Thomas Helliker: the Trowbridge Martyr


I have previously only known the name Semington from information boards on the Wiltshire and Berkshire Canal: a junction with the Kennet and Avon Canal. This is how ‘Heritage’ works: it fixes your view on space and time; it gives the past meaning. But ‘Counter-Heritage’ remembers those who are ignored, forgotten or misrepresented. It gives a different and radical meaning to the past.

Act the First

‘The orthography is irrelevant, madam.
Helliker, Hilliker, Hiliker, Elliker,
The spelling matters not a jot, madam,
Illiteracy does not mask identity,
We know who the shearman’s apprentice was
At Mr Nash’s Littleton Mill,
Semington, 22nd July 1802;
He was there in the riot, tumult and arson;
Mr. Heath says he saw Helliker brandish a pistol
And intimidate the loyal night watchman;
Mr. Heath had previous heard Helliker
Offer thanks and gratitude for the wrecking
Of honest men’s machinery and livelihoods;
And did not Mr. Heath identify Helliker
After the miscreant’s arrest in Trowbridge,
Last August the third?’

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Broadstairs and Charles Dickens: Heritage and Counter-Heritage

‘Charles Dickens never lived here’
Is a standout plaque on a cottage wall,
Down towards the harbour in Broadstairs –
Must take some courage to ironise
The Broadstairs branding of itself …

He first came here in 1837,
The year of Victoria’s accession,
And a year of gathering Chartist momentum,
To lodge in the High Street at number twelve,
To complete the last few monthly numbers
Of Pickwick Papers, and make so much money
That he bought the imposing cliff top house,
Fort House, built some thirty odd years before,
Where he penned his pages of labyrinthine plots,
And Pickwickian old time wistful nostalgia,
And critical observations of modern times:
Pickwick Papers, Oliver Twist,
Nicholas Nickleby, The Old Curiosity Shop,
Barnaby Rudge, Martin Chuzzlewit,
Dombey and Son, David Copperfield;

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The National Trust, Counter-Heritage and Samuel Taylor Coleridge

Heritage and Counter-Heritage: Are They So Very Different?

Two recent visits to ‘historic’ houses and a recent walk have made me question the usual binary opposition of heritage and counter-heritage, and got me thinking that perhaps they lie rather more on a continuum.
A visit to Dennis Severs’ house,
A counter-heritage disenchantment walk,
and a visit to the National Trust cottage of Samuel Taylor Coleridge at Nether Stowey have set me a-thinking.

It struck me at Nether Stowey, that the National Trust quite-right wish for visitor-enchantment, involved counter-heritage practices too … and if the National Trust does that …

The Coleridges’ Cottage: Samuel and Sara

It sits in Lime Street, Nether Stowey,
Just off the old Minehead turnpike road,
Opposite a pub called the Ancient Mariner:
(The inn sign has no picture, just the words:
THE ANCIENT MARINER in upper case,
With a tiny inset top left: Lyrical Ballads)
The cottage of Samuel Taylor Coleridge –
The home and workplace of Sara Coleridge,
Now a National Trust Museum –
Involves an imaginative re-creation
Of how the cottage might have looked in 1797,
In that year of poetic wonderment;

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A Nine Mile May-time Walk around Nailsworth

With thanks to Bob Fry for the prologue and Robin Treefellow for his stream of consciousness imagery.

Dusty spikes of blue Bugle
Yellow Archangel.
Hemlock Water Dropwort.
White Deadnettle.
Cow Parsley and May Blossom, shining white in the green hedgerows, everywhere.
Early swallows skimming the air above the buttercup meadows (where Robin recited his poems)


The Dream of Nailsworth

The waters’ intonation
washed in Nailsworth.

Before the cloth mills,
before the cars brought their disquiet
the waters sang among alders.

The world was a flicker of a fish
hiding from the heron.
Nailsworth knew nothing of Egypt’s pyramids
or the fall of Carthage.

Softly persisting to go where its water went,
Nailsworth bred dreams and spawned thousands of little worlds in marshy meadows.

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The Famous Five, Windrush, Walter Tull and Enoch Powell

The Famous Five and Enoch Powell and Walter Tull

What an extraordinary coincidence,
That on the fiftieth anniversary
Of Enoch Powell’s ‘Rivers of Blood’ speech,
Our railway stations should be awash
With ‘Five Go on Holiday’ GWR posters;
Four children – well adults really – and a dog,
Escaping to a whitewashed cottage,
In a West Country all white fastness,
Where BBC received pronunciation,
Snobbish condescension,
And lower class deference
Keep everyone in their place,
Abetted by kindly constables on the beat,
Who will willingly tell you the time.

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Counter-Heritage Weekend Programme


The Centre for Science and Art,

10am Doors open

The following events are timetabled, but there are events running throughout the day. Scroll down until you see the heading


10.30: The People History Forgot to Remember: tour of Stroud cemetery with Angela Findlay, artist & cemetery resident
Using poetry, diary extracts and performance to explore attitudes to death from the 1850s onwards, the hidden symbols used in gravestones, the fate of those deemed ‘paupers’ & workhouse life.

Meeting point: Lower Cemetery Lodge, 114 Bisley Road, GL5 1HG, just inside the gates of the cemetery
Tickets available at location – some parts of the walk are not wheelchair accessible, but many parts are.

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People’s Heritage

Introduction and Explanation

We are all used to blue plaque heritage for the rich and famous, but this is a day for the chip plate ordinary people.
Collect a People’s Heritage Card and complete your People’s Heritage Task. Take pictures! Write up an account in any genre!


A suburban home means as much a stately home, so …

Put posters in your window: “EVERY HOME A HERITAGE SITE’,
Invite people around and give them a guided tour –
You could even issue tickets and rope off PRIVATE AREAS.


Leave counter-heritage notes in envelopes addressed to HERITAGE: THE TRUTH and insert them in the gaps between official plaques and the surfaces to which the plaques are attached,
For example:
the Black Boy clock in Nelson Street needs a different contextualization, one which foregrounds slavery,
rather than a clock.

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