1. The Slad Brook from its source to its confluence with the River Frome in Stroud (10 kms); meet at 2 pm at Bulls Cross. 2. ‘As We Walk Out’: from Slad to Southampton (approx.. 160 kms); 10th – 17thMay; time and meeting place tbc; invited walkers, artists read more
A most enjoyable night watching ‘We Will Be Free!’ in Stroud; tremendous performances from Neil Gore and Charlotte Powell who played a variety of characters from both the agricultural labourers and the ruling class. Interesting to hear the usual response from the squire read more
Radical Stroud Comes To Town: London Pub and Literary Walk
We are not sure when we shall make this trip, but I thought I might post it for others to enjoy, recce and navigate. The walk takes in pubs with noteworthy interiors as well as two or three short literary pilgrimages. If half-pints of beer were to be slowly consumed at the pubs on our trail, together with soft drinks too, then memory should be active and inebriation, as well as bladder, controlled. We recommend an early train: all these precautions should avoid any spoonerism on the return journey. No town drain for our party. Alternatively, if you don’t trust yourself, take two days over this public house peregrination.
1. Assuming you arrive from the West Country and into Paddington, then let’s take the Bakerloo Line to Oxford Circus and a trip to the Argyll Arms, Argyll Street (by Oxford Circus tube):
‘The interior dates from 1895 and has been described as ‘one of the most magnificently decorated pub interiors in England’; it has unusual small cubicles in the front bar, with cut glass screens, decorative mirrors and elaborate mahogany. The Luftwaffe as well as Modernity managed to miss this example of fin de siècle social stratification.’
2. Next up: the Tottenham in Fitzrovia, 6 Oxford Street. It’s going to be busy but early doors might allow us to enjoy the Victoriana in this grade 2 listed building.
3. We then walk past old haunts around UCL to get to 7 Roger Street and the Duke of York. ‘A grade 2 listed art deco treasure.’
4. It’s now time for a pub break and a bit of culture and so we then walk to 48 Doughty Street and Charles Dickens’ house and museum.
5. After that, we toddle off to High Holborn to sample the delights of the Cittie of Yorke (1920s) (number 22) and the Victorian Princess Louise (208-9).
6. Next, a visit to Clerkenwell Green for both a literary and historical pilgrimage. It is here where the Artful Dodger and Fagin led Oliver Twist into pickpocketing; it is here where radical Lollardy thrived: ‘When Adam delved and Eve span, Who was then he gentleman?’ It is here where Chartism was nurtured in the 19th century and it is here where Marxism was also fostered: we’ll look at 37a Clerkenwell Green, the Marx Memorial Library, as well as the Crown Tavern at number 43 (where legend has it that Lenin and Stalin had a chinwag in 1905).
7. We’ll also make a trip to Spa Fields behind Exmouth Market in Clerkenwell. This was the site of the radical meeting for extension of the vote in 1816, when Henry Hunt spoke in favour of a peaceful widening of the franchise. Revolutionary followers of Thomas Spence marched on to the Tower, robbing a gunsmith’s en route. The Spenceans were a revolutionary group dedicated to equality, but were infiltrated by agents provocateurs. Executions occurred after the Cato Street Conspiracy (meeting place near the Edgeware Road) of 1820, when the group planned to assassinate the Cabinet.
8. Now it’s time to go to Fleet Street and the Old Cheshire Cheese at 145. Rebuilt after the Great Fire and no natural lighting inside today; lots of gloomy rooms; lots of 19th century paneling; cellars possibly 13th century (site of a Carmelite Monastery); regulars have included Goldsmith, Twain, Tennyson, Conan Doyle, Chesterton, Dickens (a scene from A Tale of Two Cities also set here) and possibly Johnson.
9. Talking of which, it’s now time to visit Dr. Johnson’s house just over the way in 17 Gough Square, off Fleet Street. Then off to:
10. Blackfriars Pub, 174 Queen Victoria Street; Art Nouveau pub; saved from demolition in the 1960s with support from John Betjeman.
11. Then a walk to the Old Mitre Tavern, Ely Court, Ely Place, Hatton Garden, Holborn Circus: ‘There’s a sense of discovery when you find the Old Mitre Tavern. It’s hidden down an alleyway between 8 and 9 Hatton Garden, marked by an old crooked street lamp and a small sign in the shape of a bishop’s mitre, the arched alleyway entrance has a sign above stating “Ye Olde Mitre 1546”. Despite these clues many who work in the area don’t know it exists. This tiny pub is a real hidden gem. ‘
12. Now to Bunhill Fields Cemetery, City Road EC1:
‘This old burial ground, shaded by mature plane trees, is situated on the edge of the City. Bunhill Fields was first set aside as a cemetery during the Great Plague of 1665. The ground was never apparently consecrated and twenty years later it became a popular burial ground for Nonconformists, who were banned from being buried in churchyards because of their refusal to use the Church of England prayer book. Bunhill Fields was soon known as ‘ the cemetery of Puritan England’. Although much is now cordoned off, it is still possible to walk through and find monuments to John Bunyan, Daniel Defoe and William Blake, as well as to members of the Cromwell family. John Milton lived in Bunhill Row, on the west side of the cemetery, from 1662 until his death in 1674. Some of Milton’s greatest works were written here, including ‘Paradise Lost’. Across the road from Bunhill Fields is the Methodist Museum and John Wesley’s House. ‘
13. And so to the Salisbury, 90 St Martin’s Lane, Covent Garden:
The building went up in 1892, a restaurant by the name of the ‘Salisbury Stores’ (see the double ‘S’ in the windows); it was converted into a pub in 1898, hence the massive mirrors, eye catching fitments and art nouveau ambience.
14. Now on to the Hand and Shears, Cloth Fair, 1 Middle Street, EC1:
‘This delightful little pub is a good example of an early nineteenth century alehouse. Its plain and simple interior has matchboarded walls and an oak floor. Although small, it is divided into four bar areas, each served from the central bar island. One snug is so small, it can hold only about eight customers.
A 12th century alehouse stood here, in the precincts of St. Bartholomew’s Priory. In August 1133, the first cloth fair was held at Smith Field nearby. Tailors and drapers came from all-over the country to ply their trade. By Tudor times the Cloth Fair had taken on an official role for Merchant Tailors, whose officers would check cloth with a yard stick. Offenders caught giving short measure, were brought to the alehouse and their case heard in a court upstairs. The guilty were put in stocks or whipped.
Eventually the alehouse was officially adopted by the Merchant Tailors of London and was allowed to display the guilds sign, the ‘hand and shears’. The Lord Mayor opened the fair from the steps of the pub. The last one was held in 1855. Poet John Betjeman who lived nearby was a regular.’
15. Next stop: Viaduct Tavern, 126 Newgate Street – ‘This impressive corner pub faces its famous namesake, Holborn Viaduct. Queen Victoria opened it in 1869, the Viaduct not the pub, although they were both opened in the same year. Holborn Viaduct was the world’s first flyover, connecting Holborn with Newgate Street, avoiding a deep dip in the road caused by the River Fleet. Although this striking Victorian pub has a large curved frontage, the interior is surprisingly small. Many of the original features have survived. On one wall, three paintings of wistful maidens represent agriculture, banking and the arts. The ‘arts’ was attacked (some say shot, others bayoneted) by a drunken First World War soldier, and she still bears the scar.’
16. Now to the Dog and Duck, Bateman Street, Soho:
‘Many famous historical figures have enjoyed the hospitality of The Dog and Duck, including John Constable, Dante Gabriel Rossetti and George Orwell. The pub was originally built in 1734 on the site of the Duke of Monmouth’s home. The present building was built in 1897, and is considered to have one of London’s most exquisite interiors of the period, characterised by thousands of highly glazed tiles.’
17. Next up: The Red Lion, St James’s:
‘One of London’s most magnificent pubs, a real must on any visitor’s list. From the outside it looks pleasant enough, plain brick with some ornate ironwork, typical of many in town; inside there’s a wonderful and surprising contrast.
Dazzling ‘brilliant-cut’ mirrors cover the walls, their intricate patterns sparkle as they catch the light, giving the impression of a much bigger space. This pub is really quite small and it seems remarkable it was once divided into several smaller bars. The island counter made from rich polished mahogany adds to the glare. Glass and mirrors were very fashionable in the late 1800’s and as the technology improved, the designs became more ornate and intricate. To modern tastes it may seem almost too garish.
Built in 1821 on the site of a previous pub, the Red Lion was redesigned in the 1870’s. It is often described as a ‘gin palace’ but was refitted long after the ‘mother’s ruin’ gin era. This pub was designed to impress and create an aura of opulent respectability. It served the staff of the surrounding grand houses and, in its own way, provided some of the sumptuous ‘above stairs’ living for those ‘below stairs’.’
The below could be a bolt-on or it could be part of a separate journey; it involves London’s lost rivers, together with Highgate, Kentish Town and Hampstead.
Nicholas Barton’s ‘The Lost Rivers of London’ is, of course, a watery mine of information: the River Fleet rises in Highgate and Hampstead and those sources fuse at Camden Town (old prints show it flowing between what is now Camden Tube station and The Mother Red Cap pub – but then, the tube station was the site of St. Pancras Workhouse). The river now winds its way below Kentish Town Road, St. Pancras, under the Regent’s Canal, King’s Cross, then west of King’s Cross, under Farringdon Road, Holborn Viaduct (Holborn = Hole-bourne = stream in the hollow) and so to the Thames.
The River Tyburn has two sources in Hampstead and Belsize Park. It flows down through Swiss Cottage to Regent’s Park, across the Regent’s Canal by aqueduct, with its old eastern bank denoted by the winding line of Marylebone Lane (St. Mary by the bourne); then along Baker Street to Piccadilly (Tyburn Road is now Oxford Street); then east of Grosvenor and Berkeley Squares, below Lansdowne Passage, under Piccadilly, down Green Park towards Buckingham Palace and so to the Thames (btw, the Tyburn Tree gallows were near what is now Marble Arch and Tyburn Lane is now Park Lane).
We can pick up some of this on our pub walk but we may also want to visit Karl Marx’s grave in Highgate Cemetery (close by social-Darwinist Herbert Spencer’s grave: Marx and Spencer) and have a walk around Kentish Town and Hampstead to see John Keats’ house and that nightingale tree.
This might necessitate a visit to the wonderful Holly Bush in Hampstead.
Finally, when we are out east, we have to think about the River Walbrook, flowing into the City (have a look for Bloomfield Street and Curtain Road) and when we return to Paddington, we have to reflect on the River Westbourne and the prevalence (eleven) of street names in the Paddington area denoting that lost river, whilst there is also a Bourne Street in Chelsea, near the river’s destiny at the Thames.
I enjoyed this exhibition so much that I went twice, as did my wife. My Bristol and Singaporean relatives were also enthralled on their visit. Everything about it all seemed so perfect: the exhibits and the space seemed made for each other. Brunel’s goods shed (incidentally, Isambard Kingdom Brunel was one of the first steam engine numbers I ever underlined in my train spotter’s book) was built in 1845, when the Great Western Railway’s 7 feet and a quarter inch broad gauge met the more ubiquitous 4 feet 8 and a half inch gauge at Gloucester: this historic and numinous presence of convergence and space echoed fittingly in the atmospheric half light of the goods shed on the cold Sunday afternoon when we visited. As the Paris Situationists almost said: ‘Underneath the concrete, the 1892 week-end tearing up of the broad gauge track.’
Such a palimpsest and such an exhibition also suggested part of the motto of the old GWR: ‘Virtute et Industria’. We saw how an empathetic industrial archaeological sensitivity and a playful artistic perspicuity enabled rusting metal to be converted from singular utility to multiple ambiguity. Thus, the serpentine line of chain link stretched across the floor evoked, for me, that iconic image of Isambard Kingdom Brunel standing by the chains of the Great Eastern steam ship; others in our party were more preoccupied by the interplay of shape and shadow and light and the philosophical relationship between substance, presence and evanescence.
The exhibit ‘Lightness and Gravity’ similarly worked in both a literal and metaphorical sense: some of our party saw an orrery and planetary associations of Jupiter and the Moon; some saw Power and Strength; some J Arthur Rank; some ‘The King and I’; some Alignment and Connection; some the tyranny of the factory hooter and the Clock. The great thing about all this is that the deliberate omission of explanatory text for the sculptures creates a welter of definition and discussion.
So thank you very much sculptors Paul Grellier and Ann-Margreth Bohl for this marvellous exhibition. Mathematicians develop equations for time space convergence and I wouldn’t stand a snowball’s chance of understanding a thing about any of that. But your divergent sculptural and artistic sensibilities allowed our group to chat about our divergent thoughts, definitions and justifications in cheerful and unabashed colloquy.
We left, in consequence, the richer, the wiser and the happier. (Although I have never written pseudier.)
‘No sun-no moon! No morn- no noon – No dawn- no dusk – no proper time of day. No warmth, no cheerfulness, no helpful ease, No comfortable feel in any member – No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds! – November!’ Thomas Ho read more
Names on a Map So what is in a name? A rose is a rose is a rose? A spring is a spring by any other name? What poetry is there in the vowels and consonants That litter our landscape with their litany? What secrets of etymology and topography are revealed When we tramp th read more
Worklight Theatre in Stroud
Torches and performers set the stage alight as Worklight Theatre presented a narrative and analysis of the Summer of Discord, 2011. A speedy hour whizzed past as we witnessed the spectacle of that confusing time: just 2 years ago and it already seems like another age.
Yet the play reminded us how ‘the political rhetoric’ surrounding those riots has a history stretching back through the 20th century and to the Industrial Revolution. Talking of which, here’s an open offer to Worklight Theatre and Spaniel in the Works Theatre Company: let me know if you would like to get heads around the decade of Chartism in the Stroud Valleys, or the periods of weavers’ riots or food riots. That might be something too.
Fringe Review2012: ‘Theatre so spell-binding yet brutally honest and brave that it actually gave me goose bumps’
Broadway Baby 2012: ‘Professionally stunning…’
All of us in our group who went, from teenagers to citizens of seniority, would totally recommend seeing this whilst in our area:
26th, 27th, 28th, September, Cheltenham, Everyman
You get home from Southwold after a 5 hour drive and you’re slightly tired, even though you don’t drive. The fields resemble a Kansas harvest breadbasket, Keats whispers in the wind: ‘Where are the songs of Spring?’ and Seamus Heaney is dead, school’s back on Monday, war clouds are gathering. The holidays are well and truly over.
But a walk up the Albert on Stroud Fringe Saturday night restores your faith in humanity and the infinite possibilities of friendship. Not just old friends from ‘No Pasaran!’ like Becky and Dell, but also a new welcome from Folk in a Box. Out the back of the pub was a a group of bohos and hipsters even more boho and hipster than the usual for even the Albert. Behind them was a box.
I entered the sepulchral gloom within the portmanteau and sat opposite an invisible minstrel. What might happen? What could happen? Friend or foe? Confusion is the usual handmaiden of darkness – what if humiliation is the consequence? Robbery?
Instead, the troubadour strummed a guitar and sang me a song straight from the heart. Two strangers lost in darkness, yet establishing a union through the medium of music, a harmony where none existed before. ‘Folk in a Box’: singing inside a box, yet making waves through seven handshakes wherever they go.
When Giffords Circus pitches up on your green, Conventional wisdom is mesmerised: Enter the Big Top’s strange circumference And Euclid’s straight-line space-time dissembles Before your very eyes, Ladies and Gentlemen! All is magick, spectral, alchemical, Performers and read more