would seem that their contributions have failed to stop the conflict being typecast as a literary rather than military war. Pat Barker’s trilogy and Sebastian Faulks’ ‘Birdsong’ ‘drew on 1990s British patterns of remembrance – the axiomatic futility of the Great War, the cruciform centrality of the Somme and the dominant voice of poets such as Thomas and Owen’.
The revival of Remembrance Day, the death of Harry Patch (the last veteran), the ubiquity of family history research and the laureate poems of Carol Ann Duffy have all helped this new pattern of remembrance continue into the new millennium. Reynolds himself accepts that the fact that as so many of the 2.5 million men who chose to enlist (43% of the total army numbers between 1914 and 1918) died on the Somme, this ‘adds special poignancy ‘ to the unfolding of events.
But, we conclude: firstly, with his assertions about the ‘war poets’ – ‘these men were neither typical of the British Tommy in general nor of …writers… Their verse should not be used as historical description… Most Tommies were not hypersensitively reflective about their own manhood, sexuality or even suffering’; secondly, that even if we might not agree with the book’s main perspective, we can agree that it’s a damned good read; thirdly and absolutely conclusively, it’s time to mention David Jones’ ‘In Parenthesis’.That poetical first hand account of trench life is our next posting.

Newnham and World War One

My mate Bob sent me this feature from the Citzen about Newnham on Severn:

Commemorative plaques are being placed on walls of homes and public buildings to remember those villagers who fought in, died in, or returned from the Great War. This summer will see eight blue plaques for survivors, but forty-one black plaques for those who died.

Blue plaques represent the soldiers who survived the war and returned to Newnham, while black plaques immortalise the 41 men who left the Forest of Dean village to join the war effort and never returned home.
The treasurer of the Newnham History Group, Nigel Haig told the Citizen that: “There has been a huge interest in the village for this project, which we’re really grateful for. They have been really supportive.”
This was too interesting to ignore and as the plaques will be up for the month of August only, I caught the number 23 from Gloucester on August 21st (btw a Stagecoach explorer ticket got me from Stroud to Newnham and back for £6.50) and made my way to the other side of the river.

It felt like an Ivor Gurney and Will Harvey charabanc ride:
Red apple orchards, sleepy old railway lines,
A slow, stippled, brown mud Severn,
Cyclists, church spires, village fetes,
The smell of farms and the tramp of farmers’ boys,
Big sky cumulus clouds and wood clad hillsides –
So much so that I screened out the electricity pylons,
The endless fields of sweet corn and the relentless traffic
(52 casualties in three years on this busy road),
Until I reached the broad thoroughfare of Newnham,
Where I went hunting for blue plaques.

I started at the top of the street and worked my down,
Then back up again to the bus stop by the church:
The plaques are heritage blue and are of paper rather than metal,
They sit unobtrusively on the walls of shops, cottages and houses,
And will remain there until the end of the month, but
The first ones to catch my eye were on the church wall:
(Every single plaque, whether blue or black, has the same title:
‘The Great War 1914-1918 The men who went to war’,
And then underneath those two lines is the citation)
Three black and three blue on the left hand side of the church gate,
Two black and three blue on the right hand side, two more black,
Then another blue at the lych-gate, then blues down the High Street,
Until two more black at Bailey’s Stores, on the corner of Station Road,
With four blues underneath; then more blues up the High Street,
Until another black (with four blues) at Camerons, Dean Road corner,
Then another black plaque and three more blue plaques,
Before I reached the bus stop opposite the church…

This tells only a part of Newnham’s statistical story,
But this wall marking forcefully shows the density
And extensity of the men who marched away from Newnham,
Whilst the citations tell a vivid tale of a world that has gone,
I choose just four before ‘each slow dusk a drawing-down of blinds’:
‘James Ferris Enlisted 1914-aged 25 Private, 8th Battalion, Gloucestershire Regiment, Son of James Ferris,
Harbour Master at Bullo Pill Docks’;
‘Stephen Brobyn, Corporal Shoeing-Smith, 46th Brigade,
Royal Field Artillery, Killed in action December 1918,
Son of Robert Brobyn of Church Road’;
‘Edward Archibald Crofton McLaughlin
2nd Lieutenant, 7th Seaforth Highlanders
Killed in action November 1915 aged 20
Son of Vivian McLaughlin,
Headmaster of Brightlands, Church Road’;
‘Herbert Guy Bromlow McLaughlin
2nd Lieutenant, 3rd Seaforth Highlanders
Killed in action October 1916 aged 18
Son of Vivian McLaughlin,
Headmaster of Brightlands, Church Road’;
I looked across at the dilapidated Victoria Hotel,
I could see them all there, having a last pint,
Before walking down the High Street, then along Station Road,
Where so many roads led to France, the loss of innocence
And the loss of the world of Edward Thomas:

‘“Have many gone
From here?” “Yes.” “Many lost?” “Yes; a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him…”
“… ‘It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.’
‘And I should not have sat here. Everything
Would have been different. For it would have been
Another world.’ ‘Ay, and a better, though
If we could see all all might seem good,’ Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.”

When the Lights go out on Monday

 

When the lights go out on Monday,
The United Kingdom – a very different country
From the one that went to war a century ago –
Will attempt an act of collective memorialisation
Rarely witnessed in this, our land,
A democratic communion of thought and voice,
A delicate concord of empathy, sympathy,
Agreement, reflection, opposition, divergence and dissent:
‘At the going down of the sun and in the morning
We will remember them’, and…
The Somme, Passchendaele, Ypres, Arras, Flanders,
Red poppies, white poppies, war memorials, rolls of honour, cenotaphs,
A lost generation, canary girls, phossy jaw, rent strikes,
‘Hard faced men who did well out of the war’,
‘We don’t want to lose you, but we think you ought to go’,
‘Who’s for the game?’, ‘Dulce et Decorum est’,
The Old Contemptibles, Lord Kitchener, Pals’ Battalions, conscription,
‘The Strange Death of Liberal England’,
Oh What A Lovely War,
Lions led by donkeys,
Sacrifice, For King and Country,
White feathers, pacifists,
Conscientious Objectors, Alternativists, Absolutists:
‘Funny. You’re in here for murder and I’m in here for refusing to.’
Over the Top, third light, footballs, truces, Christmas,
Tommy, Fritz, trenches, dug outs, fox holes, no man’s land,
Shot at dawn, mutineers, Etaples,
Attrition, machine guns, barbed wire, tanks, industrial warfare,
General Haig, valour, duty, postcards, telegrams,
Sassoon, Thomas, Owen, Graves, Sherriff, Gurney, Rosenberg,
Philip Larkin, Micheal Gove, Blackadder,
That Treaty of Versailles cartoon
(When Clemenceau, Wilson and Lloyd George
Leave the Hall of Mirrors, hearing a child (1940 class) crying),
India, Empire, Gallipoli, the White Dominions,
The Mother Country, This Happy Breed,
Red Clydeside, Bolshevism,
The Dublin Rising, Ulster, Sinn Fein,
The Khaki Election, votes for some women,
Rationing, U boats, backs to the wall,
The 11th hour of the 11th day of the 11th month,
Armistice,
General Ludendorff, the stab in the back, the Freikorps, Adolf Hitler,
Imperial expansion, the Balfour Declaration, Turkey,
The League of Nations, Mandates,
Palestine.

John Clare Day (July 13th)

John Clare Book Cover
John Clare Book Cover

For those of you for whom John Clare is a new name,
But who might want to join us on a John Clare Walk,
Around the common lands of Stroud and the 5 Valleys,
On John Clare Day and Night, every July 13th,
(He was born on July 13th 1793, at, in Clare’s words:
‘Helpstone, a gloomy village…on the brink of the Lincolnshire fens’.)
Here is a selection of his poem titles, to give you a flavour,
Taken from my treasured 40 year old Everyman edition:

Impromptu on Winter; The Robin; To the Violet; Winter’s Gone;
The Village Minstrel; The Setting Sun; The Primrose; Autumn; Badger;
Swamps of wild rush-beds; The Shepherd’s Calendar; Swordy Well;
Evening Pastime; Winter Winds cold and blea; Summer Images;
The Spring returns; The Eternity of Nature; The Voice of Nature;
The Shepherd’s Tree; The Nightingale’s Nest; The Blackcap; The Vixen;
The Missel-thrush’s nest; The Redcap; The Lark’s Nest; The Flight of Birds;
The Fern-owl’s Nest; The Reed-bird; The Wren; The Thrush’s Nest;
The Mole-catcher; The Frightened Ploughman; A Walk in the Forest;
The Pale Sun; Haymaking; April; The Round Oak; The Winter’s Come; Dewdrops;
The Beanfield; The Peasant Poet; The Daisy; The Autumn’s Wind;
The Green Lane; Early Spring; The Dark Days of Autumn;
Evening. It is the silent hour when they who roam; Enclosure;
Mary. ‘Tis April and the morning, love.

This is just the smallest selection from my second hand book,
Bought in Camden Town to offer respite and relief
From the tedium of studying political theory at UCL,
When we all knew Karl Marx had it all tied up,
And was the only show in Town – plus ca change -,
So, join us for some walk, talk, refreshment and readings,
Sunday, July 13th, time and place to be confirmed.

Context:
Even though Clare was born in 1793, two of his grandchildren were still alive in the 1950s and, as Jonathan Bate points out in his biography, ‘It is strange to think’ that Clare was ‘born two years before Keats and only four after the storming of the Bastille’. But we don’t need to show this generational overlap as evidence for the relevance of Clare: far better to look at his writing. And we shall start by looking at his writing about enclosure.
We lament the disappearance of hedgerows today, but for Clare’s generation, hedgerows meant a violation of landscape and liberty. How he hated the hawthorn hedgerows of enclosure! The following selections show this; we’ll start with a few lines from ‘The Lament of Swordy Well’:

‘The gipsey’s camp was not afraid
I made his dwelling free
Till vile enclosure came and made
A parish slave of me.’

His poem about his village, Helpston, contains lines that Lord Radstock objected to as ‘radical slang’; here are a few:

‘Accursed Wealth! o’er-bounding human laws,
Of every evil thou remain’st the cause:
Victims of want, those wretches such as me,
Too truly lay their wretchedness to thee:
Thou art the bar that keeps them from being fed,
And thine our loss of labour and of bread;
Thou art the cause that levels every tree,
And woods bow down to make a way for thee.’

Now here’s a few lines from Impromptu on Winter:

‘To me all seasons come the same:
Now winter bares each field and tree
She finds that trouble sav’d in me
Stript already, penniless,
Nothing boasting but distress;
And when spring chill’d nature cheers,
Still my old complaint she hears;
Summer too, in plenty blest,
Finds me poor and still distrest;
Kind autumn too, so liberal and so free,
Brings my old well-known present, Poverty.’

And now here’s a stanza or twain from The Village Minstrel:

‘Spring more resembles winter now than spring,
The shades are banish’d all – the birds have took to wing.

There once were lanes in nature’s freedom dropt,
There once were lanes that every valley wound –
Inclosure came, and every path was stopt;
Each tyrant fixed his sign where paths were found,
To hint a trespass now who cross’d the ground;
Justice is made to speak as they command;
The high road now must be each stinted bound;
Inclosure, thou’rt a curse upon the land,
And tasteless was the wretch who thy existence plann’d.’
And now for a few lines from Enclosure:
‘Far spread the moory ground, alevel scene
Bespread with rush and one eternal green,
That never felt the rage of blundering plough,
Though centuries wreathed spring blossoms on its brow.
Autumn met plains that stretched then far away
In unchecked shadows of green, brown, and grey.
Unbounded freedom ruled the wandering scene;
No fence of ownership crept in between
To hide the prospect from the gazing eye;
Its only bondage was the circling sky.
A mighty flat, undwarfed by bush and tree,
Spread its fair shadow of immensity,
And lost itself, which seemed to eke its bounds,
In the blue mist the horizon’s edge surrounds.

Now this sweet vision of my boyish hours,
Free as spring clouds and wild as forest flowers,
Is faded all – a hope that blossomed free,
And hath been once as it no ore shall be.
Enclosure came, and trampled on the grave
Of labour’s rights, and left the poor a slave; …

The skybound wastes in mangled garbs are left,
Fence meeting fence in owner’s little bounds
Of field and meadow, large as garden-grounds,
In little parcels little minds to please,
With men and flocks imprisoned, ill at ease.’

Jonathan Bate comments in The Song of the Earth; ‘In 1809 Parliament had passed An Act for Inclosing Lands in the Parishes of Maxey…and Helpstone, in the County of Northampton.’ And so:

‘These paths are stopt – the rude philistine’s thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice ‘no road here’
And on the tree with ivy overhung
The hates sign by vulgar taste is hung
As tho’ the very birds should learn to know
When they go there they must no further go
Thus, with the poor, sacred freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law’s enclosure came’.

Professor Bate in his biography John Clare mentions EP Thompson’s perspective on Clare: ‘Clare may be described, without hindsight, as a poet of ecological protest’; Bate goes on to show, as Thompson implied, that enclosure affected Clare in a visceral way: he felt the changes in the landscape personally, for his village community and, as it were, for the very fields, trees, flowers, hills and springs themselves.

‘By Langley Bush I roam, but the bush hath left its hill;
On Cowper Hill I stray,’tis a desert strange and chill;
And spreading Lea Close Oak, ere decay had penned its will,
To the axe of the spoiler and self-interest fell a prey;
And Crossberry Way and old Round Oak’s narrow lane
With its hollow tree like pulpits, I shall never see again:
Inclosure like a Bonaparte let not a thing remain,
It levelled every bush and tree and levelled every hill
And hung the moles for traitors – though the brook is running still,
It runs a naked brook, cold and chill’.

Bate goes on to show this ecological empathy with ‘The Lamentations of Round Oak Waters’; Clare uses the voice of the water to voice his lament for the clearing of the trees that once shaded the brook (‘There’s scarce a greensward spot remains, And scarce a single tree.’) This mixture of the personal and the ecologically empathetic was always unceremoniously and forcefully brought home to Clare when he could no longer walk and wander where old habits would lead:
‘I always wrote my poems in the fields…I used to go out of the village to particular spots which I was fond of…in one of these rambles I was in a narrow escape of being taken up as a poacher…I found a beautiful spot…and…began to rhyme till I insensibly fell asleep and was awakened by muttering voices on the other side of the thicket – I looked through and saw they were keepers by their guns – one of their dogs came up…the part I was in was enclosed by a wall and belonged to the Marquis.’
These lines written after his move from Helpstone to Northborough (a 3 mile distance, but infinite to Clare) further convey his sense of intrusion, loss of freedom and anxiety about new rights of property:

‘I deaded walking where there was no path

And prest with cautious tread the meadow swath

And always turned to look with wary eye

And always feared the owner coming bye

Yet everything about where I had gone

Appeared so beautiful I ventured on

And when I gained the road where all are free

I fancied every stranger frowned at me

And every kinder look appeared to say

You’ve been on trespass on your walk to day

I’ve often thought the day appeared so fine

How beautiful if such a place were mine

But having nought I never feel alone

And cannot use another’s as my own.’