Talk on the elusive Digger Slimbridge Settlement

 

Plot and Conspiracy!

A focus on anarchy within Gloucestershire collections

 

Saturday 7 September 2024, 1pm-4pm

 

 

 

Talk and film: [booking essential due to room capacity limits]

  • 1.15pm – The Digger Experiment in Gloucestershire: Was it at Slimbridge, 1649-50? by Stuart Butler of Radical Stroud

 

  • 3pm – Showing of the community film, ‘Days of Hope – the Chartists in Stroud’ introduced by John Bassett, of Spaniel in the Works Company

 

  • Document display of records relating to anarchy and insurrection taken from collections held at Gloucestershire Archives

 

  • Free refreshments throughout the afternoon.

 

  • Up in arms or hiding from trouble? Discover your personal heritage at the Gloucestershire Family History Resource Centre, open from 10am

 

[Main event starts at 1pm]

 

Booking essential for the talks. Heritage Hub, Clarence Row, Alvin Street, Gloucester GL1 3DW. Parking on-site.    For more information see our website at www.heritagehub.org.uk.

Child Labour Walk November 9

Child Labour in the Woollen Mills of the 1830s – November 9

5km one -way along the canal From Ebley Mill to Brimscombe Mill. Meet at Ebley Mill at 11am.
Refreshments are available from The Long Table (fingers crossed), The Ship Inn or The Felt Cafe.
Return by Bus 67 from Brimscombe or back along the canal. (Note new and improved bus timetable from 1 September).

Amidst agitation nationally for shorter working hours in the textile industry, scandals about children crippled and killed in the cotton mills and the extreme poverty of handloom weavers, government inquiries collected extensive data from clothiers and some workers in the wool industry of the Stroud Valleys on child labour, wages and working hours. Most started work
aged 9, but some as young as 6. Stops along the way will highlight the work that children did in the mills and how this changed during the 1830s. We might also want to consider how conditions here 200 years ago are matched nowadays in the clothing industry.

Contact js@shankleman.com for further information.

A People’s History of our Locality Chapter 2

A MISCELLLANY OF HISTORY

A TEXTUAL WEAVING OF A CABINET OF CURIOSITIES

A TEXTUAL SAMPLER

Chapter two

Hello Stuart

I haven’t forgotten about The Stroud Tapestry.

I still hope to add a section about John Gay, maltster, and his wife Anna Maria, turnpike gatekeeper, but thought I’d send you what I have completed so far, including some new paragraphs about the Harrison family – stonemasons.

Best wishes

Penny

 

 

In 1669, my 9 x great grandfather, Henry Gay of Stroud, married Judith Clissold, daughter of Thomas Clissold and Judith Clutterbuck.

 

The Clutterbucks were weavers …

 

Weaving was then a cottage industry, with the continual clack of looms filling the air and whole families at work.  While wives were busy washing and drying fleeces, children sat patiently carding the wool into fluffy cocoons ready to be spun into yarn and dyed ready for weaving.  Husbands and fathers then set up the warp and worked the weft.  The huge looms, with heddles and shuttles always at the ready, would have filled a whole room in many a cramped honey-coloured Cotswold stone cottage. 

 

The Clissolds became mill owners …

 

Stroud grew to be particularly famous for its scarlet cloth, used to make the red coats proudly worn by several British regiments, including the Grenadier and the Scots Guards.  The fields of the Five Valleys were festooned with lengths of bright broadcloth hung out on tenter hooks to be dried and stretched to the required width in the fresh air and sun.

 

By 1830, Stroud had become the centre of the clothing trade, with mills every few hundred yards on every river.  In the census of 1821, the parish had 7,097 inhabitants.

 

*     *     *

My 3 x great grandmother, Anna Maria Harrison, married John Gay (a direct descendant of Henry Gay and Judith Clissold) in Stroud, in 1813.

 

The Harrisons were stonemasons …

 

In 1745, Anna Maria’s great grandfather, Thomas Harrison, acquired the lease of a stone quarry on Selsley Hill and many of the buildings still to be seen in Stroud today were built by Thomas’s grandsons and great grandsons. 

 

Following his first marriage in Stonehouse in 1785, Anna Maria’s father, Thomas Harrison, built a row of houses at Westrip, one of which became known as The Old Off Licence, and, after his second marriage in 1800, he set to work on building a stone cottage nearby, in Randwick. 

 

His four sons and three daughters, all born before 1800, would almost certainly have looked forward to taking part in the May Day Randwick Wap, when three large Gloucester Cheeses would be decked with flowers and carried in procession through the village.  After being blessed, these were rolled around the Church ‘mystically and anti-clockwise’ before being divided up and distributed amongst the villagers..  If the superstition held true, then eating a piece of cheese ensured fertility and therefore many future generations of ‘Runickers’ – the local name.

 

In the 1820s, while still a young man, Charles Harrison (Anna Maria’s older brother) built the row of houses known as Rowcroft in Stroud, and two of her younger brothers, Thomas and Henry are known to have worked on several buildings in Stonehouse during the middle years of the 19th century

The foundation stone of Stroud Subscription Rooms – built by Anna Maria’s eldest brother Charles Harrison, with the help of his Kings Stanley cousins, Daniel and George – was laid on the 9th March 1833 and the building was sufficiently completed by October 1834, when it was officially opened in the presence of 700 people.  At that time all three men were amongst the Harrison clan living in Stonehouse and Kings Stanley.  The final payment for the Subscription Rooms was made to builder Charles Harrison on the 29th January 1836.  Over the previous three years he had received a total of £2,721 10s.

 

In 1836, Daniel and George Harrison went on to build the Gothic-style Amberley Church.  More than twenty years later, George Harrison (possibly one of the next generation) would be working on the masonry of Selsley Church, completed in 1862. 

 

… And from 1879 until 1906 – more than 150 years after his ancestor, Thomas Harrison, had acquired the lease of a quarry on Selsley Hill – one of his great, great grandsons, Frederic, was still working as a stonemason in Kings Stanley.

 

*     *     *                                                   

John Gay (1792 – 1829), husband of Anna Maria (Harrison), was a maltster …

 

The reason he chose to take up the occupation of malt-making, when his father was a stonemason and his ancestors before that had been weavers, must surely be linked to the development of a new industry in Stroud at the time he was growing up.

 

The Stroud Brewery is said to have been founded in 1760 by Peter Leverage in a malthouse adjoining his house at Middle Lypiatt.  Leverage later went into partnership with Joseph Grazebrook and Henry Burgh, and in 1793 they acquired new premises for the business at the bottom of Rowcroft, in the lower part of the town.

 

The ready supply of good water was key to its success and this site, at the heart of local rivers and streams and near the recently-completed Stroudwater Canal was ideal, both in terms of the brewing process – and then, when the business expanded (and before the building of the railway in 1845), as an early solution to the important question of transportation.

 

The coming of Stroud Brewery at a time when the cloth industry was about to enter a decline proved to be a significant factor in the town’s continued growth.  Many were employed in the brewing process itself, but there was clearly also a good living to be found in malt-making.

 

In 1822, there were no fewer than eight malsters in Stroud and one of them was certainly John Gay, who lived in Lower Street.

 

But in September 1829, John Gay died, leaving his widow with seven sons to care for.

 

*     *     *

Following her husband’s death, his widow, Anna Maria Gay (1789 – 1854), became a turnpike gatekeeper at the Bourne Tollhouse, near Brimscombe …

To begin with, when previously established highways became designated toll roads, the turnpike trusts either adapted existing cottages or built temporary shelters for ‘pikemen’.

 

By the early 1800s, with the introduction of completely new toll roads and a steady increase in traffic, it became clear that more permanent accommodation at the main turnpike gates was needed so that someone would be at the gate all day and night to collect the tolls.  It was also decided that, wherever possible, a tollhouse should be large enough to house a family, so that there was always someone to keep watch while the gatekeeper rested. The Bourne tollhouse would have been established in 1815 when the Stroud to Cirencester Turnpike Road was opened to the public.

 

In practical terms, Anna Maria Gay could not have found a job better suited to her needs.  It provided a very substantial roof over her head, reasonable accommodation for herself and her family, as well as an adequate wage.  And although it would have been a demanding and challenging twenty-four hour and seven-days-a-week job, it was work that could be carried out at home in conjunction with her chief role in life, which would surely have been caring for her sons. 

 

The 1841 census confirms that the Bourne tollhouse was then still occupied by Anna Maria Gay, then aged 52, her eldest son Leonard (25) and her two youngest sons, Matthew (13) and John (11).

 

But plans for a new railway had already been afoot for some time:–

 

‘And we are now in constant expectation,

That we shall someday have a Railway Station;

Which will, ’tis hop’d, improve the Borough trade,

And Stroud, the central town, must take the lead;

Then farewell horses, coaches, grooms, coach makers,

Inns, victualling houses, Turnpikes and toll takers;

For we shall fly by steam, with presto speed

A hundred miles and no refreshment need.’

 

From ‘Stroudwater’ by William Lawrence: 1843

Stroud’s local organist and music teacher

 

On Whit Monday, 12th May 1845, the new railway line between Swindon and Gloucester was officially opened.  There were four intermediate stations – Tetbury Road, Brimscombe, Stroud and Stonehouse, the station at Brimscombe being sited very near the Bourne tollhouse.

 

It would have been an historic day and it is not difficult to imagine that Anna Maria and several of her sons might have been there to watch in amazement as the train steamed along the embankment and over the bridge just in front of their tollhouse.  However, certainly by then, the turnpike house that had provided the family with a home and livelihood when it was most needed would have ceased to have a purpose.

 

A Newport Declamation

The Newport Rising of 1839

A Newport Declamation:

These are the women and men of Newport,

The charged and imprisoned;

We shall remember them.

Saint Leonard of Noblac,

Patron saint of prisoners,

Hear our roll call:

James Aust, Thomas Ball, John Batten, Richard Benfield, Thomas Bolton, Solomon Briton, John Britton, Charles Bucknell, Joseph Coales, John Charles, Dai ‘the Tinker’,

Thomas Davies, Thomas Davies, Thomas Davies, William Davies,

Isaac Davies, Edmund Edmunds, Samuel Etheridge, Evan Edwards,

Thomas Edwards, John Fisher; Edward Frost, John Frost, George George,

John Gibby, John (Job) Harries; Henry Harris, William Havard, Moses Horner, William Horner, Thomas Keys, William Jones, Thomas Lewis,

John Lewis Llewellin,

Thomas Llewellin, William Llewellin, John Lovell, Jack ‘the Fifer’,

Amy Meredith, James Meredith, James Moore,

Jenkin Morgan, Thomas Morgan, John Owen, John Partridge, Isaac Phillips, John Rees,

Benjamin Richards, Edmund Richards, Lewis Rowland,

William Shellard, George Tomlins (Thompson),

George Turner (also known as George Cole), Frederick Turner,

Charles Waters, David Williams, Ebenezer Williams, William Williams, Zephania Williams.

And at the going down of the sun,

And in the business of a Newport morning,

We shall also hear an echo

From the roll call of the dead:

Collier-men, Evan Davies and William Farraday

And Abraham Thomas,

Miners such as William Evans and John Morris,

Men of stout heart such as John Codd and David Davies,

And John Jonathan and William Griffiths,

Robert Lansdowne and Reece Meredith and William Williams,

And Isaac Thomas of Nantyglo,

And John, ‘the Roller’, of Nantyglo,

The tinker, David Morgan,

William, Aberdare,

Private Williams, deserter from the 29th Regiment of Foot,

And the carpenter,

John Davis, of Pontnewynydd,

And the cabinet-maker, young George Shell of Pontypool.

The crimes of these men and women as defined

By the time in which they lived included:

High Treason, Burglary, High Treason & Sedition, Being Illegally Armed, Making Bullets, Being Armed with Guns, Spears and Other Offensive Weapons, Unlawful Combination and Confederacy, Assault, Conspiracy and Riot, and Riotous Assembly.

The causes for which these men and women

 Suffered imprisonment, now constitute the law of the land.

The causes for which these men and women

Were imprisoned, transported,

Sentenced to death by hanging, drawing and quartering,

Also, now, constitute the law of the land –

Let the living answer the roll call of the dead.

 

 

 

About US 2024

 

STUART BUTLER

Poet, Performer, Writer, Walker, Teacher & Historian

Email: stuartbutler743@gmail.com

www.radicalstroud.co.uk

BOB FRY

Rural and urban flâneur. Psychogeographer & photographer.

JON SEAGRAVE AKA JONNY FLUFFYPUNK

Lo-fi performer, explorer and analogue fundamentalist. Has fathered two children and repaired a bicycle with a piece of kitchen cutlery.

http://www.jonnyfluffypunk.co.uk

Who are we and what do we do and how can you contact us?

We run Radical Stroud as a collective, with occasional monthly walks that are advertised here and on the Radical Stroud Facebook page. We encourage contributions and responses to the landscape in a variety of forms – although we do have some form of guiding principles. Such as:

Guiding Principles:

Thoughts derived from a reading of
Creating Memorials Building Identities The Politics of Memory in the Black Atlantic
(Alan Price Liverpool University Press 2012)

Doors of No Return

Historic, documented, liminal places,
Not gone with the wind, but both visible and invisible,
Spaces and places in the Stroudwater hills and valleys
With messages and mementoes from a riotous past,
Open doors to the truth –

A counter-narrative:

“A performative counter-narrative … a ‘guerrilla memory’”,
“Lieux de memoire, sites of history, torn away from the moment of history”
(Pierre Nora),
Memorialisation that moves beyond the empirical,
The documented, the evidenced and the historical,
To a counter-heritage, a counter-memorialisation…
For further reinterpretations,
And re-imaginings,
As we move art and monument
From object to process,
And from ‘noun to verb’,
As we create new museums of the past, present and future,
As we traverse the hedgerows of Psychogeography …

Or in a nutshell:

Performative Walking: Counter-Heritage

Beyond the Empirical:
Beyond the Documented:
Guerrilla Memorialisation.

My name is Stuart Butler: ‘Poet, Performer, Writer, Walker, Teacher & Historian’.

Email: stfc12@hotmail.com

www.radicalstroud.co.uk

www.facebook.com/stuart.butler.3511

www.twitter.com/StuartB18260154

Contributions for considered publication should be sent to stfc12@hotmail.com

DEBORAH ROBERTS

Photographer, designer and curator.

www.deborahroberts.biz

ANDREW BUDD

Shrodinger’s Explorer, knowing exactly where he is, but simultaneously lost. His main source of exercise being jumping to conclusions.

www.fredslattern.wordpress.com

www.andrewbudd.blogspot.com

www.justgiving.com/planetfrank

ROBIN TREEFELLOW

Poet, ambling antiquarian, writer, jam maker and explorer of England’s Anglo Saxon, Roman, Prehistoric and medieval past. He invokes the names of pagan deities to help his vegetables grow.

www.stroudwalking.wordpress.com

© 2016 Radical Stroud Designed by Jackson Reece

A People’s History of Stroudwater 1

A MISCELLLANY OF HISTORY

A TEXTUAL WEAVING OF A CABINET OF CURIOSITIES

A TEXTUAL SAMPLER

The inspiration for this endeavour came from Workshop of the World Raphael Samuel Edited by John Merrick Verso 2024

‘The orthodox account of the industrial revolution concentrates on the rise of steam power and machinery, and the spread of the factory system … But if one looks at the economy as a whole rather than at its most novel and striking features, a less orderly canvas might be drawn – one bearing more resemblance to a Breugel or even a Hieronymus Bosch than to the geometrical regularities of a modern abstract. The industrial landscape would be seen to be full of diggings and pits, as well as tall factory chimneys. Smithies would sprout in the shadows of the furnaces, sweatshops in those of the looms. Agricultural labourers might take up the foreground, armed with sickle or scythe, while behind them troops of women and children would be bent double over the ripening crops in the field, pulling charlock, hoeing nettles, or cleaning the furrows of stones. In the middle distance there might be navvies digging sewers and paviours laying flags. On the building sites there would be a bustle of man-powered activity, with housepainters on ladders, and slaters nailing roofs. Carters would be loading and unloading horses, market women carrying baskets of produce on their heads; dockers balancing weights. The factories would be hot and steamy, with men stripped to the singlet, and juvenile runners in bare feet. At the lead works women would be carrying pots of poisonous metal on their heads, in the bleachers’ shed they would be stitching yards of chlorine cloth, at a shoddy mill sorting rags. Instead of calling his picture ‘machinery’ the artist might prefer to name it ‘toil’.

 

While here in Stroudwater …

 There are hedges and fences and stiles and gates and streams and rivers and hills and valleys and springs and canals and railway lines and sidings and bridges and viaducts and locks and sluices and water wheels and chimneys and mills and farms and smoke and steam and iron and brass and copper and coal and barges and farms and fields and pasture and corn and barns and byres and carts and coaches and cobbles and candles and inns and cottages and mansions and lanes and houses and streets and stone and brick and scaffolding and hustle and bustle and strikes and riots and truck and hustings and turnpikes and tolls and mileposts and church and chapel…

And what individuals do we see in this panorama?

A yoeman, husbandman, shepherd, fuller, dyer, tucker, shearman, scribbler, card-maker, merchant, mercer, chandler, innkeeper, victualler, butcher, baker, candlestick maker, maltster, miller, apothecary, barber, vintner, attorney, surgeon, tanner, carter, shoemaker, glover, skinner, haberdasher, tailor, hatter, staymaker, mason, thatcher, plasterer, glazier, carpenter, cooper, smith, pewterer, grazier, copyholder, herdsman, farm labourer, drover, dairymaid, forester, knocker-up, spinner, weaver, bargee, navvy, rat catcher, mole catcher, tramp, itinerant, vagrant, vicar, curate, constable, overseer, judge, magistrate, doctor, brewer, servant, apothecary, governess …

 And there’s Colonel Wolfe with quill and parchment in 1756:

‘The people are so oppressed, so poor and so wretched, that they will, perhaps, hazard a knock on the pate for bread and clothes. The poor half-starved weavers … beg about the country for food … the masters have beat down their wages too ow to live upon, and I believe it is a just complaint. Those who are most oppressed have seized the tools and broke the looms of others who would work if they could.’ He thought that the main benefit that would accrue from his visit to Stroudwater would be the number of recruits he would garner from the ranks of the young unemployed …

 

And is that Paul Hawkins Fisher in the throng with his pen and diary, scribbling thus …:

‘1770 A stage coach for passengers and mails ran between Stroud and London twice a week. It started from Stroud and vice versa early in the morning and arrived at its destination in the evening of the next day. The route was by way of Oxford, and the rendezvous in London was the Bull and Mouth, Holborn. 1779 A man named PEGLER was branded in the hand at Gloucester for an offence against the law; this is said to be the last case of the kind on record.  1780 A coach, called a “diligence” came from Gloucester to Stroud every Friday. 1781 A stage-coach left Stroud in the evening and arrived in London the following evening, performing the journey in 24 hours.  1784 A narrow stone bridge was erected across the brook at Badbrook. Soon afterwards came a narrow bridge of wood with handrails for foot passengers. Prior to this there was a ford for horses and carriages and carts, and foot passengers crossed on stepping stones. 1786 The last bull fight with dogs in Stroud took place at the Cross.’

 

And here are questions about how this project might develop:

Hello Stuart

Do you want contributors to write in a factual way i.e., describing a scene or a job as it would have happened at a particular time? Or do you want people to imagine they are for example a 19th cloth worker and describe their day? Or do you want them to write about true experiences of themselves or their ancestors?I guess all of these?Your example describes a very detailed industrial scene with lots going on! I think this might be quite challenging for the ordinary person (not an experienced writer). So – are you looking for people who already have a talent for writing, which is fine, or contributions from “ordinary” folk. If you would like the latter then I think it would be helpful to give a couple more examples of possible contributions which might be a bit easier to understand?Apologies if I have not quite understood exactly how this will work. It sounds a great idea.

Best wishes

Vicki  (SHG)

Dear Stuart

I have made a start with my contribution to your Stroud Valleys “word” tapestry.I am seeing it as four pieces of a patchwork quilt – with brief glimpses of weavers and stone-masons from the late 1600s onwards, followed by the development of the beer industry and malt-making and the construction of new roads, turnpikes  and the work of the toll-gate-keepers.

“In the late 1600s my Stroud ancestors were weavers.  

Weaving was then a cottage industry, with the continuous clack of looms filling the air and whole families at work.  While wives were busy washing and drying fleeces, children sat patiently carding the wool into fluffy cocoons ready to be spun into skeins.  Husbands and fathers then set up the warp and worked the weft.  The huge looms, with heddles and shuttles always at the ready, would have filled a whole room in many a cramped honey-coloured Cotswold stone cottage.  

Stroud became famous for its scarlet cloth, used to make coats proudly worn by numerous regiments of soldiers, including the Grenadier Guards.  The surrounding fields would have been full of lengths of red broadcloth hung out on tenter hooks to be dried and stretched to the required width in the fresh air and sun.

By 1830, the town was the centre of the clothing trade, with mills every few hundred yards on every river. In the census of 1821 the parish had 7,097 inhabitants.”

I hope this is the kind of think you were thinking of.

It certainly is, Penny, and your completed piece will appear in the next chapter or two of this

MISCELLLANY OF HISTORY’S

TEXTUAL WEAVING OF A CABINET OF CURIOSITIES

Berkeley Walk July 16

Times were hard in the early nineteenth century for country people, with the effects of the war with France, enclosures, the Corn laws, the Game Laws and the high-handed attitude of some landowners. This led to events in our county that resulted in 4 young men losing their lives, others being transported and families left destitute. Join us for a fascinating walk on 16th July as we explore the Berkeley Poaching Affray of 1816, an intriguing and truly tragic rather than romantic tale. We suggest meeting at 10.30am in Berkeley on Marybrook Street which is between the 2 public car parks. We shall take a walk through Berkeley and into open country, exploring the story and its relevance to the present day and approaching the site of the affray itself. On our return we may be treated to tea at Dr Jenner’s House –  he and his nephew both having had some involvement. Bring some lunch, some water, and appropriate footwear. We hope to see you there.

Happy Thursday Evening 2024

Happy Thursday Evening 2024

It must have been 1965,
We were having a lunchtime kick-about.
‘It’s Good News Week’ by Hedgehoppers’ Anonymous
Was playing on someone’s transistor
Just behind the goal nearest the school,
Someone was puffing out on the wing,
And crossed hopefully towards the edge of the box,
Where I had strayed, and where I stood,
Predicting the precise path of the ball.
It came, as anticipated, at waist height:
I leapt from the ground before the ball’s arrival,
Levitating horizontally a metre up in the air,
To meet the ball on the volley,
And send it hurtling into the top left hand corner.
I landed on the ground, elated,
It was the best goal I had ever scored,
A perfect harmony of prediction, execution and ambience,
And it was all so perfect that I didn’t even celebrate,
I just stood there in a Zen state of bliss,
Knowing that such an immaculate conception
Only happens once in A Good News Week Lifetime.

But tonight, nearly sixty years later,

At walking football at Stratford Park,

The ball came to me twenty yards from goal;

I hit it with the outside of my boot,

Creating a perfectly accurate curve,

That saw the ball travel towards Selsley Common,

And then arc through the midsummer sunlight,

In the direction of Cashes Green’s chip shop.

The goalkeeper, as they say, quite rightly,

Stood rooted to the spot, caught unawares.

No one could have predicted this parabola.

I raised my right arm in quiet triumph.

Team mates and opposition alike

Praised the perfection of the execution

With shouts that rose to the very skies.

It was, once more, a moment of Zen bliss.

‘I can still do it,’ I said, ‘on occasions.’

Nick replied: ‘It’s never gone away.’

As T.S. Eliot might have commented,

If he’d been playing last night:

‘We shall not cease from exploring.

And the end of all our scoring

Will be to arrive where we started

And know the place for the first time.’

Stone Carving Workshops

Stone carving workshops

In the sanctuary at the Long Table

 Tuesday mornings throughout July

[no charge, except a request for charity sponsorship]

https://ride.myeloma.org.uk/james-pentney

 

Carving stone has been fundamental to human communication throughout history. One becomes engrossed in the work as we express ourselves with mallet and chisel. Creative on many levels, yet the tools needed are simple and portable, every part of a hand carved stone is the result of a ‘direct human process rooted in language, design and making’. This workshop is to initiate, support people and develop the skills by carving a lost haiku.

 

 

The wildlife illustrator and haiku poet, Paul Russell Miller, once asked the leading stone carver Tom Perkins what he would do if he did not have to work on commissions.

“Haiku,” Tom replied.

… Twentieth century haiku comes in many shapes and sizes… Its traditional form consists of a single seventeen-syllable line when written in Japanese or three lines of five, seven and five syllables for its English equivalent. Most of these minuscule poems were once inspired by moments of insight into the natural world, but increased urbanisation, selfie culture and virtual reality of various kinds are causing this focus to shift.

Haiku originated in Japan, where its roots can be traced back over a thousand years through the structure and content of earlier verse types as well as in the world views of Shinto and Buddhism. It’s ‘modern’ era began with the work of Matsuo Basho (1644 – 1694), a revered figure whose literary status in his home country is comparable to that of Shakespeare over here.

Following the opening-up of Japan in the late nineteenth century, writers from several countries discovered then started to translate or experiment with haiku, but the very particular climate of post-war 1950s America eventually proved the most conducive for its growth and spread. Today, haiku is a truly international poetic genre.

Written in an ever increasing number of countries and different languages and represented online and off by a wide variety of groups, events and publications.  (PRM)

Our first haiku on the canal appeared on an upright sleeper beside the towpath between Bow Bridge and Griffin Mill.

    

 

What joy to receive

                    from each towpath dragonfly

                 it’s dismissive glance

 

For Paul a haiku must contain a reference to nature.

“Haiku can change the world,” he once said. Steady-on Paul I thought. What he meant was if we all had haiku awareness and respect for nature it would totally change the way the world is treated.

‘The heron’s lung’ was left twice on the Daneway, and twice disappeared!

 

Among evening reeds

                  the young heron’s lunge again

             brings gentle nodding

 

Walk the Wall July 20

Stroud District Palestine Solidarity Campaign Walk the Wall
Saturday 20th July 2024 10am

5.2km walk from Wallbridge, over Rodborough Common ending at Brimscombe

Return is either by Bus 67 from Brimscombe Corner or return to Wallbridge along the canal.

Refreshments are available from The Long Table, The Ship Inn or The Felt Inn Insights about effects of the Israeli occupation of Palestinian

land shared along the way.

Moderately challenging: Walkers need to be fit for a climb onto the Common – dress appropriately Contact pscstroud@protonmail.com with any enquiries. https://tinyurl.com/2btzdkfr to book a place