Counter-Heritage

Prologue

I have previously only known the name Semington from information boards on the Wiltshire and Berkshire Canal: a junction with the Kennet and Avon Canal. This is how ‘Heritage’ works: it fixes your view on space and time; it gives the past meaning. But ‘Counter-Heritage’ remembers those who are ignored, forgotten or misrepresented. It gives a different and radical meaning to the past.

Act the First

‘The orthography is irrelevant, madam.
Helliker, Hilliker, Hiliker, Elliker,
The spelling matters not a jot, madam,
Illiteracy does not mask identity,
We know who the shearman’s apprentice was
At Mr Nash’s Littleton Mill,
Semington, 22nd July 1802;
He was there in the riot, tumult and arson;
Mr. Heath says he saw Helliker brandish a pistol
And intimidate the loyal night watchman;
Mr. Heath had previous heard Helliker
Offer thanks and gratitude for the wrecking
Of honest men’s machinery and livelihoods;
And did not Mr. Heath identify Helliker
After the miscreant’s arrest in Trowbridge,
Last August the third?’

‘Charles Dickens never lived here’
Is a standout plaque on a cottage wall,
Down towards the harbour in Broadstairs –
Must take some courage to ironise
The Broadstairs branding of itself …

He first came here in 1837,
The year of Victoria’s accession,
And a year of gathering Chartist momentum,
To lodge in the High Street at number twelve,
To complete the last few monthly numbers
Of Pickwick Papers, and make so much money
That he bought the imposing cliff top house,
Fort House, built some thirty odd years before,
Where he penned his pages of labyrinthine plots,
And Pickwickian old time wistful nostalgia,
And critical observations of modern times:
Pickwick Papers, Oliver Twist,
Nicholas Nickleby, The Old Curiosity Shop,
Barnaby Rudge, Martin Chuzzlewit,
Dombey and Son, David Copperfield;

Heritage and Counter-Heritage: Are They So Very Different?

Two recent visits to ‘historic’ houses and a recent walk have made me question the usual binary opposition of heritage and counter-heritage, and got me thinking that perhaps they lie rather more on a continuum.
A visit to Dennis Severs’ house
http://radicalstroud.co.uk/dennis-severs-house/,
A counter-heritage disenchantment walk http://radicalstroud.co.uk/colonial-countryside-disenchantment/,
and a visit to the National Trust cottage of Samuel Taylor Coleridge at Nether Stowey have set me a-thinking.
https://www.nationaltrust.org.uk/coleridge-cottage

It struck me at Nether Stowey, that the National Trust quite-right wish for visitor-enchantment, involved counter-heritage practices too … and if the National Trust does that …

The Coleridges’ Cottage: Samuel and Sara

It sits in Lime Street, Nether Stowey,
Just off the old Minehead turnpike road,
Opposite a pub called the Ancient Mariner:
(The inn sign has no picture, just the words:
THE ANCIENT MARINER in upper case,
With a tiny inset top left: Lyrical Ballads)
The cottage of Samuel Taylor Coleridge –
The home and workplace of Sara Coleridge,
Now a National Trust Museum –
Involves an imaginative re-creation
Of how the cottage might have looked in 1797,
In that year of poetic wonderment;