The hollow roll of dates
chronicling the tired litany of monarchs.
Their dusty bones never sleeping
gasping their phantom moans to every generation:
To keep on fighting for the kingdom.
To never forget king and kingdom comes first.
You are its living instrument
that the dead summon to serve and die buried under the hollow drum roll of dates and kings.
Piling their bloody victories, plundered wealth and the crotch grasping posture of destruction over the thousands of corpses that had to die.
To die like an insignificant fly for the dusty bones and stones cut with the deeds of one homicidal dynasty after another.
Oh but the blood must run, it must run!
The young have to die.
The women will birth our soldiers.
For I can hear the dry bones of old kings and their old wars
drumming in today’s march into oblivion.
‘And lo and behold! Here I am!’
It was a perfect autumn day for a bike ride,
Mournful golds and russets and crimsons,
Sun dappled and splashed as I climbed the wolds,
To leave the pastoral valleys behind,
And so reach the wide, open, brown-ploughed fields,
Up above Avening, on the high, back lanes
Around Chavenage and Cherington and Beverstone,
On my cyclo-geographical trip to the Troubled House inn;
Back in the winter of 1830,
These lanes were thronged with anxious farm hands:
Families were hungry with bread prices high,
With wages low, and winter indigence
Threatened by these new threshing machines;
And so the Captain Swing riots had made their way
From Wiltshire to Gloucestershire –
Smashing threshing machines, burning hay ricks,
Penning threatening letters to farmers, signed by
The half-mythologised gentleman on a white horse,
The impossibly ubiquitous Captain Swing:
“this is to inform you what you have to undergo gentelemen if providing you Don’t pull down your meshenes and rise the poor mens wages the married men give tow and sixpence a day the single tow shillings or we will burn down your barns and you in them this is the last notis
It stands at the end of a street
(Bungalows, cars, caravans, camper vans,
Children playing in the road and on the driveways),
There, behind a gate and beyond the signposts.
A six thousand year old burial chamber,
One giant stone forty-five degrees athwart
Another four, in a suburban enclosure,
Precarious yet adamantine-firm;
Cremated bones were found here.read more
Faith, Time and Tide
We wandered windfall pilgrims’ paths,
Past hedgerows bright with sloe and crimson haw,
Swallows, too, following their autumnal call,
While murmurations of starlings,
And flocks of melancholy geese,
Patterned a darkening estuarine sky,
The ghost-church at Cwm-yr-Eglwys
Tolled an ancient knell of parting day,
A sea-storm squall shifted drowned sailors’ bones,
But we slipped past circles of stone,
Past Carn Ingli – the Hill of Angels -,
To seek penance and resurrection,
We are off on holiday soon so wanted to share the information
I was relating this info whilst stewarding at Landsdown gallery on the weekend.
I am Canadian living in the UK and while doing the Diploma in stitched textiles at East Berkshire college many years ago, used the Art and caribou skin clothing of the Inuit in Baker Lake as my main theme of research and work.
I had read in an article in Piecework magazine from the USA about the women in Baker Lake using what was described as a wool/felt material called Stroud to make their colourful naive wallhangings that are still being made today.
The co-operative was set up in the 70’s by the Canada Council to encourage Inuit women to continue sewing (the nomadic families were being brought into communities in the 1950’s, 60’s because of severe winters, education for children and malnutrition).
There was a concern that they would stop sewing the caribou skin clothes (for hunter husbands) and lose sewing skills (which were evident in the applique and beadwork on their amauti coats.) They thought they would be more attracted to modern winter wear.
This did not happen because man made cloth garments were not warm enough.
Why, sirrah, and why, madam, hast thou not read thy Tom Paine?
‘Kings succeed each other not as rationals but as animals …
an hereditary governor is as inconsistent as an hereditary author.’
And you needn’t visit Paris in this, the year of our Lord,
Seventeen Hundred and Ninety Two,
To witness republican enthusiasm,
You could travel on the turnpike to Sheffield instead,
And witness the 5,000 cutler ‘republican levelers’,
The ‘Sheffield sans-culottes’ with their Angel of Peace
Proffering Tom Paine’s Rights of Man to Britannia,
While across the land, parodies of the national anthem are sung:
God Save Great Thomas Paine,
AT THE FEDERATION THEATRE IN EQUALITY SQUARE,
Will be Performed
A new and entertaining Farce, called LA GUILLOTINE!
Or GEORGE’S HEAD IN THE BASKET!
Dramatis Personae: Numpy the Third …
Tight Rope Dancing from The Lamp-post,
By Messrs. CANTERBURY, YORK, DURHAM &.
Pamphlets such as King Killing;
The Happy Reign of King George the Last;
100, 000 people meeting at Copenhagen Fields, Islington;
The King’s carriage attacked:
‘No War! No King! No Pitt!’
The following sung to the tune of ‘God Save the King’
At Drury Lane Theatre:
‘And when George’s Poll
Shall in the basket roll,
Let mercy then control
Do you remember collecting autographs,
When the football specials steamed back west,
When the last faint gleams of terrace street sun
Slipped behind the shadows of the stands,
And the ground went abruptly quiet and numb,
When the crowd made its hot chocolate way home
And the terraces and streets were suddenly empty;
And do you remember the mayhem outside the players’ entrance –
Crowds of kids, scrap books and pens thrust upwards,
Huddled together by the red and white fence,
Hoping for names of star centre forwards,
Like me with my scrapbook with pictures stuck in
With flour paste, from all the Sunday papers,
Of players, arms aloft with toothless grins,
In wintry darkness, mud, mist, rain and vapours.