The Somme and Stroud and Conscientious Objectors: Echo Chamber at the Brunel Goods Shed

Also see:

Echo chamber: Voices of conscience
Look Again: Echo Chamber

ECHO CHAMBER

SVA Goods Shed, Stroud Railway Station Saturday 19 March, 10am to 4pm
‘War…conscience…protest. How do we navigate all the stuff that’s happening today?
Forgotten voices resonate from an earlier time of turmoil. Artists Fiona Kam Meadley and Dominic Thomas invite you to help shape this sound installation in advance of an exhibition at Friends House in August.
Email fionakammeadley@mac.com for information.’

In this year of the centenary of the Battle of the Somme and its shocking futility, it’s salutary to hear the thoughts of conscientious objectors – religious, socialist, communist, pacifist et al. And the Brunel Goods Shed is a perfect setting – how many troops set off for the Western Front from here? And how many wounded returned here?

When wounded soldiers arrived at Stroud, ‘There was the usual uncertainty as to which railway station they would arrive at, and consequently the crowds were thickest at the top of Rowcroft, where the roads from the two stations meet. Here people lined the streets six or eight deep, and there was only a narrow way left for the passage of motor-cars and carriages, which had been kindly lent by residents to convey the wounded to hospital…’

Two years later:
‘The Somme pictures proved to be the greatest cinema attraction ever presented to the public of the Stroud district, and we congratulate the management of the Empire Theatre on securing the wonderful film for their patrons…The pictures gave us some little conception of the tremendous amount of energy expended in this one theatre of the war. They gave us, too, some faint inkling of the immense and tragic waste of war: the blasted land, the material wreckage, the broken men and the irrecoverable lives. Their effect was saddening and at the same time inspiring…The half-demented German prisoners aroused sentiments not of derision but of pity…But the dominant impression was that of the bouyancy of our own incomparable men. Surely in all the tragic history of war a more light-hearted, high-spirited and fearless army has never marched into the zone of death and pain? The incalculable debt we owe to these heroes can never be liquidated: for all time the race will be their debtor. No words could record so convincingly as these pictures of actual war scenes the splendid spirit of Britain’s fighting men.’

If you want to find the old battalion,
I know where they are, I know where they are, I know where they are
If you want to find the old battalion, I know where they are,
They’re hanging on the old barbed wire,
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.
I’ve seen ’em, I’ve seen ’em, hanging on the old barbed wire.

Conscientious Objectors and WW1: A few facts

1. NUMBERS: Conscription was introduced in 1916 and with a numerical symmetry, there were about 16,000 conscientious objectors in this country by the end of the war.
2. NUMBERS: Over 2,000 tribunals sat in judgment on men, deciding on their sincerity over conscientious objection. Members of the tribunals saw their role more to intimidate men into the armed forces rather than grant a fair hearing. But as Ann Kramer puts it in her book Conchies: Conscientious Objectors of the First World War: ‘After all, as many objectors commented; how does a man prove he has a conscience?’
3. NUMBERS: Tribunals could make 4 choices: absolute exemption; an alternative to military service; rule that an individual could take a non-combatant role within the army; reject the application totally and order combatant duties.
4. RESISTANCE: Conscientious objectors carried on resistance, however, in the face of tribunal decisions. For example: refusing medical examinations; refusing to wear uniforms; refusing to march; refusing to salute or stand up.
5. RESPONSES: Responses included the following: polite persuasion; forcible wearing of uniforms; wearing of straitjackets; exposure to extreme cold or heat; solitary confinement; prison; beatings up; field punishments, and then, in the weeks before the Battle of the Somme in 1916, 50 men were secretly transported to France to receive death sentences.
6. DEATH SENTENCES: The death sentences were announced to the men in groups – and then after a few seconds pause, the officer would announce that the death sentence was commuted to ten years’ imprisonment with hard labour.
7. PRISON: Over 6,000 conscientious objectors received prison sentences: ‘Funny. You’re in for murder and I’m in here for refusing to.’
8. ABSOLUTISTS AND ALTERNATIVISTS: ‘Absolutists’ were not prepared to accept any military role, but ‘alternativists’ accepted ‘work of national importance’, such as working on the land, within hospital services, and so on. These numbered about 6,500.
9. AFTER THE WAR: The end of the war saw a variety of forms of vicitimisation, including the withdrawal of the right to vote for five years.

Also see:

Echo chamber: Voices of conscience
Look Again: Echo Chamber

Songs of Christmas Past

One damp, December afternoon,
I biked out through Stroud’s featureless streets,
Out along the Slad Valley to Bull’s Cross:
Past pollarded willow trees all along the road,
Past well wrapped farmers stacking logs in a dripping coppice,
Past chapels turned to guesthouses,
Their graveyards full of cars,
Past families cutting mistletoe from high, tall branches,
Long handled secateurs silhouetted
Against a setting sun’s cloudscape,
Past rooks, copse-calling in the gathering dusk,
Until, all was silent and still,
As twilight turned to darkness,
That moment,
When all life seems suspended,
A brief moment of seeming equipoise;
I listened to the silence
And then turned for home –
And when I got back to Stroud,
Nocturnal winter-spring had sprung,
Every window was now ablaze
With lights and trees and candles,
Doors were hung with stars and wreaths
Of holly and mistletoe:
Christmas has come!
Mum and dad are singing again!
Cold season’s magic!

This note below is from my brother, ten years ago, when mum still used to perform this song (she would have been a hundred this year):

‘My mother told me that she bought this play as a sixpenny publication in Woolworths. The family may well have put a strong West Country influence on the rendition which shows in my recollection.’

CHRISTMAS WAITS

In our village, Christmas Eve,
I sez to zeveral mates:
“Now look ‘ere, mates”, I sez,
Sez I,
“Now ‘ow about some Waits?”
We gets zum carols, lairns ‘em up, and on an evenin’ wintry,
We muffles up and zallies forth to try it on the Gintry.
“Good King Wenceslas looked out,”
We zings we with splendid power,
Zeveral neighbours looked out too,
To see what all the row were,
We zings forte (sounded like an ‘underd),
Even in the soft bits ‘ow we thundered,
Bill, our bass, ‘e ‘urt ‘is face, we thought that it was torn,
Yet all agree there were none like we, to ‘ail thee, ‘appy morn.
Perkins took the treble line (a lovely voice ‘e’s got),
I were tenor, Bill were bass, and Fred sang all the lot,
‘E wandered up and down the scale,
And though ‘e rather marred it
Cuz ‘e never knewed the words, and so ‘e “lah-lah-lahed” it,
“Lah-lah-lah-lah looked out”, ‘e sings with splendid power,
Zeveral neighbours looked out, too,
To see what all the row were,
We zings forte (sounded like an ‘undered),
Even in the soft bits ‘ow we thundered,
Every verse got worse and worse,
And though we all felt worn,
Yet all agree there were none like we, to ‘ail thee, ‘appy morn.
Still we never got no cash, which didn’t seem quite just,

Zeein’ we’d stood there for hours, a-singin’ fit to bust,

Then our policeman, old Bob Bates, comes down, a-scowlin’ proper,

“Good old Bob”, young Perkins cries, “At last we’ve got a copper!”

Good King Wenceslas last looked out, we zings with splendid power,
Zeveral neighbours looked out too, to zee what all the row were,

Then a change came on the situation,
Bob got nasty and took us to the station.
“Look ‘ere, Bates, we’re Christmas Waits,”
I says to him with scorn.
He said, with a sneer,
“Now wait in here
And ‘ail thee ‘appy morn.”

The piece below was mum and dad’s Christmas special – they used to perform this in fancy dress as a duo and remembered the lines perfectly, almost to the end of their lives.

Little Nell

It was a dark and stormy night
When my Nelly went away
And I’ll never forget her
Till my dying day
She was just 16
And the village queen
and the prettiest trick
That the valley ever seen
The farm ain’t the same since me Nelly went away
The rooster died and the hen won’t lay
But in this window I’ll put a light
40 below zero, gosh what a night
Who’s that a knocking at the door?

It’s your own Little Nell
Don’t you know me anymore?

What happened to the actor guy,
Who used to call you Honey
Did he leave you all alone when you hadn’t any money?

Oh, he’s a slick town guy and he lies with ease
And he’s got more money that a dog has fleas
But he left me alone when I was most forlorn
The very night that my little Dumbell was born.

Is that there Dummy?


Well it ain’t no other
The gosh-darned image 
Of his gosh-darned mother.

Hoity Toity my fair beauty
Or you’ll come to harm
Cos I hold the mortgage
On your gash-darned farm.

Give me back my Dummy.

Your Dummy?

My Dummy.


Your Dummy?


My Dummy.

Who’s this a comin’?
It sounds like a mule.

I ain’t no mule you gash-darned fool
,
Can’t you tell by me badge
I’m the constibule
Now what’s the harm?
Do please tell.

Well he ain’t done right by my Little Nell.

Yes I have.


You have not.

Yes I have.


You have not.
Well he’s spoilt me farm and ruined me daughter.

Well I guess I’ll have to fine him a dollar and a quarter.

Which all goes to prove the price of sin –
And tomorrow night we play East Lynn.

Avebury Solstice: A Day Too Early

I’m not a pagan; I’m a nothing,
Formally and spiritually speaking.
I might possibly be a bit of a pantheist:
Losing my head and myself
In wind, sky, silence, and landscape,
But I’m a bit of a dialectical materialist too,
With a dash of Gramscian cultural hegemony,
And a bit of rural-anarcho-syndicalism to add to the mix;
So, my trip to Avebury to witness the winter solstice
Was carried out in the manner of an observer
Rather than believer, but an open-minded observer:
A Coleridgian Wordsworthian Clareian Gramscian Marxist observer,
For that’s the set of ideas that ring a bell for me.

The day before my visit was initially bright and cheerful,
With cumulus clouds along the silver Severn,
A welcome break from this unremittingly mild mediocrity;
I know Ruskin said there was no such thing as bad weather,
Only varying types of good,
But this warm constantly cloud covered December
Has been a tad boring, hasn’t it?
No gleams of light, no rents in the cloud, no stars, no moon,
No Dorothy Wordsworth (1801): ‘Monday 21st, being the shortest day …
The snow lay deep upon the roads … I stayed at home and clapped the linen.’
No George Sturt (1890): ‘On the sycamores … the bark was very beautiful;
Green predominating, but a wonderful mauve too, with blues, yellows etc.,
All heightened and brilliant with a light reflected from the snow.’

Be that as it may, I caught the 5.35 to Swindon
(Which rather improbably carries on to Southampton),
Then walked up to Old Town
(People sleeping rough in the subway by the bus station),
To catch the 7.05 bus to Avebury,
Thence past my mum’s family’s graves in the church at Wroughton,
Through Captain Swing country below Marlborough Downs,
With stars in the west, an unraveling of blue in the east,
Splashes of orange in the dewponds and puddled ploughed fields,
And so to the Red Lion at 7.28
(‘Make sure you ring the bell next time’).

I expected the stone circle to be thronged,
But when I tentatively entered the field,
There were only two others,
And one of them immediately asked me this question:
‘What do you make of it all then?’
I fumbled out an answer about respecting others’ beliefs,
But I was a rationalist rather than a pagan and was a Marxist really.
He launched into a monologue about his life history,
And about how he had now got into Ufology,
Bought some lasers to explore extraterrestrial worlds,
And had in fact been taken on to a UFO, but had managed to escape.

I said: ‘Mate. All this is fascinating, but I really need to have some time to myself,
If you don’t mind, I need a bit of silence just to think.’

‘’Course, mate. But one last thing. In three months time
The government is going to tell the nation that we are about to be invaded from space and that we all should go into underground shelters.
But don’t, whatever you do. It’s a trick. Pleased to meet you. My name’s Tony.
What’s yours?’

‘Stuart.’
(I shake his proffered hand.)

‘Well remember what I told you mate.
And, by the way, the Solstice is actually tomorrow.’

I wandered off to watch rooks circle and parliament gather
In the filigreed branches of the stone circle’s beech trees,
As some forty people, mostly in anoraks,
Rather than shawls, doublets, gowns or breeches,
Spent a silently spiritual thirty minutes staring into the eastern sky,
As the rising sun burnished and gilded the horizon’s cumulus clouds;
People took pictures – not one selfie,
Then gradually and quietly dispersed.

After a walk and a marmite sandwich,
I returned to the Red Lion to await the return of the 49 from Trowbridge,
Where a heavily tattooed man in combat gear with a backpack questioned me:
‘ Did you sleep out last night, mate?’

I mumbled a reply about coming from Stroud;

‘I slept out in a hazel thicket last night. It got a bit cold but it were well worth it.
When I woke up I saw a dragon with rainbows in its eyes. I’m from Lincolnshire meself. You look cold, mate. You want to get one of these crystals. I’ve never had cold hands since I got this one from Glastonbury. Much better than gloves.’

I tried to change the subject politely by asking him if he would like to look at the pictures I had taken on my I-pad. A touch of moisture on the lens, or some sort of refraction of light caused by my photographing the sun, had resulted in a strangely ethereal apparition appearing in a succession of pictures within the stone circle.

‘You must have the right psyche, mate. Looks to me that you’ve brought a planet or a star down to earth. Well done mate. It’s not everyone who can do that. Are you a follower of the five pointed star?’

‘Here comes the bus.’

’49 mate. 7 times 7. A magical number. That’s no coincidence.’

He stood back for me to alight first.
I promised the driver that I would ring the bell.

I went up stairs to check my I-phone.
Yes. I had indeed come to the solstice a day early.
It was a Tim Dowling sort of moment.
And this is a Tim Dowling sort of ending.

I made sure I rang the bell when the bus got back to Old Town.

Christmas 1914

Trenchcoats for Goalposts Poster

Christmas
1914

There was, of course, more than one football match
In the long line of unofficial truces
That stretched all along the front in Flanders;
Indeed, the matches themselves were a sort of climax,
Punctuating the peace that started before Christmas
With shared burying of the dead in No Man’s Land,
And that lasted in some areas until the early spring.

But on Christmas Eve, Christmas trees appeared,
Glowing in the gathering Tannenbaum twilight:
‘Oh Christmas tree, oh Christmas tree,
How lovely are your branches’;
Miracle of miracles, the rain stopped,
A full moon stepped across the cloudless sky,
A hoar frost shimmered in the starlight,
Boots crunched on mud now stiff as duckboards.

Soldiers moved as if in a trance or dream,
Climbing out of their trenches, milling around,
Swopping bodies, kodaks, insignia, Schnapps, beer,
Tobacco, jam, stew and addresses;
Saxons laughed at Scots, blue beneath their kilts,
Over at frozen, peaceful, Ploegsteert Wood,
Then caps were dropped on the ground for goalposts.

Kurt Zehmisch, 134th Saxons, wrote in his diary:
‘Eventually the English brought a soccer ball from their trenches, and pretty soon a lively
game ensued. How marvelously wonderful, yet how strange it was. The English officers felt
the same way about it. Thus Christmas, the celebration of Love managed to bring mortal
enemies together for a time… I told them we didn’t want to shoot on the Second Day of
Christmas either. They agreed.’
So there they were, dodging shell holes, fox holes,
Barbed wire, ditches, turnips and cabbages,
Some roasting a pig together, chasing hares,
Feasting further on plum pudding and wurst,
In what Sergeant-Major Frank Nadin called
‘A rare old jollification, which included football.’

His comrade in the Cheshires, Ernie Williams said:
‘The ball appeared from somewhere, I don’t know where, but it came from their side…
They made up some goals and one fellow went in goal and then it was just a general
kickabout. I should think there were about a couple of hundred taking part…Everyone
seemed to be enjoying themselves. There was no sort of ill-will between us…There was no
eferee, and no score, no tally at all. ‘
So fraternization continued, with singing and smoking,
Tea and cocoa, until darkness descended,
When as Private Mullard of the Rifle Brigade said:
‘Just after midnight you could hear, away on the right, the plonk-plonk of the bullets as
they hit the ground, and we knew the game had started again.’

And so the dream ended, the nightmare restarted,
No more ‘Wotcha cock, ow’s London?’
Nor, ‘Are you the Warwickshires?
Any Brummagem lads there?
I have a wife and 5 children there.’
No more: ‘ we started up ‘O Come All Ye Faithful’ the Germans immediately joined in,
singing the same hymn to the Latin words ‘Adeste Fideles’.’
No more ‘Dearest Dorothy, Just a line from the trenches on Xmas Eve – a topping night,
with not much firing going on & both sides singng.’
No more ‘Friede auf der Erde’, ‘Peace on Earth’,
No more headlines like ‘TOMMY’S TRUCE BETWEEN THE TRENCHES’.

Instead, a boast of sharing cigars
‘with the best shot in the German army…but I know where his loophole is now and mean to
down him tomorrow.’
Instead, the German Londoner who shouted:
‘Today we have peace. Tomorrow you fight for your country;
I fight for mine. Good Luck.’

Instead, ‘ I do not wish to hurt you
But [Bang!] I feel I must.
It is a Christian virtue
To lay you in the dust.
Zip, that bullet got you
You’re really better dead.
I’m sorry that I shot you-
Pray, let me hold your head.’

Battalions fraternised from the following regiments, Christmas 1914

Devonshire, Surrey, Manchester, Cheshire, Norfolk,
Seaforth Highlanders,
Royal Warwickshire, Royal Dublin Fusiliers, Royal Irish Fusiliers,
Hampshire,
Rifle Brigade, Somerset Light Infantry, London Rifle Brigade,
East Lancashire,
Lancashire Fusiliers, Field Ambulance, Royal Field Artillery,
Monmouthshire,
Essex, Royal Garrison Artillery, Royal Welch Fusiliers,
Leicestershire,
Argylle and Sutherland Highlanders, Cameronians (Scottish Rifles),
Leinster,
London (Queen’s Westminster Rifles), Royal Fusiliers,
Staffordshire,
The Buffs (East Kent), Queen’s (Royal West Surrey), Royal Scots,
Wiltshire,
Yorkshire, Border, Gordon Highlanders, Northumberland Hussars,
Bedfordshire,
Royal Engineers, Royal Horse Artillery, London (Kensington),
Northamptonshire,
Irish Rifles,
Garhwal Rifles.

17th Bavarian Reserve Regiment, Saxon Corps:
134th Infantry Regiment,
133rd Infantry Regiment, 106th Infantry Regiment,
104th Infantry Regiment,
139th Infantry Regiment, 107th Infantry Regiment,
179th Infantry Regiment; Westphalian Corps:
55th Infantry Regiment,
15th Infantry Regiment,
158th Infantry Regiment,
11th Infantry Regiment,
16th Infantry Regiment.

 

The 1914 Truce in Context

It wasn’t, in fact, a bolt from the blue,
Instead the 1914 Truce was part of a pattern,
That both preceded that Christmas and continued beyond:
There were ‘cushy’ sectors, involving ‘laissez-faire’,
‘Rest and let rest’, ‘Let sleeping dogs lie’,
‘Mutual obligation element’,
‘Tacit truces’, ‘mutual understanding’,
‘Compromise, and be mighty glad to be alive’,
Running along the British front line on the Western Front.

There were respected rituals during the day:
Breakfast bacon and ration party truces,
When as Ian Hay wrote in 1915:
‘It would be child’s play to shell …ration wagons
and water carts…but on the whole there is silence…
if you prevent your enemy from drawing his rations…
he will prevent you from drawing yours.’

In addition, both sides faced General Winter:
A German officer commented in 1914:
‘Friend and foe alike go to fetch straw from the same rick
to protect them from the cold and rain and to have some sort of bedding to lie on – and never a shot is fired.’

Sometimes, defused rifle grenades were tossed into trenches,
Containing messages, sometimes weather truces
Led to salutations, conversations and jokes,
(‘”Waiter!”… fifty Fritzes stuck their heads up…”Coming Sir.” ’);
Sometimes, a deliberate policy of positive inertia
Was recognized and reciprocated,
Sometimes night patrols would studiously avoid each other.

Weaponry, even when used, could also send messages:
Rifle and machine gun fire might be aimed too high,
Hand bombing led to a signaled, invitational
And deliberate misplacing of explosives:
‘their trenches…no more than ten or fifteen yards from ours…
was a good insurance against strafing on either side.
The mildest exchange of hand grenades or bombs…
Would have made life intolerable.’

Heavy artillery took a different line:
Here messages were sent by the fact that often,
The same spot would be shelled
at exactly the same time each day:
‘Twelve little Willies at noon to the tick,
Got our heads down, and go them down quick,
Peaceful and calm was the rest of the day,
Nobody hurt and nothing to say.’

‘Nobody hurt and nothing to say’:

I have compiled this prose-poem from ‘Trench Warfare 1914-1918: The Live and Let Live System’, by Tony Ashworth (Macmillan, 1980); his conclusion is that:
‘Altogether it does not seem unreasonable to assert that live and let live occurred in about one-third of all trench tours made by all divisions within the BEF. Such was the scale of this undertone of trench warfare.’

This ignored and forgotten history is something to talk about in centenary year.

 

Refugees and Remembrance

The November twilight ebbs away

It is the same old ludic Time as ever.

But a dead thing is grasped by my hand,

A queer sardonic bi-valve –

I pull it from the common’s rough track

To place in my museum at home.

Droll fossil, what on earth can you know

Of national frontiers and boundaries

(And God knows what antipathies.)

Now you have touched this English hand,

This hand will help send succour to refugees,

A Jurassic note through time and space,

A message from and to Pangaea.

Written after the Browns took me fossil hunting on Rodborough Common – and after re-reading Isaac Rosenberg – and after re-visiting Stroud Museum – and after re-reading A Christmas Carol – and after reading of the indefatigable efforts of so many generous Stroud citizens.

‘No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way … But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance.’

A Great War Dudbridge to Woolwich Pilgrimage

Private Henry John Lusty Date of Death: 08/07/1916 Age: 36

Regiment/Service: Army Ordnance Corps

Grave Reference: F. 600. Cemetery: WOOLWICH CEMETERY

Additional Information:

Son of John and Sarah Lusty; husband of Florence Lusty, of Meadow End, Dudbridge, Stroud, Glos. Born at Stroud.

I, do make Oath, that I will be faithful and bear true Allegiance to His Majesty King George the Fifth, His Heirs, and Successors, and that I will, as in duty bound, honestly and faithfully defend His Majesty, His Heirs, and Successors, in Person, Crown and Dignity, against all enemies, and will observe and obey all orders of His Majesty, His Heirs and Successors, and of the Generals and Officers set over me.

So help me God.

It was like something out of A.S. Byatt
or Marina Warner
or Our Mutual Friend:
The names on the war memorial in Rodborough Church included LUSTY H. G.
(IN GRATEFUL AND LOVING MEMORY OF THE GALLANT MEN WHO MADE THE SUPREME SACRIFICE FOR LIBERTY AND FREEDOM IN THE GREAT WAR
They were a wall unto us both by night and by day),
Yet when I went to my notes of the war dead
taken from the Rodborough Commoner,
there was no mention anywhere of LUSTY that I could see,
And it is a name I know well –
My gran lived next door to a Mr. and Mrs. Lusty
in Leonard Stanley in the 1960’s:
Mr. Lusty was a figure from another age,
My brother and myself thought he had fought in the Boer War,
Not the Great War – the name Lusty appears
on the village war memorial –
But my Granny Butler (nee Bingham) would have known
LUSTY H. J. too – she lived near the canal in Cainscross,
And he was just around the corner at Meadow End, Dudbridge.

My gran grew quite fat in later life –
My brother and myself were told by my mum that women
of my gran’s generation had eaten lots of cream cakes
to console themselves for the lost generation of their menfolk,
But I would sit with gran in the late 1950s,
While she would late night poke the soot
and as the sparks flashed and then died,
She would look at me, and plaintively sing to me:
“Old soldiers never die, they only fade away.”

Stroud News 14th July 1916

Dudbridge Recruit’s Suicide at Woolwich

An inquest was held at Woolwich, London, on Monday morning, touching the death of Henry John Lusty, a brickworker, of Meadow End, Dudbridge.

The widow identified the body, and said her husband left home on Friday morning, he having received notice to report himself at Bristol for the purpose of joining the Army. Witness last saw him alive at Dudbridge Station, when he left for Bristol, appearing quite cheerful. He had lately suffered from influenza and only resumed work a fortnight ago. The blood-stained knife produced belonged to her husband.

Robert Curley, a gunner in the Royal Field Artillery, stationed at Woolwich deposed to finding the deceased man’s body lying against a tree on Green Hill Slopes, near the Royal Artillery Barracks. There was a wound in the throat and the man held a knife (produced) in his right hand.

It was stated that the deceased should have reported himself at the Royal Ordnance Corps, Woolwich, having been passed for garrison duty, the day before he was found with his knife cut.

The jury returned a verdict of “Suicide during temporary insanity.”

(With thanks to Chas Townley for pointing me in the direction of this story and starting me off; and to Bonzo the bike-man legend for directing me to Meadow End; I have resolved to take a remembrance cross up to Private Lusty’s gravestone at Woolwich either this year or early next. I might etch a few lines from Sassoon or Owen on to the cross, too.)

The Changing Meanings of Remembrance Day: A History

REMEMBRANCE DAY
It started as a temporary structure,
An edifice of wood and plaster,
A “Cenotaph”, a monument to the dead,
In Whitehall, November, 1919;
An outpouring of grief and garlands,
Bouquets, wreaths, flowers, silence and tears
Ornamented the stark, new monument,
Until Lutyen’s Portland Stone Cenotaph
Was ready for November 1920.

Meanwhile, across the Channel, near Arras,
Four bodies were exhumed and one chosen,
For the Tomb of the Unknown Warrior;
War memorials followed throughout the land,
Cemeteries in Northern France and Belgium,
With wistful battlefield tours and visits,
As the dead were resurrected with mediums,
Or long, uniform rows of uniform gravestones.

At home – depression, riots and the dole,
The Charleston and the Jazz Age;
This was when the British Legion was formed,
A fusion of groups, led by Earl Haig,
18,000 members, 300,000 by 1929,
With 8 million people wearing a poppy,
(Cotton three pence, silk, a shilling);
The Empire Field of Remembrance followed,
With artificial poppies and wooden crosses,
Whilst all across the entire country:
The solemnity of Remembrance Day,
A British tradition formed in the twenties,
When there were just 30 “Thankful Villages”,
Those parishes where all the men returned,
But everywhere else, war memorials:
Crosses, village halls, public hospitals,
Parks, recreation grounds, statues,
Or ornate architectural rolls of honour,
But wherever, whoever and whatever,
Every November 11th, only a tubercular cough,
A train buffering up or railway whistle
Would disturb the funereal silence,
Until the BBC unified the whole nation,
In an act of collective radio remembrance;

The 1930s saw more innovation:
The British Legion replacing soldiers,
When parading on Armistice Day,
And 5,000 white poppies appeared,
As fear of another war cast its shadow,
Although 40 million red poppies
Were worn in that same year, 1938, –
But one year later, on September 3rd,
The air raid sirens started.

Armistice Day’s redemptive power waned
In the Second World War, with new deaths and wounds
For a new generation, as well as the old,
And even though half a million men still received disability allowances,
From the consequences of the first conflict,
Objections were made to the continuance
Of Armistice Day, although muted observation
Drifted on through the six years of the new struggle,
Until, post-war, the Day was switched to Sunday,
To the pleasure of C of E traditionalists;
But the collective work time silent bonding
Of the secular working week was impaired and attenuated,
As Remembrance became part of the 1950s –
When it always rained on drab Sunday streets.

The swinging sixties saw further social changes,
CND, The Cold War, “O What a Lovely War!”
The threat of nuclear war, a new multiculturalism,
The end of Empire, the death of Churchill,
The Kings Road annexation of Lord Kitchener,
The dandy appropriation of scarlet uniforms,
Left wing, long- haired students wearing army greatcoats,
Mods sporting the Union Jack and the RAF roundel,
It all seemed to mark the end of an era:
Many believed Remembrance Day would just wither away,
Even while so many men above the age of fifty or so
(I can still see you, dad),
Would spend a November Sunday morning
In front of a black and white TV screen,
Watching the broadcast from Whitehall,
Some still shedding tears.

But “The Great War” series on television,
With a revival for the War Poets,
With new anthologies and syllabuses,
Coupled with the visible loss of the Great War generation,
All meant a new upsurge in interest –
The growth of Great War battlefield tours,
Commemorative anniversaries,
The boom in DIY family history;
Then Serbia, Iraq, Afghanistan,
New conflicts affecting new generations,
Led to the reintroduction of silence
On each November 11th from 2002:
Once more, a display of public emotion,
A new collective British self-discipline,
Signifying that for some, Remembrance Day
Maintained continuities in a changing world,
Whilst for others, it marked a new militarisation of our society,
An unprecedented militarisation of civil society:
I always used to wear a red poppy,
To remember the sacrifices of my grand father and my dad,
Then I took to wearing a red and a white,
Now just a white.

 

July 14th 1915

July 14th 1915

My mother was born on Bastille Day,
July 14th, 1915;
Her mum and dad had met at church,
In the choir of St John the Baptist and St Helen,
Up on Church Hill, Wroughton,
Just below the ridgeway, high above Swindon.

I never met my grand-father, he died before my birth,
A sensitive man, he loved his daughter so much,
That he cried his eyes out at her wedding in 1938,
And had to go home early.
But I have his hymnbook even now,
Inscribed ‘H.E. Wheeler, Elcombe’ –
He lived in that small hamlet,
Walking into Swindon, to work in the railway factory.

I have no memories of my grand-mother either:
It must have been a difficult year, 1951, for mum,
My birth, her mother’s death, dad back from Burma,
In body if not in mind,
And on the reserve list for Korea.

But on the day of her birth,
Edward Thomas wrote ‘For These’,
His reasons for enlisting for the front,
And as my mother came into the world,
So Thomas passed his medical,
‘Stripped, weighed, measured and made to hop around the room on each foot’
(Edward Thomas From Addlestrop to Arras A Biography
Jean Moorcroft Wilson);
And as my grandparents celebrated,
So Helen Thomas, believing her husband had gone to London for work,
Was in shock at the news: “No, no, no,” ‘was all I could say;’ “not that.”

I made my mum a collage of Thomas’ poem for her birthday:
The third stanza became her later life:
‘A garden I need never go beyond,
Broken but neat, whose sunflowers every one
Are fit to be the sign of the Rising Sun:
A spring, a brook’s bend, or at least a pond.’

I think of this every year in July and August,
And now, as I write these lines,
Waiting for the rain to stop,
I see mum and dad now,
Sitting by the pond in late summer,
Sunflowers high above their heads,
Waving me goodbye.

John Clare Day Rodborough Fort Monday July 13th 8pm

John Clare Book Cover

John Clare Day

With John Clare Day fast approaching, let’s remind ourselves of Matthew Beaumont’s A Nocturnal History of London NightWalking and its John Clare relevance.
Here’s a summary to re-whet the appetite:
You will know the difference between the bohemian NOCTAMBULANT
And the indigent NOCTIVAGANT as well as the meaning of CHRONOTOPE;
You will see that the poor of Merrie England could not afford torches or lanterns
To lighten their way;
You will think of bellmen, curfews and watchmen,
Of the Christian conjoining of darkness and the devil,
Of the class, gender and racially based criminalization of nightwalkers,
Of how the Reformation also criminalized poverty,
Of how Enclosure also created vagrancy and its consequent criminalization;
You will study the developing practice and theory of NIGHTWALKING,
You will read of counter- enlightenment literary peregrinations,
Of how ‘The act of walking for the Romantics, inscribed a coded rebellion against the
culture of agrarian and industrial capitalism onto both the material surfaces
of city and countryside – the streets, the roads, the footpaths – and their social relations.’
Of how John Clare ‘was a militant pedestrian … From his youth, he defied enclosure with his feet, asserting the politics of pedestrianism … In addition to his commitment to walking as a political act, Clare was … apart from Wordsworth … most attuned to the night’s subtle promise of a life that cannot be lived in the common day.’
 
Meet Rodborough Fort at 8pm on Monday July 13th for readings and a chat and then down 
The Prince Albert

Archibald Knee and Dorothy Beard

Coroner’s Report, 1916

The link above takes you to transcripts of the coroner’s report, 1916.

Please read below as well … this is an astonishing story from WW1

‘My beloved fiancée, Dorothy Beard, aged 18, of Burleigh, Brimscombe, and I, Archibald Clutterbuck Knee, aged 25, of West End, Minchinhampton, being both of sound mind, are writing this, our last will and testament together, this night of August 27th, 1916.
You, who are reading this note, have just found it lodged beneath my cap, and Dorothy’s hat and umbrella in the reeds by the side of Iron Gates Pond, Longfords Lake, Longfords Mill, Avening. You will see our bodies in the water. We hope there is no wind or rain tonight which might erase our words or blow our letters beneath the waters.
I, Dorothy Beard, have worked as a weaver at Evans and Sons in Brimscombe since school. Archie has courted me these last three years. We are engaged to be married but shall go to Heaven hand in hand as all but husband and wife. Our watery grave is but a passage to another world free from pain and suffering. We shall be at peace there.
I used to be a weaver too, until I volunteered for the army on June 14th, 1916. That was only some two months ago but it feels like a lifetime. I am now Private Knee, number 29386, 15th Battalion, Gloucestershire Regiment. Or I shall be for a few minutes longer.
I came home on leave about five days ago after an attack of German measles and now my nerves are bad again. They come and go but I fear they are here to stay. I can’t face going back to camp at Chisledon and I won’t desert. But I can’t face the Front. I know I shall be killed or worse, break down.
So that is why we are leaving this life together. I couldn’t face a life without my Archie. We have talked it through and we are resolved to drown ourselves, face to face, mouth to mouth and with our lips pressed together. We shall breathe our last breaths together.
When you find our bodies, you should find a return GWR ticket to Chisledon, my military pass and 11 shillings and sixpence in my purse. All I will have is my wristlet watch, my gold bangle, my necklet and my brooch. Our wordly goods are of no worth to us. Instead we await our Saviour with our final baptism. Our last glimpses of wordly life will be of each other.
We apologise for our love, but I am certain that I shall be killed or worse as I have said. And I cannot face a lifetime of loneliness without my Archibald as I have said. We have decided to leave this Vale of Tears and find Salvation with the Prince of Peace in Heaven.
The time has come to tie the bridal knot with the tailcoat of Archibald’s mackintosh and commit our bodies and souls to Jesus. These are our final words.
Signed Dorothy Beard and Archibald Clutterbuck Knee 3.30 am August 27th 1916′
(Imagined by me, September 2014)

When the bodies were found, Dorothy’s watch had stopped at 11 minutes to four o’clock. The manuscript has only just come to light.

He took her by the lily white hand,
He kissed both cheek and chin,
They walked down to the waterside,
And they gently wandered in.

Their bodies lay intertwined,
Two lovers in death conjoined,
Imagine Hamlet and Ophelia,
Lying drowned together,
Beneath the fronds and pond side ferns,
In the Iron Gates Pond at Longfords,
Lying hand in hand,
Instead of alone in No Man’s Land.

Monday September 1st 2014-08-31
It was a warm, damp and humid sort of day
When I caught the number 46 bus to Nailsworth:
I walked past the Weighbridge Inn (scene of the inquest),
Then along to Longfords Mill,
Searching for the Iron Mills Pond and the suicide spot.
I had a chat with a couple of friendly residents:
‘It must be down there, towards Iron Mills.
The other end of Longfords is Gatcombe Lake,
So it must be down the other way. It’s marsh now. It’s been drained.
It’s funny now you mention it. Some people have said it’s haunted down there.
It’s the only place in the entire mill that has a dark feeling about it.’
I met another man down by the water’s edge:
‘My niece is a Buddhist and when she comes to stay she always says
There is an ambience down there. She says she feels the presence of departed souls.
There wasn’t a family in the country that wasn’t touched by that war.
That’s why we’re standing here talking today.’
I wandered on, taking pictures of where I imagined they carefully placed
His hat, her bonnet and umbrella,
Gazing at the flowing waters, weirs and sluice gate,
Pondering on the spring-source of the waters that took their lives,
But my reverie was disturbed by a ‘phone call
(Our grocery bill for our holiday cottage, and whether we should have left the hot water on,
A pleasantly small grocery bill, and would I check about the water),
Until I reconnected with the past by recreating their route down from Minchinhampton
(In a reverse manner);
I was on the path the two lovers would have taken on that fateful night,
But my mind was full of questions:
Did they walk down the lane hand in hand for the whole time?
Or arm in arm, just like a courting couple?
Was the umbrella ever opened to keep off any rain?
Was a brow ever mopped on a humid night?
Did they circumspectly avoid any puddles or footfalls?
Were their minds made up from the start of their descent to the mill?
Did the plan develop as they walked down the lane?
Were minds made up before they reached the pond?
How mutual was the decision?
Were there any second thoughts or doubts?
Was there ever a backwards, wistful, glance at candled or gas mantled windows?
Was their path illuminated by a bright moon sky?
Was it reflected in the waters?
Why did they leave the cap, the bonnet and the umbrella?
Did either fight for life as the waters invaded their lungs?
Or was there a meek acquiescent submission?
Did their short lives pass before them in the waters, resignedly,
Or was there an electric regret?
Were they entering the Kingdom of Heaven through final baptism?
I passed a thick trunked sessile oak, a sapling when they passed this way,
Steadily climbing to West End, Minchinhampton,
Where Archibald closed a final front door on August 27th, 1916,
Then along the Tetbury Road, to the Baptist Church,
Where the gravestones were laid out in serene semi-circles –
I cut my hands on thorns trying to read each stone’s lettering,
Until I at last ended my melancholy search:
IN LOVING MEMORY OF
OUR DEARLY LOVED AND ONLY CHILD
ARCHIBALD C. KNEE
WHO DIED AUGUST 27th 1916
AGED 24 YEARS
NO ONE KNOWS THE SILENT HEARTACHE
ONLY THOSE CAN TELL
WHO HAVE LOST THEIR BEST AND DEAREST
WITHOUT A LAST FAREWELL
Then underneath:
ALSO OF MY DEAR HUSBAND CHARLES H. KNEE
WHO DIED SEPT 16th 1922
There was, in front of the headstone,
A small wickerwork basket that had sunken into the grass,
The remains of a Christmas floral dressing perhaps,
Left by a well-wisher paying their respects.

I retraced my steps back towards town, past Chapel Lane,
(Where the hearse would have travelled on its sombre path
To Archibald’s final resting place),
To photograph the names on the war memorial,
Where the alphabet of the fallen jumps from
George W Jones to Christopher Lawrence;
I read and reflected:
If Archibald had returned to Chisledon,
And had been killed on his first night in France,
Then his name would be up there:
TO THE MEMORY OF THE MEN OF THIS PLACE WHO FOUGHT AND FELL
IN THE GREAT WAR 1914-1918
THESE DIED IN WAR SO THAT WE IN PEACE MIGHT LIVE
THEY GAVE THEIR BEST SO WE OUR BEST SHOULD GIVE

I left Minchinhampton in pensive mood
(Was not Archibald (and Dorothy) a victim of war, too?),
To walk across the common and down the hill to Amberley,
In search of Dorothy’s grave at Holy Trinity
(There is a Victorian post-box in the wall there,
Did Dorothy send Archie her letters there?),
The Victorian graveyard is of surprising and staggering size,
And I traipsed through the wet shadowed grass,
Carefully examining each epitaph,
But unlike Pip, my expectations were low,
How on earth could I hope to find a needle in a haystack of the dead?
This was more like a necropolis,
Rather than just a graveyard full of weather beaten headstones,
And I was just on the point of giving up,
When two gravestones from 1915 caught my eye,
And a sense of intuition that the third in line,
With such a prominent RIP engraved on a cross might be the one,
Proved to be correct.
It was with a shout of triumph, when I read the name:
Dorothy Beard.
The grave was in a damp, sequestered, wood strewn corner,
The cross has tilted forward, the canting
Making it difficult to read the lettering at the base of the plinth;
I had to get down on all fours,
Using my bare hands to remove the patina of time:
THE BELOVED DAUGHTER OF NATHANIEL AND ELIZABETH BEARD
BORN JAN 12th 1898 DIED AUGUST 28th 1916
LORD ALL PITYING JESU BLEST
GRANT HER THY ETERNAL REST
(There is a disparity in the dates of their death,
But August 28th is, in fact, correct:
Dorothy’s watch stopped at 3.50 a.m. –
But they went missing, of course, on the night of the 27th.)
There was a small wooden basket similar to the one at Archibald’s grave,
Down in the ground with the sere leaves, chippings, twigs and sticks,
There was some broken glass too that I descried when on hands and knees,
Perhaps the remains of a jam jar or vase, blown over in a storm;
I stood back and studied the gravestones to the immediate left of Dorothy’s,
The first name was that of LONGFORD WILLIAM TAYLOR, BORN 1864
He died the year before Dorothy, in 1915,
But SARAH THE WIFE OF THE ABOVE,
Who was also born in 1864, lived as a widow for 46 years –
Until her death in 1961 –
What memories she would have carried of Dorothy into the nuclear age,
That poor young girl who wandered into Iron Gates Pond with her fiancée,
All those years ago…
Next to that grave stood a tall headstone
(With a small wooden remembrance cross attached, with wire, to its centre),
Listing three family deaths in a sorrowful year of 1915,
Including a son killed in action in France, aged nineteen years:
KILLED IN A FAR OFF LAND
NO LOVED ONE BY TO TAKE HIS HAND
A LOVING COMRADE CLOSED HIS EYES
FAR FROM HIS NATIVE LAND HE LIES

I took a final picture of Dorothy’s grave
(Wondering if Dorothy and Archibald talked of that recent gravestone,
And how that might have affected their mood),
Before walking back home over Rodborough Common,
With as view to soft lit Severn:
‘Severn’s most fair today!
See what a tide of blue
She pours, and flecked away
With gold, and what a crew
Of seagulls snowy white
Float around her to delight..’
And also Gurney’s lines on the Somme in my mind:
‘Suddenly into the still air burst thudding
And thudding and cold fear possessed me all…
But still a hope I kept that were we there going over,
I, in the line, I should not fail, but take recover
From others’ courage, and not as coward be known…’
Archibald, you must have met Dorothy some times when courting,
Over there at Tom Long’s Post, wandering towards the sunset,
Gazing in rapture at the line of the river,
With Sugar Loaf etched behind against the western skies,
And you, Dorothy, must have walked through Brimscombe so many times,
Arm in arm with Archibald,
Where Gurney bicycled and walked:
‘One lucky hour in the middle of my tiredness,
I came under the pines of the sheer steep
And saw the stars like steady candles gleam
Above and through; Brimscombe, wrapped (past life) in sleep!…
That ringed-in hour of pines, stars, and dark eminence.
(The thing we looked for in our fear of France).’

The fear of France…
And all roads seemed as though they might well lead to France…
Unless you walked out one night,
Arm in arm,
Along the New Road that led to the Iron Gates Pond.