Walking a metaphor

Walking a metaphor
(With thanks to Jacqui Stearn)


From Purgatory to Paradise 
   a company of artists, poets, writers,
    young and old, walked in discourse and delight.
 
In Purgatory woods through, which our human line snaked,
  and before emerging onto the hill of swifts, 
   dainty paths were picked through pungent wild garlic, 
    bluebell and delicate points of debate.
Nettles and propositions were beaten down, 
   care taken to avoid snagging legs or ideas 
on trailing blackberry shoots and thorny questions.
 
On the hill we grouped, imagined the fields spread below
  draped scarlet with wool cloth drying, then 
    a step of two more, and a pause by Elcombe’s spring, 
    after which our ribbon widened in the lanes
       then trailed tracks much deepened by iron wheels, hooves, shod feet.
The tree-canopied tunnels, holloways, descended
   to streams and rivers whose flow held stories
of mills and weaving; we pooled human knowing.
 
The place names evoked images: Bulls Cross 
   where the gibbet stood near Longridge – which it is – 
      then the Cockshoot to Damsells  Cross and so to Paradise
        and Charles’ rest, where our modern tribe gathered, 
           warmed by sunshine, replete with tale telling and discovering.
Spirits freed from the daily round and round by metaphorical footsteps
   flights of imagination and poetic Indulgences.
                                                                                                                        June 1st

From Purgatory to Paradise

Cotswold Tales: From Purgatory to Paradise

Two names in a landscape, two names on a map,

Two recusant affirmations of faith,
Near Knapp House Barn, where travelers gathered
To journey through metaphor and field,
From Purgatory to Paradise,
From a copse at Slad to Painswick pastures.
But I came as a Puritan, not Pardoner,
On my personal Pilgrim’s Progress,
To walk these redemptive hills and valleys,
In search of dispensation and indulgence.
Our throng of allegory was all there:
Evangelist, Obstinate, Help, Pliable,
Wordly Wise, Good Will, Despair, Faithful,
Legality, Civility, Ignorance, Hopeful,
All climbing through glades of wild garlic,
Sweet meadow-seas of Timothy,
Cock’sfoot, Sweet Vernal and Bugle,
(The Wicket Gate, Slough of Despond,
The Hill of Difficulty, the Shining Light)
Along Civil War holloways, steeply
Banked with diffident Honesty,
(The Valley of Humiliation, Vanity Fair,
House Beautiful, Mount Clear)
Past Swift’s Hill, Elcombe, Steanbridge,
Trillgate Farm, Bull’s Cross, Longridge,
Damsell’s Farm, sluice and weir and Damsell’s Mill,
By witches’ broom and yellow archangel,
(The River of Death and Delectable Mountains)
Up shaded streamside bedrock paths,
To reach Paradise and mythic Celestial City,
There in a thistledown cow pat field,
Below a hidden lane beneath the A46,
Where Paradise House does indeed have many rooms,
And CCTV too.
A wonderful walk led by Ali Kayley and Dan Glaister.
Many thanks to them – mythopoeic meandering at its best.

Stroud Spring, Stroud Summer 1825; May 19th 2013

The Spring and Summer of 1825?
Nothing here about the weather, I’m afraid,
 Instead, anonymous letters portending
Murder, mayhem and machine-breaking,
 With arson and mill destruction
Thrown into the pot for good measure;
Silent shuttles, strikes, mute looms,
Bosses’ men and strike-breakers
Ducked in the various brooks and waters
In acts of summary Christian justice;
Mass meetings on the hills and in the valleys,
On the commons and in the streets of Stroud,
The Riot Act read, with gallant hussars
Riding down would-be trade unionists,
(“We accomplished this with…slash of the sword only”)
The street-seller of “The True British Weavers”
Thrown into gaol without trial, or jury.
This was the spring and summer of 1825,
When thousands fought the market place,
In the hills and valleys of the Cotswolds;
This is our unmarked Radical Heritage,
But your sixth sense can secretly sense it:
Create theatres of memory in your mind,
Invoke Stroud’s Spirit of Place,
Then invite spectators to their seats.

Weavers and Workhouse Walk, Sunday May19th, High Noon

Before I give details about the next walk, I do recommend a visit to ‘Water – The Miniature Museum of Memories’ at Stroud Museum (throughout May) and also ‘Walking the Land: River’, discussion 10-noon at Stroud Brewery, Thrupp, Saturday 18th May.

RADICAL STROUD WALK SUNDAY MAY 19th

Meet mid-day in front of the cinema.

We then look at the 1825 weavers’ riots whilst meandering along the canal to Cainscross.

We then ascend to Ruscombe, where we look at poverty in the 1830s and the local alternative to a cash-economy.

We descend via Callowell, so as to amble along the Slad Road with the intention of reaching the top of the town via Libby’s Drive and Baxter’s Field.

We discuss the workhouse and the 1839 Miles Report about the poverty of the handloom weavers whilst at the cemetery.

We then skirt the Heavens to descend to the canal.

We walk back into town to look at the poor law guardians’ plaque in the Ale House and have a chin-wag.

No charge – hand-outs provided – mystery guest – please bring own victuals.

Stroud Workhouse Plaque

Finding the Source of the Frome by Bike

I can’t recommend this enough. Have a look at the pictures that will eventually appear on www.radicalstroud.org.uk in the Landscape section, but here is a recommended route from Stroud. This ride obviously involves quite a few climbs, but get off and push along the quieter lanes when you fancy it and that should provide variety. I took about four hours there and back from Stroud, with breaks for walking, eating, photographing, musing and so on.

I went along Bisley Road to climb up to Stancombe and then past Camp and Foston’s Ash, to turn right towards Brimpsfield. Keep your eyes peeled for Climperwell Farm; just past that is a footpath into a clearing on your right. Here you find a well and a spring – one of the sources of the Frome. It is an absolutely exhilarating sight, for when you glance at the map you notice that there are tumuli in the fields above this spring. You have bicycled through time into a landscape with prehistoric meaning.

Brimpsfield is a medieval delight: a church set well away from the village, next to a motte, once the site of two separate castles. You can see water down in the valley below the motte and the map indicates springs down there. If you walk to the wall behind the church, then you are looking towards Nettleton, where springs also issue and feed the eventual Frome.

It seems a bit of a shock to see traffic hurtling along the road, when standing in such a medieval spot – but that road is, of course, the old Roman Ermin Street, running between Gloucester and Cirencester. There is a footpath going down towards the valley bottom in the direction of Watercombe farm, but I chose to bicycle – I think I might walk it next time. There are springs down there  – the other source of the Frome.

These two sources merge and the waters at Caudle Green are christened, as it were, the River Frome. Caudle Green is another delight – it was interesting to see how puddles were standing in the road below Spring Cottage, even though the recent weeks had been so dry. (I made this exploration on May Day – Underneath the Pavements, the Beach!) A climb up through Caudle Green (Stroud ‘bus service once a week, on a Thursday) took me back to the Stroud-Cranham road; I then descended towards Slad for Stroud. I think it better to return to town on this route: it is such a sustained and unrelenting drag up to the top through Slad; the Bisley climb is more abrupt, but shorter, and then you have the free wheeling freedom of the long drawn out downward ride to Slad and Stroud.

A great day out.

Ashleworth, Spring and Ivor Gurney

I have been fruitlessly trying to get hold of a copy of Edward Thomas’ ‘In Pursuit  of Spring’ for some while, but that failure didn’t matter in the least today, at the end of April, when I walked around Ashleworth, following in the footsteps of Ivor Gurney. The sky, the land and the river all put on such a show, that it seemed as though I followed a perfect dream of spring; there was no need to pursue.
The blackthorn blossom, smoky and dusty in cloudscape shadow, dazzled the eye with its brilliant whiteness as the morning progressed. The Severn, too, changed from a dark, sullen, turbid force to a gentle ‘ water’s canvas’ where ‘ bright sunshine paints the picture of the day.’ The hawthorn hedgerows grew ever greener; the haze on the Malverns drifted towards some blue remembered hills, whilst Barrow Hill stood sentinel, as I walked upstream, with the Cotswolds to my right, way beyond the waters.
I didn’t see a sinner for about three hours: just parliaments of rooks; a pair of ducks taking off to destinations known only to themselves; the occasional hawk; a robin; then my first swallow of the spring, sweeping over the Severn’s surface. I even heard my first cuckoo in years, and then glanced up from the newspaper to see a swan gliding along, for all the world, just like a Viking longboat.
I don’t know if the Vikings came here but the Saxons certainly left their herring bone stonework in the church; but it is the medieval that predominates in Ashleworth: the barn; the manor house; the preaching cross; the quay, down by the pub called ‘The Boat’. The quay reminds us of how riverine transport was a darn sight easier before the age of turnpike roads and railways; equally, many of the footpaths here move in Euclidean straight lines, from village to village – unlike the constantly curving lanes and roadways.
The village post office did not have a Victorian postbox such as I saw in Hasfield, but it did have a collection box for food, ‘The Lord’s Larder’, as did St.Mary’s in Hasfield. These food parcels are for needy families in the area, coordinated by St. Mary’s in Newent. Sometimes, modernity still shocks. I used to associate Christian charity with what was once called ‘The Third World’; it is a surprise to find such alliterative support now so localised. We are, of course, all in this together.
Any road, the walk from The Haw and Hasfield down to Ashleworth was as delightful as the stroll out along the Severn’s banks: cow parsley; my first sighting of bluebells; pear and apple trees in blossom and the thought of my walking in Ivor Gurney’s wake. The only traffic I saw in the five minutes I spent waiting for the ‘bus at the crossroads in Ashleworth was a girl on a horse. I read Gurney’s poem ‘Above Ashleworth’ on the journey back to Gloucester. How much more meaning it now had, after walking the landscape.
O does some blind fool now stand on my hill
To see how Ashleworth nestles by the river?
Where eyes and heart and soul may drink their fill
The Cotswolds range out Eastward as if never
A curve of them the hand of Time might change;
Beauty sleeps most confidently for ever.
The blind fool stands, his dull eyes free to range
Endlessly almost, and finds no words to say,
Not that the sense of wonder is too strange
Too great for speech. Naught touches him; the day
Blows its glad trumpets, breathes rich-odoured breath;
Glory after glory passes away.
(And I’m in France!) He looks and sees beneath
The clouds in steady Severn silver and grey.
But dead he is, and comfortable in Death.

Searching for the Source of the Frome

This is, at this very moment of writing these words, a virtual exploration of the source of the River Frome. It will eventually become real, booted and begrimed, but until I get my head around Cotswold Green’s rickety-rackety ‘bus timetables, this riverine search takes place on the laptop on the kitchen table, rather than on (or is it in?) a water table. I know I have to get up to Nettleton, near Birdlip, and Climperwell Farm, near Brimpsfield: what watery poetry is contained within these names! Two groups of springs issuing forth in ‘Nettle-ton’ and ‘Climper-well’, near ‘Brim-(p)sfield’.
These two trickling lines join together at Caudle Green, near Miserden, where the water is honoured with the name, ‘Frome’. For some, ‘Frome’ is derived from the Celtic river-word, ‘fram’; this certainly seems to make sense along what was once also called the Stroudwater, with Frampton, Framilode, Fraherne and so on. Do we walk this river in the company of shadowy, dripping and muddied dark-age ghosts?
Whatever. But it is certainly a beguilingly deceptive river as it drops down to Sapperton, disappearing, as it does, at times. No wonder King George 3rd became confused in 1788, when he started talking to trees. It was probably his visit that year to the canal tunnel wot done it: where’s that river gone? It was here a minute ago.
But we are more interested in the origins of this river – its first cause, as it were; its ability to spring from nothing in a sort of duck and egg conundrum. I know that geology and hydrology help explain the pattern of springs; I understand that gravity and scientific laws explain why water flows in the direction it does. But, at the same time, isn’t there something magical, alchemical and beyond imagination about it all? The John Keats as well as Isaac Newton trope sort of thing; I’m not invoking a deity – just metaphorically standing jaw-dropped at the is-ness of it all.
For there we have the confluence of two springs, determined by the shape and content of sky and landscape, dropping down to Caudle Green. Here on a delicately balanced watershed, on the finest of lines, gravity’s scales of justice direct some water west via the Frome, to the Severn and the Bristol Channel; other droplets drift eastwards via the Churn to Cricklade, then on to the Great Wen and the English Channel. Conjoined droplets of water, slipping apart to opposite points of the compass, yet still conjoined by history and language: the Celtic ‘fra’, denoting a ‘brisk’ river; the Celtic ‘chwern’, indicating a ‘swift’ flow.
When I was a child, a popular junior school essay was ‘A Day in the Life of a Penny’; what about, instead, ‘A Tale of Two Oozes’?

Church Walk

It was a sunny enough April day but the chafing easterly wind cut your cheeks to shreds. People in the streets of Stroud had donned hats of every shape, size and elevation, in the forlorn hope of keeping heads and ears warm, but their faces bore the tell-tale brunt and burden. Everyone was wondering when spring would finally and decisively take its place amongst us – or would this bitter winter defiantly and continuously persist?
But as the day progressed and the sun rose higher in the sky, so the patches of blue grew ever wider, and the clouds changed shape to ‘traveller’s joy’. Snowdrops were still abundant, but primrose, violets and even a solitary cowslip reminded us of how Spring will, every year, eventually hammer the final nails into Winter’s coffin.
And so it proved, as we walked out from Arts and Crafts Sapperton to St. Mary’s at Edgeworth. This is a church well worth a visit. The path takes you past Pinbury Park, once the home of John Masefield, then through hollow-ways, green lanes and four-ways-went. There is a distinct DMV vibe about the rolling greensward here; so many paths intersecting in the middle of nowhere; big sky country with the occasional big ploughed open field; the ghosts of medieval peasants turning up the stones: “When Adam delved and Eve span, Who was then the gentleman?”
The contentment continued at St. Mary’s: a carved Saxon stone in the porch; a stained glass window from betwixt the Black Death and the Peasants’ Revolt; a local cured of leprosy at Canterbury through the Thomas a Beckett cult; pews marked ‘Manor’ at the front of the nave with ‘Cottagers’ at the back; a plethora of 17th century gravestones and a wooden seat in the sun. What more could you ask for?
Only to visit this place again. The village is ‘said to be the most remote in the Cotswolds’; it is about 8 miles from Stroud and 8 from Cirencester. This makes the church feel even more adrift in time and space – but death linked even this isolated village with the Bay of Bengal and also with the Great War. The Empire and the European Balance of Power are present even here, with melancholic inscriptions, in this wind-blown graveyard, high up on the wolds.
Also present were memories of our recent trip to Cusop, near Hay on Wye. There we had linked arms around thousand year old yews: it took 6 adults to encircle one of those venerable trunks. That
worked out according to my rough mathematical arboreal abacus at about 160 years per adult. We had also looked at the 12th century frescoes at Kempley, near Dymock, the day before. 5 adults did the trick there. It seems as though we may have a ready reckoner similar to the hedgerow calibrator – I’m sure you know about the old adage of 100 years for each species of tree or shrub in a 30 metre stretch of country hedgerow.
We returned to Sapperton via the Daneway: as good a pub as you can find on as good a walk as you can make. Tea and beer were taken before walking along the canal, the vanishing Frome and through the field where the horses and donkeys were led as the bargees legged it through the tunnel. Perhaps King George 3rd became as perplexed as we did about the whereabouts of the Frome, when he visited here in his annus horribilis of 1788, and so began to first lose his mind.
But it was near here that my aunt and father used to play when they moved to Frampton Mansell after the First World War. This was one of their favourite spots. My Auntie Kath wrote the following poem some 50 to 60 years later.

 

For My Brother

When we were young and full of fun
And all our days were carefree,
Do you remember that September
We climbed the old pear tree?

The finest crop grows at the top,
That bramble jam we ate,
Our mother made and carefully laid
On shelves with name and date.

We took a stick and went to pick
The biggest blackest berries,
Pulling down to near the ground
Clusters hung like cherries.

Remember the gate where we used to wait
For the early morning light,
To show in the field the wonderful yield
Of mushrooms, gleaming white.

The nuts we found so full and round,
And filberts too, so rare,
That lovely autumn on Sapperton Common,
What joy we used to share.

Wild harvest brings a host of things,
Mushrooms, nuts and fruit,
But best of all, with every fall,
Comes memory, absolute.

EVENING LIGHT: DIG FOR MEMORY

I was out on the allotment about 6 o’clock in late March, thinking about our walk the evening before. We had wandered out, in the gloaming, to a 17th century secluded Quaker burial ground and returned in a gathering owl-light. It was easy to imagine Quaker candles flickering in draughty casements, as the western gleams grew ever fainter in the vast sky-scape.
I had just read Richard Mabey’s “Turned Out Nice Again” before leaving for our Painswick ramble and we talked about his reference to Coleridge’s ‘Playbills’ notion: ‘announcing each day the performance by his supreme Majesty’s Servants, the Clouds, Waters, Sun, Moon, Stars.’ I mentioned that I thought that my own sensibility and susceptibility to the impact of the intrinsic beauty of the sky, in daylight, appeared to be more acute at this time of the year and just before dusk.
These memories returned to me the next evening on the plot, as I leaned on my fork and gazed westwards. The tracery of the branches of the trees and the silhouettes of the chimney stacks all added to the wistful feeling of a lingering spring transition from sombre afternoon to mournful evening. At this point, I began to find it easier to recreate the lives of those 17th century radicals we had visited the day before than I had when in situ, the day before. My imagination was belatedly vivid. This was odd. Why?
The time of the day was one factor– fading light stimulates the flight of fancy. But that hadn’t happened the evening before, so what was different today? My musing led me to the idea that perhaps such historical empathy can be triggered by practical and solitary activities – the same types of daily jobs done by our ancestors for time immemorial. Here I was digging down deep and it was hard graft in inclement weather, not a recreational bit of playing – was this the reason why it was becoming easier to visualise past lives and present revenants?
 Reading, studying and talking, necessary as they are, might just be helped by the occasional bit of solitary hard graft once in a while; spade and fork aid historical imagination. A sort of archaeology of the mind opening the museum doors of perception sort of thing, I suppose. Evening light: dig for memory.

 

Rolled-sleeve, break-back, pounding chest,
Up here, just below Butterow West;
Where I dig and plant and study and sow,
While neighbours wander to and fro,
Past rusting barrows, ramshackle sheds,
Oil drums, baths and compost beds,
With sticks and string to seed-space measure
For next year’s crops to plot and treasure,
As rain drops drip on mouldering fruit,
And deep-dug spade and couch grass root,
While I look down to canal and town,
And railway shed Great Western brown,
And watch the ghosts of gramp and dad:
“Breathe the air ‘fore it’s breathed on lad”,
By the stretched-out cloth on tenter-hook,
Proud Stroud scarlet where the ghosts just stood,
And feel the past pulse through my veins,
Digging the future, in mist and rain;
A time to come and times past-present,
This is my harvest on Rodborough allotment.

Walking through the 17th Century around Painswick

Walking through the 17th Century around Painswick – Meet 5.30, the car park on Thursday 28th March
These are the points we shall note and discuss:
In March 1644, St. Mary’s Church in Painswick “became both a prison and a redoubt.” Colonel Massey established a garrison there to further help protect Parliamentarian Gloucester. Royalists used cannon and grenades in their attack on the church, setting fire to the doors whilst also damaging the tower (possible evidence visible today). Parliamentary prisoners were kept there, one of whom was a Richard Foot, who scratched an inscription (derived from Spenser’s “Faery Queen”) upon a pillar: “Be bold, be bold, but not too bold.”
A walk down Beech Lane to Dell’s Farm will take you to a Friends’ Burial Ground, from 1658. The walled enclosure contains nine ledger slabs; the usual Quaker practice was a nameless internment. But what is of interest to us is the fact that this burial ground should exist, a stone’s throw away from the parish church. Quakers were not allowed burials within the Established Church (In 1655, the Grand Jury of Gloucestershire complained about such people as “Ranters, Levellers and atheists, under the name of Quakers”) and there was obviously a sizeable Quaker community in the area. So what does this suggest about radicalism in Painswick and our locality back then?
Brian Manning in “The Far Left in the English Revolution” points out that although the Levellers “provided much of the philosophy and programme of radicalism”, the Quakers were important too, and were to the “left” of the Presbyterians, Independents and Republicans who “dominated the revolution.” Christopher Cheeseman, a nationally famous Leveller, was also a Quaker and so we can imagine locals agreeing with a Quaker, who chastised the rich thus: “Because of your much earth, which by fraud, deceit, and oppression you have gotten together, you are exalted above your fellow creatures, and grind the faces of the poor, and they are as slaves under you…”
Many Quakers at this stage, had more in common with the Diggers, Ranters and other millenarian sects that wanted to turn “the world upside down” than with other groups, or indeed with the Society of Friends today. Just as the Digger, Gerard Winstanley believed that “Every one shall look upon each other as equal in the creation”, so Quakers believed in “equality in all things…” as humanity was “of one blood and mould, being the sons of Adam by nature, and all children of god by creation.” Having said that, we think that most Quakers, nationally, at this time, were more of a Leveller persuasion than of a Digger mentality; standing more for the rights of the owners of a small amount of property rather than for the rights of the landless.
But if we also recollect Christopher Hill’s point that Gloucestershire was a county where Lollardy survived from the Middle Ages through to the Reformation, and we also note that John Ball’s Peasant Revolt adage, “When Adam delved and Eve span, who was then the gentleman?” survived 300 years and was part of the oral culture of many at this time, then it is not, perhaps, over fanciful to imagine our area as a radical one. Painswick’s burial ground may be just the visible indication of a much wider hidden history: the Quakers made a lot of ground with Gloucestershire’s weavers in the 1650s. It is, therefore, perhaps, quite logical to imagine a degree of local agreement with the Diggers’ equation of unfair government with the Antichrist:
“ government that gives liberty to the gentry to have all the earth, and shut out the poor commoners from enjoying any part, ruling by tyrannical law…this is the government of…Antichrist…” (Winstanley).
This is an important reminder to us, gentle readers: when we recreate the outlook of our radical forebears, we must remember that their consciousness makes no division between the spiritual and the mundane, between the celestial and the political. We must also remember the gentleness of the Quakers in their daily discourse: then, etiquette demanded that one address a social superior with the word “you”; “thou” was seen as a term of familiarity; needless to say, Quakers used “thou” to all, as a sign of their recognition of the equality of individuals.
But we must still accept that, in general, the Quakers were not quite as radical as the communistic Diggers, with their famous agrarian commune at St. George’s Hill, in Buckinghamshire (although a1659 contemporary viewed a Quaker as “ a sower of sedition, or a subverter of the laws, a turner of the world upside down…”). This is the Digger community that is remembered but a further 10 or so Digger communities were attempted across England – and in 1650, a “rude multitude” destroyed landlords’ fences near Frampton and Slimbridge. (Slimbridge must have been quite a place then for direct action – similar stuff had happened in the Civil War and as long ago as 1631.) The cavalry had to be called out to quell the disturbances. It is of importance to note, here, that at this stage in the evolution of Quakerism, there was no, as it were, doctrinal commitment to pacifism: we can imagine the support there must have been for the local Diggers. There may also have been passive support for the Leveller Mutiny, whose ringleaders were executed at Burford Church, where musket ball marks can be seen. There was probably knowledge about, and passive support for the anti-enclosure disturbances in the Forest of Dean; troops had to be called out there too.
So when we walk the 17th century around Painswick, we are walking arm in arm with forgotten ghosts, but ghosts who left no calling cards. The anonymous, by definition, left no personal records of their beliefs; there is no vast archival collection; we have to use historical imagination rather than surviving sources sometimes to recreate the past. Or, literature:

“ELEGY WRITTEN IN A COUNTRY CHURCH-YARD”

The curfew tolls the knell of parting day,
The lowing herd winds slowly o’er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds:

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree’s shade,
Where heaves the turf in many a mouldering heap,
Each in his narrow cell for ever laid,
The rude Forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock’s shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care:
No children run to lisp their sire’s return,
Or climb his knees the envied kiss to share,

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
How bow’d the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the Poor.

The boast of heraldry, the pomp of power,
And all that beauty, all that wealth e’er gave,
Awaits alike th’ inevitable hour:-
The paths of glory lead but to the grave.

Nor you, ye Proud, impute to these the fault
If Memory o’er their tomb no trophies raise,
Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.

Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour’s voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway’d,
Or waked to ecstasy the living lyre:

But Knowledge to their eyes her ample page,
Rich with the spoils of time, did ne’er unroll;
Chill Penury repress’d their noble rage,
And froze the genial current of the soul.
Far from the madding crowd’s ignoble strife,
Their sober wishes never learn’d to stray;
Along the cool sequester’d vale of life
They kept the noiseless tenour of their way…

For thee, who, mindful of th’ unhonour’d dead,
Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
Some kindred spirit shall inquire thy fate, —

Haply some hoary-headed swain may say,
Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away,
To meet the sun upon the upland lawn;

‘There at the foot of yonder nodding beech
That wreathes its old fantastic roots so high.
His listless length at noontide would he stretch,
And pore upon the brook that babbles by.

‘Hard by yon wood, now smiling as in scorn,
Muttering his wayward fancies he would rove;
Now drooping, woeful wan, like one forlorn,
Or crazed with care, or cross’d in hopeless love.

‘One morn I miss’d him on the custom’d hill,
Along the heath, and near his favourite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he;…

By Thomas Gray (1716-71).